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Attendees at a horror-film convention in San Francisco keep disappearing. It turns out that the guest of honor is a real vampire, and his henchmen are kidnapping the convention guests. A horror writer, a Sherlock Holmes fan and an Israeli Nazi-hunter set out to stop him.

Jerry Walter as  Malakai
Barrie Youngfellow as  Cindy
Hy Pyke as  Harris
Morgan Upton as  George Wilson
Stan Ritchie as  Marsdon
Kerwin Mathews as  Prince Zaroff

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Reviews

watrousjames
1978/07/01

This film is hard to find. It was directed by John Stanley who was the horror, science fiction, and fantasy critic for the San Francisco Chronicle for three decades. He also hosted Creature Features TV show in the SF Bay Area. He's the author of THE CREATURE FEATURE MOVIE GUIDE and I WAS A TV HORROR HOST. The film is tongue-in-cheek horror film about a famous horror actor, noted for playing vampires, coming to a Horror Convention in San Francisco, and turning out to be an actual vampire. There are a lot of in-jokes for horror fans. It's fun. It was an independent film shot on a low budget and it sometime shows. If you a horror fan you will probably get a kick out of it.

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vaultonburg
1978/07/02

I find the above, or below review, depending on where they place this, of not much use. I actually am a horror fan, and I did feel this movie was made for me. This is a bad movie written and directed by horror movie host John Stanley. Of course, probably over 90% of the horror movies I've enjoyed throughout the years are bad movies. If you're not real fan of the genre or just enjoy finding an oddball offbeat piece of crap to watch once in a while, you'll hate this. It's not made for you, anyway. Move on. But pointing out the obvious that this is a bad film seems like standing outside a burning building long after the fire department has arrived and yelling fire. This bad movie is plenty good in my estimation and worth a look from any real horror fan.

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MailCrapHere
1978/07/03

This is a quaint cultural artifact of the early '70s. It's an independent film, made by people who loved horror films but weren't able to actually make a scary or terribly involving movie. There are endless references to horror film icons and fandom which are nice but unless you have fond memories of Count Yorga, this movie is bound to disappoint... Because it's on about that level.The San Francisco locations (A murder at Lincoln Park golf course, with the Golden Gate Bridge in the BG - The Kerwin Mathews film-within-a-film was shot at a WWII gun emplacement in the Presidio - The theater where most of the action occurs was actually in Oakland)are nice and I have happy memories of Bob Wilkins, the San Francisco TV horror host on whom a character in the film is based. Beyond that, the film is slow, the characters are thin and the plot is weak.The protagonists, who are involved in putting on a Horror Convention at a San Francisco movie palace, include a horror novelist, a Sherlock Holmes buff and a mystical hippie comic-book guru (No, really, he wears a Jesus robe and goes on about the "comic ethos".) The villains are a horror film star named Makakai, who plays vampires and "lives" his role off-screen, and his pair of PR men, who are actually Burke and Hare, the 19th century body-snatchers. Oh, and Malakai is a real vampire - Not much of a spoiler there.The acting is good and, while it looks pretty dark on my TV, the film is technically well done... But, the writing is weak and despite a bit of gore, it never manages to be remotely scary.

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jgall36
1978/07/04

If you're a Kerwin Mathews fan and want to see this movie to see him, DON'T WASTE YOUR TIME....as I DID! Mathews appears only in the opening segment (a movie within the movie) for less than 3 minutes - and has NO speaking lines! And the remaining 87 minutes of the film are incredibly dull and sluggish. (I watched until the end, hoping that Mathews would reappear...and TALK - while constantly checking my watch to see how much time was left in the film.) Avoid this film, unless you're an obsessive-compulsive Kerwin Mathews or horror film completest. (And this can barely be called a Kerwin Mathews OR a horror film.) I guess the producers needed a "name" for the credits - and Kerwin needed to pay the rent.

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