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Trailer Synopsis Cast Keywords

Yaji and Kita are two men who live in Edo. They are deeply in love. Yaji is married to a woman, while Kita is an actor addicted to various drugs.

Tomoya Nagase as  Yaji
Sadawo Abe as  Kin-kin
Yoshiyoshi Arakawa as  Spirit of the Dead
Arata Iura as  Bartender
Kumiko Aso as  Mayumi (Bartender's Wife)
Tasuku Emoto as  Non-non
Arata Furuta as  Shimizu Jirocho
Itsuji Itao as  Naniwa Hotto
Ryo Iwamatsu as  Foreman

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Reviews

T&R W
2005/04/02

Yaji and Kita is a film that, as one other reviewer wrote, was definitely written for the Japanese. It's legendarily filled with pop culture references, including plenty of ones obscure enough to throw even a native Japanese viewer, and has its share of language jokes too. While you may pick up on some of those, chances are good that most of them will pass you by completely. My wife and I caught only a handful of them, and chances are you'll catch a few yourself, but you won't get them all.But it doesn't matter. In the end, the reasons why many Japanese viewers thought this film was brilliant will be lost on most Western film fans - but like all good films, this one isn't relying on just pop culture and language to make you laugh. The film is full of outright humor that DOESN'T get lost in translation; from the very beginning to the very end, this film was making us laugh. What's lost in translation just isn't enough to stop this film from being great, great fun! I usually loathe musicals, but the musical set pieces in this film are just outright hilarious.If you enjoy bizarre humor, especially visual gags, then you'll get a kick out of Yaji and Kita : The Midnight Pilgrims. The characters are very bright, very colorful and very vivid, and the humor is extremely off the wall, imaginative and playful. There's a story underneath it, and although the film never discards it, it's really about the comedy. The film featured a fair few respected actors, and their talents help to make every small piece of this movie worth a watch - from start to finish, there are set-piece situations and running gags that will keep you laughing and smiling.We may never see this film the way a Japanese watcher would...but so what? It's great anyway!

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Sam Cremean
2005/04/03

Without a doubt the best movie I have ever seen, in every respect. With excellent effects, to the many themes covered, entertaining, colorful, crazy. I couldn't sit still in my seat and definitely have to grab a copy of this any way I can! Its like Brokeback Mountain meets Sailor Moon, on speed.It really shows you that the American film industry don't know anything about the gay community, or for that matter have the ability to produce anything exciting new and original. This is a masterpiece, its one of those films that has to power to make you laugh and cry in the same night, and enjoy laughing and crying.5 thumbs up.

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mike_sensei
2005/04/04

Don't watch this movie. Or at least, if you do, prepare for disappointment. Yes, you may have heard this movie is brilliant. It may be, but you and I won't get it. This is a movie made for the Japanese, and unless you're well versed in Japanese pop-culture, you won't get the vast majority of the jokes. And I mean VERY well versed - not just an occasional J-pop fan or even a manga or anime freak. Many of the jokes in this movie are obscure Japanese pop-culture references that even the typical Japanese person won't get. Yes, the subtitles will help you follow the plot, but the plot is largely irrelevant, as most of the humor depends on pop- culture references that are impossible to convey to a foreign audience. And, as an earlier reviewer mentioned, there are a few Japanese-language puns that you won't get either. Don't worry, these wouldn't be funny if you did get them, unless you have the same quirky appreciation of puns as the Japanese. But the bulk of the humor here isn't language-specific, it's culture-specific, and even if you speak Japanese you could be left clueless. Think of it as a Japanese version of The Simpsons or Spaced - for someone who doesn't get the pop-culture references, it would be difficult to appreciate the brilliance of these shows. Yaji-san and Kita-san is probably brilliant in much the same way, but without the cultural background, it comes off at best as just bizarre, and at worst as just juvenile silliness. That said, it isn't hard to appreciate Yaji-san and Kita-san's absurdist roots, and fans of Rosencrantz & Guildenstern Are Dead or even Monty Python should be able to appreciate the spirit if not the content of Yaji-san and Kiya-san. In fact, for Python fans, there are even a few times when you may find yourself laughing while your Japanese friends sit and wonder what's so funny - watch for a clever reference to Monty Python's Search for the Holy Grail, for example. These times are few and far between, however, and for the most of the film you will probably just find yourself scratching your head, wondering what the hell is going on.Michael

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Meganeguard
2005/04/05

Three years ago I read Ikku Jippensha's novel Hizakurige, or Shank's Mare, for one of my Japanese history classes. I comparison to some of the other books in the class the long tale of Yaji and Kita was quite entertaining if a bit long. During the Edo period townsmen and rich farmers were able to travel more freely so there was a demand for travel guides. Therefore a number of guides for inns, sites of interest, teahouses, etc. began to appear. Unlike many of the writers, Ikku Jippensha took it upon himself to create a "guide" that was also a quite comedic story. It was in this miasma of budding plebeian literature and tourism that Yajirobei and Kitahachi, Yaji and Kita for short, were born. Consisting of passages in which the protagonists mock samurai, hit on girls, and tour the sites along to Tokaido Road Shank's Mare is an entertaining read not only for Japanese literature, but for those who just enjoy humorous literature as well.Now warp to the year 2005 and put the rapscallion duo of Yaji and Kita into the hands of director Kankuro Kudo. Still dressed in townsmen attire, Kita sports a bleached topknot and has a heroin addiction. Concerned about the health of his friend and lover, there are hints that Yaji and Kita were lovers in some of Jippensha's later stories, Yaji forces his drugged up friend that he needs to go to Ise in order to clean up, so they hop upon Yaji's motorcycle and make their way to Ise. They almost reach their destination when a police officer makes them return to Edo and hike along the Tokaido road to reach their destination.Like the novel, Yaji and Kita stop at a number of inns, but instead of detailed information concerning the food of each inn, the viewer is treated to middle-aged women being accosted by the God of Laughs, a girl whose singing is so bad Mt. Fuji hazes over, a gaggle of school girls, including one ganguro, who are the fan club of a mafia boss, King Arthur, a bartender and his wife who has become half mushroom, etc. Obviously the film ranges from the comedic to the outright bizarre. At some points it is so bizarre that suspension of disbelief is destroyed. However, the comedic effects of the film are able to draw one back in and make it worthwhile to sit through the two hour plus film.Definitely not for the prude, there is one scene in which Yaji stretches Kita's nut sack a few feet and then bites it and the ending theme is a song titled "I Want to be Your F*ck" by the Zazen Boys, Yaji and Kita: The Midnight Pilgrims is definitely good for a few laughs and even more "Oh my God" moments.

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