When an attractive young girl is murdered, suspicion falls on several members of the local tennis club. It falls to Police Inspector Halloran to sort out all the red herrings, and finally after a confrontation at the top of the local church spire, arrest the culprit. Another fascinating look at what life was like in Britain during the 50's.
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Copyright 1956 by Marksman Films Ltd. Released through Columbia Pictures Corp. No New York opening. U.S. release: August 1957. U.K. release: 18 February 1957. Australian release: 26 September 1957. 8,654 feet. 96 minutes. NOTES: "Introducing" Elizabeth Seal, although she had in fact previously appeared in Radio Cab Murder (1954). Producer: Maxwell Setton. Copyright 1956 by Marksman Films Ltd. Released through Columbia Pictures Corp. No New York opening. U.S. release: August 1957. U.K. release: 18 February 1957. Australian release: 26 September 1957. 8,654 feet. 96 minutes. COMMENT: You'd think a movie with a cast like this would more than fill the average suburban cinema of a Friday night. Mills, Coburn, Farr were all super-popular players. Farr had even recently played a most successful season on the stage, opposite his actress wife, Muriel Pavlow. But when I saw the movie at my neighborhood Odeon, I was one of only three paying patrons in the theatre! It wasn't only that television had already started to take its big bite out of cinema attendances, but that audiences simply didn't take to Mills as either a policeman or a murder suspect. To most picturegoers, Mills was a serviceman - whether in the army, navy or air force didn't matter, so long as he was in uniform. Out of uniform, he was barely tolerated as a businessman or farmer, completely ignored as either a light romantic figure or comedy cut-up or a disturbed "little man" with serious emotional problems. Thus general audiences chose to ignore all of Mills' best performances. Instead he was "ideally" cast as the epitome of breezy officer types, all-right chaps, stiff upper-lip and all that. A grippingly fast-paced, mystery thriller, Town on Trial is an original screenplay by Ken Hughes and Robert Westerby, written in the classic tradition of credibly-hewn characters, realistic incident and a bobby-dazzler of an action climax. There are only four suspects, yet the writers keep us in fine suspense right up to the climactic revelation. And although the identity of the killer is cleverly concealed, the script plays fair . John Guillermin has directed this fine script with verve, style and imagination. No doubt all the subjective camerawork is detailed in the script, but it's fascinatingly presented all the same. A large budget with lots of extras and location settings also helps. The performances are all major league. From the tantalising glimpse of Magda Miller, through the high-spirited sexiness of Elizabeth Seal, to the nastily vicious (?) or helpfully sincere (?) Charles Coburn who brings all his magnificent charisma to bear on a difficult role which he brings off so superbly. Production credits are likewise absolutely first-rate. Photography, music, film editing and art direction are especially commendable.
I taped the film from C4 and watched it yesterday. I agree it was very disjointed. John Mills was cast completely against character and was not very convincing.Did anyone else notice a scene repeat? After Elizabeth Seal was murdered at the dance, John Mills interviewed Charles Coburn in a side room. He came out of the room to speak to Barbara Bates then instructed a Police Officer to take her home, then is shown coming out of the room again to see her before the next scene! What struck me most was the fact that the Police cars were invariably driven too fast. Charles Coburn was I thought the best actor on show. Nice to see Harry Fowler playing the band leader for a change rather than a spiv.
I watched this on television many a moon ago as a young teenager and I'm now over 60. I really liked this movie and would love to see it again. Since I like British movies of the '40s-early '60s I probably wouldn't be too disappointed seeing it again. I especially like thrillers, suspense, and mysteries. I thought the way they fingerprinted every male in town trying to find the killer was great (I read somewhere that that was used in a real case). Also the notes found with Ezekiel 23:5 "And Aholah played the harlot when she was mine; and she doted on her lovers, on the Assyrians her neighbours . . ." because of the first victim's reputation and the author's opinion of women in general had me running to a Bible and I actually memorized it.The young man climbing the church tower/belfry (or some high precipice) when he felt cornered really had me hold my breath.This is all from memory, mind you. It hasn't even been shown on television here in the States in years. I lived in the Los Angeles area when I did see it.I really really wish it would be made available in a Region 1 DVD though at this point I'd probably take any format and any region I could get!
Having been stuck in the house on a cold winter afternoon I switched on Channel 4 to view their afternoon film Town on Trial and am I glad I did This is a hidden gem of a movie. It will keep you guessing right up to the end who the murderer is. Try and spot Dandy Nichols in a bit part(this is what I love about these old fifties films,spotting actors who go on to greater things) If you can get a copy to rent you will not be disappointed. I give it nine out of ten