The Evil Mind AKA The Clairvoyant (1935) Maximus (Rains) started out as a phony clairvoyant - scamming people for money with his fake stage act. He was ridiculed harshly in front of an audience one night and the trauma was so bad he ended up with the real gift of foresight and proved it in front of all that very night. After that night he began predicting real events unfolding. But when he predicted a major disaster and decided he had to warn those involved he is accused of distracting the workers and causing the accident - now he must stand trial. Can he prove he is innocent? Can it be proved he is a real clairvoyant? Wonderful roles for Claude Rains and Fay Wray. A very good mystery-thriller of the 1930s.7.5/10

Maximus (Claude Rains), a small-time music hall mind reader, has frightening flashes of precognition; but he cannot predict or control them ...until he realizes he has them in the presence of Christine (Jane Baxter), the daughter of a publisher, who makes Rene (Fay Wray), his wife, wretchedly jealous.How can you go wrong with pairing Claude Rains ("The Invisible Man") with Fay Wray ("King Kong")? You simply cannot. Jane Baxter adds a little class to the mix (while perhaps not as well known, she was an actress for an impressive fifty years).Worth noting is that Maurice Elvey (1887-1967) was the most prolific film director in British history. He directed 195 films between 1913 and 1957. During the silent film era he directed as many as twenty films per year. Wow. This was probably the one he is most known for today, though "Transatlantic Tunnel" takes a close second.

The Clairvoyant is directed by Maurice Elvey and adapted to the screen by Charles Bennett and Bryan Edgar Wallace from the novel written by Ernst Lothar. It stars Claude Rains, Fay Wray and Jane Baxter.Maximus: King of the Mind Readers.Out of Gaumont British and Gainsborough Pictures, The Clairvoyant is a compact 80 minute picture that tells of a bogus clairvoyant played by Rains who suddenly finds he does in fact have the gift. However, it's a gift he can only bring out when he is in the presence of a woman named Christine (Baxter), something which greatly unsettles his marriage to Rene (Wray). Film is structured in two wholesome parts, the first finds Maximus and Rene bluffing their way on the entertainment circuit, with Maximus then finding the gift and predicting events that really occur, both good and bad. Then the film greatly shifts in tone to play out as the gift being a curse, Maximus' private life comes under great strain and a turn of events see him come under snarling scrutiny by his peers. The seamless shifts from moody to jovial and back again is a credit to the makers, with Rains turning in a powerful performance in one of the last British films he made before heading to America and the big studio contract.It will not surprise with the ending, and the running time means that some interesting themes are not fully born out and expanded upon. But it's very well performed across the board and has genuine moments of tension and horror once the jovial atmosphere dissipates. 7/10

Professional mind-reader Maximus (Rains) suddenly becomes a genuine foreteller of the future, causing a bunch of problems.That early scene of Maximus on stage is a little gem of staging, editing, and directing. The backdrop of a giant The Thinker is impressive, suggesting that a mental force much larger than the dwarfed Maximus is in play, as indeed it is. His transition from professional trickster to derided dunce to man possessed is riveting, especially as echoed in the gamut of audience reactions. Riveting also is Christine's (Baxter) trance-like stare, which oddly becomes Maximus's pathway to the future. I just wish the movie's remainder equaled this early atmospheric plateau.The main problem is that the screenplay, having set up the compelling premise of genuine clairvoyance, is unsure where to go with it. As a result, events meander into a love story culminating in an utterly conventional ending that unfortunately undercuts that brilliantly ominous stage sequence. Then too, as others point out, the coal mine and court trial sequences are poorly thought out, making that part pretty murky. Just why Maximus is blamed is never made clear-- (although the mine owners responsible for the dangerous conditions could have been implicated for shifting blame). Claude Rains as a leading man takes some getting used too. Nonetheless, he's excellent at alternating Maximus's many moods, and I especially liked his moment of uncharacteristic gaiety when he thinks he's out-foxed the money men. And, of course, there's the gorgeous Fay Wray—a man like Maximus is truly possessed who would think of leaving her. Plus, Jane Baxter who I haven't seen before is also compelling in a very well-cast film. All in all, the movie comes across as an uneasy combination of the brilliant, the conventional, and the muddled.(In passing—one direction for the uncertain storyline would have been the question whether the future is ruled by the inalterable hand of fate. If so, then future events cannot be changed no matter how hard we try. Maximus thinks his prophetic ability provides the opportunity to alter the future. However, suppose we factor in the possibility of a future ruled instead by fate. Then the question of how Maximus fits into fate's inalterable equation becomes an interesting one. Anyway, it's a thought.)