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Trailer Synopsis Cast Keywords

A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.

Sally Field as  Amy Post
Tommy Lee Jones as  Elmore Pratt
David Keith as  Mason
M. Emmet Walsh as  Arthur
Michael V. Gazzo as  Tazio
Nell Carter as  Waitress
Royce D. Applegate as  The Father
Don Barry as  Pete
Billy Jayne as  The Boy Thief
Brian Frishman as  Bleitz

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Reviews

Danny Blankenship
1981/03/13

Just recently checked out this little known film from 1981 called "Back Roads" and I knew it would be a winner when it had Tommy Lee Jones and Sally Field in it and I was right the chemistry had worked. This is a heartfelt little tale of struggle and a journey of survival it touches your emotions showing that everyone has good in them and life is an unexpected journey. Set in the deep rural south I believe Alabama you have Sally Field as Amy Post a sweet and love like street walking hotel staying hooker who earns 20 dollars for each bang she gives. Things shakeup a little bit when she meets the rough and rugged Elmore Pratt(Tommy Lee Jones) a man who's dreams of becoming a prize fighter has blown up in smoke as now he moonlights as a taxi car washer! After hooking up the two decide to journey out to California the best way they can as money will not stop them. This is an interesting journey in which both each learn respect, love and courage it proves life is a journey of discovery and learning how to love. Overall good little underrated gem to watch.

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gcd70
1981/03/14

Back Roads", a pointless movie which lacks direction and is void thematically, concerns a cross-country journey of discovery that is uninspired and uncovers little. Screenwriter Gary De Vore's would be road movie tells the story of a two people from Mobile, Alabama who head out to California to try and start their lives anew. The weak plot leaves little for Martin Ritt (director) to work with, and he is unable to swing the film into gear (it couldn't choose one) with any real force.The pairing of Sally Field, who does reasonably well in this unusual role, and Tommy Lee Jones is never romantically moving, and the duo can make little of the sparse comedy and ineffective drama. David Keith drops by in a supporting role, but his meaningless character leaves him floundering.De Vore made nothing of the subplot involving Miss Field's little boy.Saturday, June 10, 1995 - Video

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Rune Carlsson
1981/03/15

Hi. Long time ago I was on a Swedish ship, a general cargo ship on a trip from England to Brownsville, Texas. It was a bad ship, and it ended in a one-way ticket back to Sweden, paid by the Swedish embassy, but, however, there were some Mexican hookers visiting our ship every day during our stay, very friendly and "speakable", but one day when they came aboard one of them shouted "I'm a movie star", and she explained that she had a part in a film called "Crossroads" (later I found out that it was called Back Roads), featuring Sally Field. As the years went by I looked for this film but never found it, until today(!) 14th March 2007, when they showed it on cable television...fantastic! After all, she wasn't lying! A little story on the first day of spring here in Sweden. Yours Rune Carlsson

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moonspinner55
1981/03/16

There's nothing more exciting than seeing a slick Hollywood player like Sally Field getting down-and-dirty like she does in "Back Roads". At one point, she and her two male pals (Tommy Lee Jones and David Keith) are at a county fair and have no money. No problem! Sally fixes her hair and says to the guys, "Don't wait up." She knows how to make money (with her body) and nonchalantly sets out to do it. She's proving nothing to no one--it's second-nature to her--and when Keith calls her a 'whore' she tells him, "A whore is a sixteen-year-old with a bad reputation. I...am...a...hustler!" There are many moments to cherish in this rough jewel: Field standing outside the school where the little boy she gave up for adoption attends, running into his angry mother; Field writing a letter to the same child, telling him how sorry she is; Jones and Field getting off their bus after a fight and going their separate ways, each trudging down two dusty streets. It's a top-notch road comedy with Field and Jones overcoming the obvious sentimentality of the overall conception and making a memorable duo. *** from ****

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