Lord Windermere appears to all – including his young wife Margaret – to be the perfect husband. The couple's happy marriage is placed at risk when he starts paying visits to a mysterious beautiful newcomer, Mrs. Erylnne, who is determined to make her entry into London's high society. Worse, the secret gets back to Margaret that Windermere has been giving Mrs. Erylnne large sums of money.
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Madeleine Carroll is way passed her best in this film and it comes towards the end of her career when she was making one film a year. I've never been a fan of Carroll even when she was in the Hitchcock films. And she added nothing to Cecil B. DeMille's 'North West Mounted Police'.George Sanders plays an older man, but in flashback when he plays his usual self he is taken by Jeanne Crain. He was better in 'Samson and Delilah' which came out the same year.I think Otto Preminger's handling of 'Laura' was far superior. This offering comes nowhere near the quality of 'Laura' in terms of story, performance, direction and production values.
This 1949 version of Oscar Wildes Lady Windermere's Fan is lovely, performed with wry wit and delicious innuendos. Madeleine Carroll plays Mrs. Erlynne brilliantly along with George Sanders as Lord Robert Darlington, together they take us back to a different era. The now elderly Mrs. Erlynne recounts memories of love , loss and a mother's sacrifice and this story is played out in flashback in Victorian era London, with Jeanne Crain as the beautiful, young Lady Margaret Windermere and Richard Greene as Lord Arthur Windermere. Martita Hunt amuses as the Duchess of Berwick, a typical gossipy, upper-class matron. This is not a classic film of Oscar Wildes classic story, but it is very thoughtfully done and this film version moves along at a pleasurable pace. I must correct a fellow reviewer, we are told the fate of Lady and Lord Windermere, early in the story Mrs. Erlynne tells Lord Darlington she has visited their grave as they were killed together in the first bombing of London during WW II. I enjoyed this story about the hypocrisy and morals during the Victorian era , and Madeleines Carroll's delightful performance I would watch again. But this is a film I encourage the reader to watch and decide for themselves.
I was looking forward to this old film because of its cast -- the lovely and talented Jeanne Crain, Madeleine Carroll, Richard Greene, and the always interesting George Sanders. Unfortunately, the first third of the film was rather disappointing...almost dull. But then, the mystery begins and things get far more interesting -- why is Richard Geene paying large sums of money to Madeleine Carroll? Is it an affair? Almost certainly...except that it isn't.Jeanne Crain was, in my view, one of the loveliest actresses of her era, and she shines here, although I would say this film is more of an ensemble cast than a star vehicle. Madeleine Carroll -- in her last film -- is absolutely riveting here, not to mention mysterious. It's a rather odd film for George Sanders in that he's the character he so often played in the parts of the film that are flashbacks, but a very elderly gentleman for much of the story. Richard Greene, whose career pretty much stalled after the way, was still doing nicely here...a fine and underrated actor, though this is far from his best role.I was a little disappointed at the end of the film that we have no idea what happened to Jeanne Crain and Richard Greene. Dead in the war? We never know.Personally, I slightly preferred the 2004 film adaptation of the Oscar Wilde story -- "A Good Woman", which takes place in Italy. It starred Helen Hunt, Scarlett Johansson, and Tom Wilkinson. It had its own flaws, but it didn't suffer from the first third of the film being awkward. Although, I thought the rest of the Jeanne Crain version was better. Kind of a toss up, really.
I HAVE TO seriously differ with the same review of this gem of a film. Agreed that George Sanders is wonderful (as usual) and that the bookends of the film are not necessary though rather charming, but the film is a jewel, all the performances are very good and MADELEINE CARROLL in her last film ever is totally wonderful and EXQUISITE.. Jeanne Crain does a credible job playing a British aristocrat, accent and all and Martita Hunt as always steals every scene she is in. The sets and costumes are stunning, and it is a pity it was not filmed in color. Otto Preminger is a strange choice as a director for this vehicle but he is always fascinating, even his misfires and this certainly is NOT one of them.A must see believe me.....