Thorgeir has grown old and is unable to run his farm anymore. He packs his few belongings, shoots his old dog, and leaves to the city. Living with his daughter's family doesn't work out too well, and he ends up in a nursery home - society's way of putting out people when they are no longer needed. There he meets up with Stella, and together they steal a Jeep and set out on a journey to northwest where they both grew up.Children of Nature can be a difficult film to comprehend for the casual viewer, as elements of magical realism appear suddenly and without explanation in this seemingly realistic film. However, one must be aware that this is a travel to the childhood, back to rural Iceland, where supernatural was (and partly still is) a very real part of the way of life. Through the film, Thorgeir also undergoes transformation from his very cynical outset that sees death as turning into mere trash that has to be thrown out.The beauty of Children of Nature is the way the simplistic road movie builds up into being commentary on urbanization, heritage, life and - most of all - death. The ending is one of the most powerful that I have ever seen.

I´m sorry to say, but this film is one of the worst from Iceland. It has some of the most dumbest plot lines ever filmed, and everyone who has ever heard anything of Iceland knows that old people are not mistreated the way it´s portrayed in this flick. An Oscar nomination...give me a break. It would have been more believable to let Die Hard take place here than this film.

Since making Children of Nature he not made anything worthwhile, so he has passed his peak. He's made about 4-5 very bad films since nearly winning an oscar for this average but entertaining film. And he never really made anything good before this. It's a shame that he runs the Icelandic film industry single handedly.

I ´ve seen some of the earlier works of Fridrik and with one exception hated them all. He started by insulting the Icelandic nation by doing a horrible (and terribly long film) about one of nation's greatest writers. Then he did a documentary about Iceland and got almost all of through the windscreen of a car, driving too fast. "Rock in Reykjavik" was a pleasant documentary and really fun to watch. But this film puts him among the world's most talented directors and for a small nation, that is a lot of responsibillity. Since he did "Börn Náttúrunnar" he hasn´t done anything to speak of but it´s hard to tell whether he has passed his peak, or the best has yet to come.