This is the first of 6 films I intend to watch about the famous Russian sovereign (albeit of German origins) as part of the Josef von Sternberg retrospective, whose masterpiece THE SCARLET EMPRESS – from the same year – also deals with her. It was obviously intended as the British response (through renowned producer Alexander Korda) of the afore-mentioned Paramount release; ironically, the latter had been made – as a vehicle for Marlene Dietrich – in the wake of the classic Greta Garbo title QUEEN Christina (1933)! Even so, the result here is quite a good film taken on its own merits – though lacking the ornate visual sense and other idiosyncrasies that Sternberg deployed in his version (and which made it so fascinating to watch in the first place). In any case, this has all the virtues and faults of a typical Korda effort: low-key approach undermined by stiff production and buoyed by reliable casting. The latter sees Elizabeth Bergner – the director is her husband – in the title role (though she does well by the character on a human plane, there is little to suggest her 'great' qualities as monarch!), top-billed Douglas Fairbanks Jr. (an ambivalent characterization as he goes all-too-swiftly from being submissive to his Empress aunt through a pre-arranged marriage to tyranny: his is a valiant try, but the star's dashing looks makes this incongruity that more conspicuous!) and Flora Robson (as the ailing Empress who conspires with Catherine to depose her own unstable nephew: the distinguished actress would virtually make a career out of playing monarchs!).Plot-wise, court intrigue (easily the more interesting aspect to the narrative) is too often swamped by romantic complications and that worst trapping of costumers i.e. archaic dancing…but, having grown up watching the Korda films on Italian TV (even if not among its very best examples, this one is solid enough), I kind of have a soft spot for them and, in fact, over the years I managed to collect virtually all of the more notable titles in that popular cycle (including the same year's THE PRIVATE LIFE OF DON JUAN which, coincidentally, starred Fairbanks pere!). By the way, while this one was originally released in the U.S. as THE RISE OF CATHERINE THE GREAT, it was recently issued on R1 DVD through Criterion's sister label Eclipse as part of a Korda Box Set (along with DON JUAN itself and two superb Charles Laughton vehicles – namely the Oscar-winning THE PRIVATE LIFE OF HENRY VIII {1933} and, arguably his masterpiece, REMBRANDT {1936}).

Alexander Korda produced this lavish film, "The Rise of Catherine the Great," starring Elizabeth Bergner, Flora Robson, and Douglas Fairbanks, Jr. It's the story, not wholly accurate but still interesting, of, as the title suggests, Catherine the Great's (Bergner)ascension to the throne as it was wrested from her crazy husband Peter (Fairbanks). Though in the film this all seems to happen somewhat quickly, Catherine and Peter were married for 17 years and had children before the Empress Elizabeth dies and Peter becomes tsar.In the film, Peter cheats on Catherine on their wedding night, and she pretends to take many lovers. This makes him jealous, and the two reconcile. However, after the Empress Elizabeth dies, the decisions that he makes as tsar on behalf of Mother Russia are outrageous, and Catherine is encouraged to go along with a coup.Wide-eyed, girlish Bergner is Catherine. Bergner was a noted stage actress in Europe who unfortunately never caught on in Hollywood; nevertheless, she worked in Europe until she was 87 years old. Supposedly an incident in her life was the inspiration for "All About Eve." Tiny, she nevertheless had authority as an actress, with line readings that were at times reminiscent of Garbo. She is a good Catherine. The showier roles were those of the Empress Elizabeth and Grand Duke Peter. Flora Robson is a wonderful Empress Elizabeth, and Fairbanks, always an underrated actor, is brilliant as the volatile, mad Duke.Worth seeing for the performances.

The drama and characters in this movie about "Catherine the Great" are generally pretty good, although often non-historical, and the atmosphere is often quite good. The settings and many of the details were crafted with care, and apparently with ample resources available.Elisabeth Bergner often gives distinctive, sometimes unusual portrayals of her characters, and this is no exception. Yet Catherine was such a complex figure that it's almost a moot point as to how accurate Bergner's portrayal may be, especially since the story here is mostly concerned about her younger days, before she became Empress. Bergner definitely makes Catherine interesting and worth caring about.The story itself is interesting, and though it should not be viewed as accurate history, as a movie it works well enough, and sometimes it works quite well. As Peter, Douglas Fairbanks, Jr. gives his character a nature that is probably quite different from the historical Peter, but in itself it is a believable and effective portrayal.The story of the ongoing intrigues involving Peter, Catherine, Elizabeth (a well-cast Flora Robson), and others, has some good moments. The historical situation was complicated, and it lends itself easily to a movie adaptation. The settings work well in conveying both the historical period and also the atmosphere of plots and counter-plots. The movie as a whole was overshadowed, even in its own time, by other features on the same subject, but it is still a good effort that is worth watching.

While most people are more familiar with the Marlene Dietrich version of this movie, released the same year as The Scarlet Empress, those interested in romance will prefer this one because it shows a Czar Peter III exactly the opposite of the one that really lived. Douglas portrays someone tall, thin, intelligent, and unethically gorgeous. The other cast members seem more experienced than him, however, at the sort of historical drama roles this film called for. But one also must remember that the British cinema was still developing at this time. The early 30's were the years in which it began to become as great as American cinema (the same goes for films from countries other than England). So, give this film a chance. I personally found it fantastic. It's a bit rare, but worth every second of searching. And as a Korda classic, well, I'll leave the rest up to you. It's not historically accurate , but it's almost like another story in itself. The main flaw is the print is a bit dark. But overlook this and you have one of the greatest films of all time.