This film is a rather creaky melodrama inspired by the Amelia Earhart story. Rosalind Russell plays Tonie Carter who has to put up with prejudice as she learns to fly but pretty soon is setting flight records. Carter falls in love with ace pilot Randy Britton (Fred MacMurray) who is one of the people who is sexist to her at the beginning but they then drift apart. However she then plans to race around the world solo after she promises to marry her flight instructor Paul Turner (Herbert Marshall.)As the film was made during the second world war, there are elements of propaganda weaved into the plot as Carter is agrees to undertake a secret mission on behalf of the navy where she would get lost in her flight and the rescue mission would allow reconnaissance pictures to betaken under the noses of the Japanese. This mission reunited her with Britton who declares to Carter what she means to him.The film really did not start off well, rather plodding I thought but it does get better in the final segments and like the rather campy but sinister turn by the Japanese hotel manager, who seemed to have channelled the great Peter Lorre.Poor Paul Turner he was so happy to have snagged Carter has his fiancé but it was never going to happen.

This is a fun movie of thirties aviation. The mid air between Randy and Tonie is laughable and fake. That aside I enjoy the tone and the simple enjoyment of the movie for what it was, a WWII war movie. Randy (Fred Mac Murry) and Tonie fall for each other with the background of thirties type air racing and breaking records as their goals. Then when a special assignment comes up to look for a "missing pilot" over the Japanese mandated islands, they both volunteer. Overall this is one of my favorite movies for this type. The Japanese hotel manager - as a Jap spy- is so typical as to be laughable. But this movie is not about realism or political correctness.

This film is influenced by the patriotism during the great struggle of The Second World War. It is accurate in depicting the spirit of the great Emelia Earhart. A film made today might choose to focus on other aspects but that is more an indication of the difference in attitudes from the 40s to now. This is an interesting film for youngsters and adults.

The film is badly directed and acted propaganda but all this is put in the shade by an extraordinary scene towards the end.I don't want to spoil the plot, so I will just say:The pilot heroine of the film Tonie Carter finds herself on a remote pacific island with a strange mission ahead of her, over the course of one night on the island, a lot changes in her life, both in considering her past and her present situation, and she decides on her course of action for when she leaves the island the next morning.This scene is mysterious and evocative, there is very little detail and almost everything we see is significant so the island takes on the quality of a dream. The various characters which come her way seem like ghosts; their significance is in what they whisper to her, reminds her of her responsibilities and memories.Now comes the ending of the film but with an unforseen direction born of the night on the island, this leads to some bitter sweet ironies which undercut in a way the propaganda of the film.So this is another one to add to the class of awful films which emerge with the most imaginative visions, but by some who-knows-how accident, its certainly not due to the director or actors. In this respect its much like 'The Eye of the Beholder '(1999 )by Stephan Elliot.If Lothar Mendes was aware of what he created I wonder how he felt, pleased but perhaps also a little guilty and frustrated.