I have no clue what the makers tried to do. What I do know is that they failed.First of,I can't remember seeing a slaughterhouse in this. Second,I thought rising sun had something to do with Japan but that also wasn't the case here.It's trying to make a homage for the seventies grind-house flicks but it also fails at that. Further more it did not need that at all and could be easily put in the present day.More than an hour long nothing really happens other than a girl meeting some free spirited souls. There is some sexy "behavior"but surprisingly little nudity for this sort of subject matter.There is some gore and some "ghosts" in it but none of them convincing enough to give it another star. It lacks content and you would be better of watching something good from the actual seventies.At the end of the movie you even get the idea the actors themselves did not take this to seriously.Comedy was given as 1 of the genres but as that was not in the film I think that means that the joke was on me.I wasted time on this.I hope...you don't.

In the 70's, while acting in a porn movie, Jennifer (Cheryl Dent) has a vision of her dead sister Jessica and attacks her dwarfish partner Nasty Nat (Pancho Moler). She is sent to a mental institute and six months later, her doctor discharges her under the condition that Jennifer should stay with her parents using medicine for a period. While driving through the desert, Jennifer is thrown in a ditch by the truck of two guys that want to rape her. However she is helped by the dysfunctional hippies Damon Grey (Vin Crease), Violence Onelove (Michele Morrow) and Guilty Karma. They invite Jennifer to spend the night in their camp and they offer peyote to her. Under the effect of the drug, the delusional Jennifer and her new friends are haunted by a mysterious fiend. "Slaughterhouse of the Rising Sun" is a weird movie, with bizarre characters and situations that are not well-developed. The dysfunctional group of hippies, for example, are totally insane and silly, and their violent attitudes are unusual and against the philosophy of "love and piece" from the 70's. Jennifer's insanity is never explained, and the viewer has no explanation why she has this killer instinct and why she killed her younger sister. The genre shifts between a comedy that is neither dark nor funny and horror that is silly and never scary. Therefore the film fails. The best offered by this flick is the version of The Animals' "House of the Rising Sun" in the end. My vote is three.Title (Brazil): "Delírio Assassino" ("Assassin Daydream")

An excellent re-work of Seventies film clichés - or really a Seventies film, how the prologue will suggest? It's pure fun to point out during watching this very charming genre bastard, which contains several elements of 70ies road movies, hippie movies, horror movies, drug movies and a little bit Russ Meyer touch. And also a bit of David Lynch-like atmosphere. Okay: Lynch is not very typical for the 70ies, but anyway. The acting is great (especially the director himself as crippled hippie leader), also the dialogues and the cinematography. And there is also a lot of strange humour and irony in this generally strange, funny and likable independent movie.

Rarely do you find a horror film with so much going on in the text and subtext. Both nerve-wracking and funny at the same time, it's a example of cinematic artistry, a perfect homage to its 1970s low-budget predeceases, and a compelling night at the movies all around. The tone of the film is eerie. The pacing is excellent. I can see why Oscar-winning distributors THINK FILM picked up this gem of a movie. Production quality is first rate. Amazing when you consider that it was not a huge budget film. I had nightmares. And funny dreams. This movie takes you places you might not want to go. Or do want to go.