Of course, most (if not all) mind readers are phony, and that is definitely the case with Warren William here, playing one of his most notorious scoundrels. He's a second-rate carny medicine man salesman who sees a mind reader at work and decides to get in on the scam. At first doing a tacky mind reading act, he's soon the toast of women's society, finding out the scoop on various men cheating on their wives and this leads to a confrontation by one of the husbands and a struggle for a gun that leads to the man's death. Constance Cummings, cast as his naive wife, happens to be a friend of one of the socialites with a cheating spouse, and arrives at William's office, unaware that the notorious society psychic is in fact her own husband. She's held for his murder as William disappears, but when his conscience takes over and she lies ailing in a prison hospital, he must make a life-changing decision that could bring on either atonement or damnation.One of the premiere scoundrels of the pre-code era of Hollywood cinema, Warren William was the George Sanders of his day. He played either likable, dashing schnooks or borderline criminals, all on the take, all after women (married or not) and all morally reprehensible. His right-hand man (Frank McHugh) stands by him through thick and thin, and he even has a black assistant (Clarence Muse) who arranges for allegedly burnt questions from the audience to flow down a tube to McHugh who then reads them into a small microphone which only William can here. There's a very haunting scene featuring Mayo Methot (at one time the wife of Humphrey Bogart) as a victim of William's phony mind reading who tells him off then takes drastic measures to deal with the fall-out of his incorrect advice. Natalie Moorehead has one great scene as one of the society women William utilizes in his schemes to rise to the top of his racket.Somewhat disturbing due to the lack of scruples of the leading character, this is still fascinating because of the no-holds barred way it reveals his rise, fall and come-uppance. McHugh gets a hysterical line in the final scene which pretty much sums up the irreverent way in which the characters liked to live their heinous lifestyles. Some great art direction and a truly snappy screenplay are aided with the direction of Roy Del Ruth. In spite the implausibility of how Cummings comes to discover her husband's betrayal and her ridiculous naiveté over it all, this is pre-code drama at its finest. William shows that he's more than just dashing window dressing for the great ladies of Warner Brothers' golden age (Bette Davis, Kay Francis, Joan Blondell to mention a few) and that with the right part, he was truly one outstanding actor.

Constance Cummings was one of the most beautiful ingenues of the early thirties and the bonus was she could really act. "The Mind Reader" was typical of the Warner Bros. pre-coders, this one tackling the charlatans and phoney mediums that drifted through the country carnivals eager to con innocent folk out of their hard earned money. Warren Williams plays one of those who, along with his crooked buddies (Allan Jenkins and Clarence Muse) go from town to town - pulling teeth in Pine Bluff, selling hair tonic in Nashville but in Topeka they find a new racket and now, posing as "Chandra the Great - Mind Reader", he is out to "tell the chumps what they want to hear"!!Pretty Sylvia (Cummings) is one he advises "a great change will be coming into your life" - the next night she is employed as his secretary and it is her job to answer the hundreds of letters he receives from people begging him for advice. Things come crashing down when Jenny (Mayo Methot, in yet another dynamic performance), bursts in to tell him that his advice of rejecting the man she really loved wrecked both their lives!! Sylvia then realises that her husband (yes, she is now married to him) is a despicable fake and feels the only way their love can survive is for him to go straight.The second half of the movie sees him embracing a new racket, as selling brushes may be honest but financially unrewarding. A chance meeting with Jenkins, who is now a chauffeur to a cheating couple (Natalie Moorehead is the wife) sees Chandra become a very up-market spiritualist whose clients are happy to pay thousands to catch out their cheating spouses.Constance Cummings gave all her parts intelligence - even if it was there or not. By the mid 1930s she was being hailed as the next big emotional star but she had already secured life long happiness by marriage to Ben Levy and by the end of the thirties was happily living in England. In any other actress's hands Sylvia would have seemed a bit of a twit - blindly marrying him and then not realising he was the famous mind reader that the whole city was talking about (didn't she wonder where all the extra money was coming from)!!! There is a confrontation with an angry client in his office and he blows down to Mexico leaving Sylvia to bear the blame of the shooting. Warren William does what he does so well, playing a ruthless crook who, nevertheless, has sparks of redeeming qualities, enough so the ending isn't a surprise. One of the "conned" woman is Ruthelma Stevens, so good as the perfect secretary in "The Circus Queen Murder".

The ever affable Warren William stars as the title character, a traveling carny who engages in crooked confidence scams with his colleagues Frank and Sam (Allen Jenkins and Clarence Muse). He falls for one of his victims, a charming young thing played by the beautiful Constance Cummings, who gets her man back on the straight and narrow--only to find him falling off the wagon when a new job hawking brushes door-to-door doesn't quite pan out. Thanks to Stephen Sondheim, this classic 'B' feature returned to television recently, and it's quite a revelation. Filled with pre-Code flavor, including references to the Mann Act, drug abuse, and oodles of adultery, The Mind Reader is far from being a one-trick pony: it also features a well developed screenplay by Robert Lord and Wilson Mizner, impressive expressionistic photography by the reliable Sol Polito, and some stunning art deco set design by Robert Haas. It all comes together beautifully thanks to director Roy Del Ruth, but the real revelation for me was the acting of Ms. Cummings--still with us as I write this! Besides looking radiant, she delivers a tour-de-force performance as the put upon Sylvia, whose innocence soon turns to anger and resignation when she realizes the true nature of her husband's work. As would be expected, William and Jenkins are both excellent, and Muse gets a sizable and generally dignified role as well. For any number of reasons, this is a wonderful relic of 1930s cinema that needs to get a DVD release. Happily, TCM's print has been well preserved and looks as good or better than any big budget classic from the period.

William Warren plays a fraud who must choose between his girl and his fraudulent - but lucrative - profession. Interesting use of crooked camera angles to depict crooked dealings. Warren displays a wider acting range than in other movies.