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When a wealthy art dealer is murdered, the private investigator hired for the case discovers a web of blackmail, corruption and stolen bonds.

Reginald Denny as  Oliver Keith
Patricia Farr as  Ella Carey
Jameson Thomas as  Dr. Phillip J. Boyer
Dorothy Revier as  Julia Sayre
James Bush as  Arthur Pennyward
John St. Polis as  Jerome T. Shelby
Claudia Dell as  Alice Sayre
John T. Murray as  Albert J. Sayre
Lew Kelly as  Police Inspector Lewis Trainey

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Reviews

classicsoncall
1935/10/20

This is generally an 'in the middle' murder mystery and detective story, but considering it's mid-Thirties release it's got a few things going for it. What sells it is the banter between private detective Oliver Keith (Reginald Denny) and his attractive younger secretary Ella (Patricia Farr). It would have been more believable if the story kept any semblance of a relationship between the two out of it, as Denny was twice as old as his co-star in real life. But for the most part it worked, especially at the end when they smooched it up to allay viewer fears that Denny's character might have been a bit too abusive.For all intents and purposes, this could have been virtually any movie detective's show of the era - think Charlie Chan, Mister Wong, Bulldog Drummond, or the favorite on this board, Nick Charles. The story plants a number of red herrings surrounding the murder of antique dealer Albert Sayre (John T. Murray), the most obvious being his wife Julia (Dorothy Revier), and business associate Dyker (Jack Adair). The mystery is solved using your typical 'gather all the suspects in one room' approach, as the detective hero successfully conveys the solution of the case by eliminating the suspects one by one.The bigger mystery once the film is over is how they came up with the title. The term 'Lady in Scarlet' was mentioned early on in reference to a play Albert and Julia Sayre were discussing, she having favored one called 'The Frolic of '32'. However none of the principal female characters had any connection to the title by virtue of their attire. Be that as it may, it made me think of a similarly named Sherlock Holmes flick from a decade later called "The Woman in Green". In either case, who could tell when the picture's in black and white.

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JohnHowardReid
1935/10/21

Universal was the only major Hollywood studio to have regular dealings with Poverty Row, so it comes as something of a surprise to see a 20th Century-Fox package wrapped up in the mantle of Chesterfield producer, George R. Batcheller. Admittedly, by Mr Batcheller's extremely sparse expenditure norms, the budget for this one is somewhat superior, but nonetheless the witty script by Fox's ace writing team of Robert Ellis and Helen Logan is not all that well served by plodding Reginald Denny (at least he plays the role straight) as the egomaniac detective and most of the second-string support players. Thomas, Bush, Murray and Kelly are especially dull in key roles, but fortunately the girls are okay. In fact, Patricia Farr (part of the Fox package) is quite winning as the put-upon secretary (even though she is forced to wear the same drab outfit throughout the entire movie). As for the solution of the mystery, this is a bit of a let-down, although it will come as no surprise to most fans. The real killer is Charles Lamont's scrupulously unexciting direction.

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dbborroughs
1935/10/22

Reginald Denny stars a a detective who gets involved with the murder of an antique dealer.For the most part this is a by the book murder mystery with several interesting twists in it. The plot basically is that a wealthy antique dealer is suspicious that his wife is having an affair. People are watching the house and the husband appears to be involved in crooked dealings. The wife while out with her lover notices an old friend and semi famous detective at the bar. The lover leaves and the wife talks to the detective whom she talks into taking her home. Once there they find the husband dead and a very twisty, and not entirely fair, murder investigation is set in motion.Denny is as always a joy to behold and his interplay with his girl Friday is funny, if not rather cruel. Frankly if it wasn't clear they loved each other it would be abusive.A friend watched most of this with me and sat there in disbelief at the creakiness of it and of the bad acting. But this is an independent programmer that was made fast and cheap so that fact it is of any quality is usually a plus. Its not as bad as she made it out to be, and I don't think she hated it, she just enjoyed the camp value of it all.I liked it, but I didn't love it. Its a movie that sort of is unexceptional in anyway, and so just sort of is. Its a pleasant time killer and nothing more. In answer to Lucy's question, yes at some point I will watch this again, if only to see what I missed plot wise since the clues appear to all be there even if not clearly....

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pdutram
1935/10/23

Who killed Albert J. Sayre? Another witty gem from Chesterfield. The dialog between sleuth Reginald Denny and his "secretary" Patricia Farr (who died at age 35) is every bit as good as that between Nick and Nora Charles in "The Thin Man" series. They certainly have an interesting relationship. Unfortunately, Ms Farr looks nothing like Myrna Loy. Sayre's daughter, Julia, however, is played by the very beautiful Dorothy Revier. Lew Kelly does his slightly dimwitted slow burn as Police Inspector Trainey. There are plenty of suspects. It's a well-kept secret who done it right up to the end. You'll just have to guess.

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