The Night of the Sorcerers (1974) ** (out of 4)Mildly amusing film from director Amando de Ossorio takes place in Africa where various voodoo ceremonies are taking place. As the film opens we see a woman captured and have her head cut off. From here we're introduced to a new group of people who have come to do some research and before long they are taken one by one to the voodoo grounds.THE NIGHT OF THE SORCERERS has a lot of the right ingredients for a good movie but sadly it falls well sort of putting everything together and turning it into something memorable. I say this because the story is an interesting one, there's plenty of gore to be found, the cast is attractive and there's even a kinky sex scenes. All of this should have led to a much better movie but we've got a lot of flaws that keep it from being better.I think one of the biggest flaws in the movie is the use of slow-motion. If you're familiar with the director's Blind Dead series then you know that he's a fan of using the slow-motion but it just doesn't work here and in fact it looks pretty bad. Just check out the scenes where the woman are chasing someone and the way the slow-motion has them bouncing (slowly) is just comical at times. It certainly kills any chance of suspense or tension.Another problem with the film is that the story itself is rather spotty as it basically just sets up the next victim without too much detail or anything else. A character shows up, gets captured and then killed. As I said, the film has some good qualities including the setting, which was nice and I'd also argue that the cast was a lot of fun. The film is mildly entertaining but there's no question that it should have been better.

In the world of Spanish horror, one of the directors whose most talked about is Amando De Ossorio. The reason for this is mostly due to the fact that he is the man who gave the world the "Blind Dead" films-atmospheric, exploitative and haunting films (well, except for the third one) about evil, eyeless Templar knights who come back from the grave. the films made him a renowned name in horror, even after his death. Yet people also tend to forget his other entries in the field of horror-the rather lamentable "The Sea Serpant", the largely forgotten "The Possessed", the middling vampire horror-comedy "Fangs of the Living Dead" and the enjoyable monster flick "The Lorelei's Grasp." Oh, and of course, this movie, the fun exploitation vehicle "The Night of the Sorcerers."A group of researchers go into the heart of Africa. Thing is, the area has a dark secret: years ago, voodoo priests captured women for dark rites, whipping and decapitating them in the process. Also, for some reason or another this turns said women into leopard skin bikini wearing vampires. In a surprising turn of events, the voodoo priests are back, and s#!t's going to get real.From the get go, some of today's audience probably will find "The Night of the Sorcerers" a bit objective. Though not exactly a member of the PC Police myself (it comes with watching this kind of thing), I can see why: the image of large black men in Africa torturing naked white women is something that puts a bit of a bad taste in one's mouth. Also, fans of the "Blind Dead" films may be let down by this venture, as it lacks much of the atmosphere and scares of those movies.That parts just fine though, because it doesn't try to replicate the success of those movies, and it most likely isn't meant to scare anyone. This is a movie with the following* Hot European women-all in which end up in a state of undress at one point.* Hot vampire girls in leopard skin bikini's running in slow motion* Occult rites* Bloody death scenes* A total lack of logicAnd so much more. This isn't meant to be taken as serious film-making. This is dumb, sleazy exploitation garbage made for undemanding audiences, and you know what? It's good at what it does. Amando De Ossorio knows what kind of film he's making, and clearly knew what those who frequented Grindhouse theaters and Drive-In's wanted, and he delivers.It also helps that he was a talented director too, as he films the whole thing with vivid colors, requisite fog drenched night scenes and stylish, almost artistic violence. Plus, the acting is surprising good, with genre vets Simón Andreu, Maria Kosty, and Jess Franco regular Kali Hansa doing fine work in their roles.Is "The Night of the Sorcerers" a great movie? The short answer to that is "no." It is however, a fun slice of exploitation hokum, and makes for a fine Saturday afternoon viewing. It's the "Citizen Kane" of Hot European Vampire Girls in Leopard Skin Bikinis movies.

For proof positive that other countries can do the shlocky African safari flick just as well as we Americans, look no further than the 1973 Spanish production "The Night of the Sorcerers." But wait: This bizarre horror outing gives us not just a corny African jungle pic, but conflates the vampire, zombie and soft-core skin flicks as well, for one mind-boggling mix. Here, giallo favorite Simon Andreu plays Rod Carter, a journalist who comes to the wilds of the fictitious country of Bumbasa, along with a scientist dude and three truly dynamite-looking women, to do a little research on endangered fauna. Too bad they fetch up in the Yaru district, where the spirits of dead voodoo doctors rise at night to whip the clothes off of captured women, decapitate them, and (somehow...don't ask) turn them into bloodsucking, undead, fully noggined leopard women! Anyway, though admittedly cool sounding in synopsis, "TNOTS" is really nothing to get excited about. The picture is a pretty slow-moving affair that is never very scary, although writer/director Amando de Ossorio does manage to create some nice nocturnal atmosphere in certain segments. The jazzy, Euro-lounge background music by Fernando Garcia Morcillo, nice as it is, hardly seems appropriate for a jungle horror film, and the picture feels hopelessly padded with extraneous wildlife, native-dancing and soft-core makeout footage. On the plus side are those three aforementioned hotties (especially Kali Hansa, playing the toughest and most sympathetic of the trio, Tanika), but sadly, only the slowest witted of viewers will have trouble figuring out what fate this film dishes out for them. Truth to tell, "TNOTS" is really hopeless junk, but is such a loopy piece of junk that one part of me couldn't help but be entertained. This DVD, from the fine folks at Deimos, looks just fine, by the way, with excellent subtitling and lots of interesting extras. This prematurely defunct outfit surely did leave us too soon....

Amando de Ossorio will always be best remembered for his Blind Dead series of films, and that's a very good thing as the films he made outside of that trilogy aren't nearly as good - this one is a prime example. The subject of voodoo is an interesting one, but it never seems to cross over very well to movies, as just about every film I've seen on this topic has been disappointing and unfortunately, this one is no different. It's a real shame too as a film with these elements really could have been a lot better, but Amando de Ossorio isn't able to create an interesting plot around the central idea and unfortunately it falls flat. The film starts with a sequence that sees a woman have her head cut off during a voodoo ceremony. From there we focus on a team of researchers who head out into Africa in an attempt to find out why elephants are disappearing from the area. They soon discover that the locals are afraid of a legend about some voodoo witches in the area, and naturally this turns out to be true and some of the researchers get killed...etc etc.I'm not sure if it was just a problem with the copy I saw (apparently, there's a remastered DVD out now), but this film is very dark and it's often difficult to make what - if anything - is going on. The cinematography is nothing special either and that's a shame because any film set in Africa has the potential for plenty of interesting shots but that isn't capitalised on. Amando de Ossorio does manage to pack some gore and nudity into the film, though it's scant consolation for the rest of the film. The sorcerers themselves also don't manage much in the way of intrigue as they don't appear all that often and when they do, not a lot happens. The plot surrounding the team of researchers is completely worthless and didn't generate anything that I cared for, which gives the film a rather flimsy backbone. Simón Andreu is the only name on the cast list that I recognised and he doesn't do enough to stand out. To the film's credit, the women featured are invariably very nice looking. Overall, this is not a great film and I can't recommend it; see Ossorio's Blind Dead series or The Loreley's Grasp instead!