Martha, a widow living in rural Pennsylvania, comes home to find her daughter about to blow her own head off with a shotgun in the basement of their house. Martha doesn't succeed in stopping her child's horrific demise, but the girl's death gradually leads the grieving mother to investigate a conspiracy that involves a legendary local witch, Nazi dabbling with the occult, and secret government experiments, with the story even referencing the fabled Philadelphia Experiment
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I'm not sure this is a spoiler; perhaps it is a public service. If you are one of those people focused on instant gratification who skip end credits, you will miss the final line of the end credits news announcer's voice-over, which states the U.S. has just surrendered to Nazi Germany on May 7, 1945 to end WWII. Here are just a few of the problems with this close: 1)The older viewer must conjure up the equivalent of two or three more UNHOLY movies in their mind's eye to fill in the yawning chasm between movie events and this startling conclusion.2)The average person will really kick themselves that they did not "watch" one of these UNHOLY fill-in-the-blanks flicks created in their own head for free, instead of shelling out time and money to see this UNHOLY from the video store (or on cable).3)This end credits sequence of imagined news bulletins may be the first information some younger viewers are exposed to about WWII, leading them to the conclusion that George W. Bush is the latest heir to the Nazi throne.
Can I please say first of all, that I felt so strongly about this movie that I signed up to IMDb specifically to review it. And my review? This is easily the worst movie I have ever seen.The synopsis of the movie sounded interesting- Nazis, occult, time travel, etc., but the movies plot failed to properly bring all these elements together. Remember the episode of South Park that featured manatees writing Family Guy using 'idea balls'? Did these manatees also write Unholy? Its like the writer wanted to include all these different ideas, but had no idea how to link them all together, and then to make things make even less sense, included a Donnie Darko-esquire time travel theme to the ending, messing up the chronology.I could tell from early on that this was a bad movie. Special effects were too low budget for anything better than straight to DVD. The acting wasn't great, but in fairness I've seen worse. I will praise the Nazi paintings, they were creepy, but the evil Nazi butcher guy was just comic.I don't have a vendetta against this movie or anything, but to be honest, I'm not even into the horror genre. But this movie cannot be described as a thriller or a drama. If this story had been well told, this would have been a good movie. But it has been over hyped. Waaaaay over hyped.
I've read some terrible things about this film, so I was prepared for the worst. "Confusing. Muddled. Horribly structured." While there may be merit to some of these accusations, this film was nowhere near as horrific as your average DVD programmer. In fact, it actually had aspirations. It attempted something beyond the typical monster/slasher nonsense. And by god, there are some interesting things going on.Ms. Barbeau is a miracle to behold. She carries the film squarely on her shoulders.This is not to say that it's a masterpiece. UNHOLY ultimately collapses under the weight of its own ambition. There are just too many (unexplained) subplots trying to coexist. And the plot loopholes created by time travel are never really addressed: for example, if Hope knows that her mother is evil and that she will ultimately kill her brother, then why doesn't she just kill Ma in the film's very first sequence? Seems like it would have beat the hell out of traveling into the future to do it.Still, I give UNHOLY points for trying. A little ambition is not a bad thing.
This is a movie of tired, yet weirdly childish, clichés. There's a Nazi witch master performing sf-related experiments in the basement? Oh please! Aiming for a creeping sense of horror and fear, the general impression of the film is that of a very immature conception of fright. Not having any expectations beforehand, I am left with: an aged Xander from Buffy and a heroine with ape-like face who doesn't seem to know how to act. Said Adrienne Barbeau have I only only encountered before in the much more enjoyable "Cannibal Women in the Avocado Jungle of Death".Camera and editing adds to the general impression of lame.