When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters -- a squid, a crab and a snapping turtle -- and transform them into colossal mutant monsters.
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A sparkly-blue blob of light from outer space with the ability to take over and mutate/enlarge a host arrives on Earth. Soon, denizens of a tropical island are threatened by a stupendous squid, a colossal crab, and a titanic turtle. Eventually, the space creature takes over a human, allowing it to gloatingly communicate its nefarious plans of world conquest. An aversion to porpoises and bats yields a clue to the invader's weakness, and plans are made to fight back. Diakaiju-sized plot inconsistencies aside, this is a pretty good Toho monster opus. The tentacled monster ('Gezora') is a nicely done example of suit-mation - yes, we all know that there is an actor within, but the creature still looks good and, for an '60's film, is well integrated into the live footage. The turtle ('Kamoebas') is a little weaker in execution but the giant mutant crab ('Ganimes') is excellent - better (IMO) than the shrimp-based kaiju "Ebirah" ("Godzilla vs. the Sea Monster" 1966). I watched an adequately dubbed English version of the film, so can't comment on the acting or original script, but generally liked the portrayal of the characters (especially the 'natives', who, unlike most stereotypical peaceful islanders, were the ones who kept showing up with more and bigger guns). Directed by Toho's best known kaiju wrangler (Ishiro Honda) and with music by Akira Ifukube, the film has the look and sound of a Showa-era Godzilla outing and is an entertaining time-passer for anyone willing to suspend their disbelief long enough to fear for the lives of the intrepid islanders, who are all that stand between us and extinction. A must see for people concerned with their 'kaiju-life lists', as the three featured monsters are essentially one-offs in the Toho corral: ('Kamoebas' has a bit part as a washed-ashore corpse in "Godzilla: Tokyo S.O.S." (2003), 'Gezora' is briefly glimpsed in the opening montage of "Godzilla: Final Wars" (2004), and 'Ganimes' never again surfaces (despite being a nicely executed giant crab outfit)).
My fellow Trekkers who rent Ishiro Honda's 1970 offering, "Space Amoeba," expecting to see an 11,000-mile-long, single-celled organism on the order of the one shown in the classic "Immunity Syndrome" episode may be a bit disappointed here. Rather, the sparkling hive colony in this film that attaches itself to Earth's unmanned Helios 7 rocket, en route to Jupiter, is comparatively teeny, but still capable of causing major-league mishegas nonetheless. This space hive causes the Earth rocket to crashland in the Pacific and proceeds to transform a squid, a crab and a turtle into some giant monsters, respectively Gezora, Ganime and Kamoeba. Good thing that a Japanese biologist, a photographer, an industrial spy AND the obligatory pretty girl all happen to be convening on nearby Selgio Island to explore a future resort area.... Anyway, this Honda monster bash is a mixed blessing at best. While Gezora looks pretty cool lumbering about on his tentacles, his fellow monstrosities are fairly lame, and the seemingly inevitable dukeout between two of them may be the dullest in the history of the kaiju eiga. The film grows increasingly loopy as it proceeds, and the final 1/3, conflating bats, a native marriage ceremony and a deus-ex-machina volcano, is quite bizarre. Fortunately, the photography of the island looks great, longtime Honda collaborator Akira Ifukube provides another rousing score, and FX man Sadamasa Arikawa dishes out some interesting visuals, especially his outer space shots and the "amoeba" itself. (Sadly, his giant monsters are not equal to those of an earlier Honda colleague, Eiji Tsuburaya.) All in all, the film is an undeniably fun mixed bag that should just manage to please fans of the genre. Oh...a great-looking DVD here, thanks to the fine folks at Media Blasters' Tokyo Shock unit.
In the late sixties and going into the seventies Toho loved monster movies based on islands. Well, this time it really works. The story is cool, the acting is great and the three main monsters are major league cool. Their names are hard to pronounce but I do feel that the designs are cool and they are not the standard monsters that you find in these movies, a cuddle fish, a crab and a snapping turtle. I love the effect that allows the Snapping Turltle to shoot out his neck. Okay, now the downside, the old native thinking that Gezora is some kind of God even though there is no monsters like that in their religion is just stupid. But that's just me. So to make a long story short, I give it 9 big stars!
The enjoyment that you derive out of this movie is directly proportional to what your expectations are. I'm a big fan of Honda's work, he's made some of the very best giant monster (not just limited to Japanese kaiju) movies ever made - this is not one of them. It's really pretty bad - not Jun Fukuda bad, mind you, but in the world of Ishiro Honda's works it's quite the stinker.And yet... It's somehow great. What makes it truly great can essentially be summed up in one word. Gezora. Gezora is a giant squid, or an octopus, or perhaps a cuttlefish, or... It really doesn't matter what Gezora is supposed to be, just know that (unlike the giant octopus from "King Kong vs. Godzilla") Gezora is not a slimy creature that flutters and unfurls itself along the ground like an octopus probably would if it could actually move outside of the water. No, my friends, Gezora is rubbery looking and he walks. Let's say that again so that the utter ridiculousness of it can sink in:Gezora WALKS. On tentacles. You see, they didn't have access to high-tech animatronics and kaiju films have always had an aversion to stop-motion animation, so, as was custom - it's a guy in a suit. But how does a guy in a suit impersonate the flowing movement of an octopus/squid/cuttlefish on land, you ask?He doesn't. He walks around, dragging and swinging tentacles with reckless abandon. That, if for no other reason, is why this movie must be seen to be appreciated. Gezora is, by far, my favorite bad kaiju. Yes, even better and far more ridiculous than King Seesar. This may be difficult to believe, but he's even sillier (and more lovable) than Guiron - knife-headed foe of Gamera. You, too, will love Gezora if you just give him a chance - and that chance has arrived as of today, for "Space Amoeba" has been released on DVD.Huzzah!