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Trailer Synopsis Cast Keywords

A disturbed young woman must confront her worst fears when she finds herself trapped alone in a New York City loft during the 2003 blackout.

Whitney Able as  Kate
Michael Eklund as  Benoit
Brendan Sexton III as  John
Redman as  Marco

Reviews

Michael Ledo
2015/10/17

Kate Naylor (Whitney Able) lives with her loving girlfriend (Alex Breckenridge) in NYC. It is clear Kate has all kind of issues and may be unstable. When NYC goes dark during the 2003 blackout, our authors spring into action and use this as symbolism as emotionally and mentally, Kate is in a dark place. Get it. It would be soooo Indie clever if it hadn't been done a gazillon times before.What we don't find out is Kate's real issues as she describes her life's problem in the abstract. We hear her say these clever Indie lines like, "I tried to be different" and my all time favorite, worth Indie extra bonus credit "I'm the real me." We have a long drawn out boring scene, not to be confused with the rest of the film outside of the opening lesbian sex scene, where our yoga instructor is smoking a cigarette while talking to a guy who may or may not be there. Here she is saying lines that don't match up with her lips, i.e. she has a cigarette in her mouth while we hear her speaking. That is fine, but I don't know is this by design, i.e. a clue that the guy is not there and she is crazy, or is this some bad over dubbing because they decided to write in some lines post production.If you like watching people buy paper towels and crazy people talking to themselves but not really saying anything, then this film is for you. I couldn't get past someone creating another artsy film and just going through the motions they learned the first day of film school.Guide: Swearing, F/F sex nudity (Whitney Able, Alex Breckenridge)

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sgcim
2015/10/18

I saw this on NF, and it was labeled as a thriller, but if you expect a thriller, you're going to be very disappointed. It turned out to be a very low-budget drama about a washed up 33 year-old model with some serious mental problems being left alone during the 2003 blackout in NYC. The building and the neighborhood are made to look very sleazy, so even though it was shot in Manhattan, it's probably supposed to be Bushwick, Brooklyn, like it said on her driver's license. It has a very uh, interesting first scene, but after that, it settles into a character study of the lead character. The only good scene after that is the scene where the lead walks home drunk from a bar, and is made fun of by some kids in the neighborhood. She starts yelling curses at them, and they start cracking up in laughter at her. Other than that, it's basically a one woman show till the seemingly tacked on ending. As usual with low budget films, there are the typical phony, ten star reviews by people involved with the film, so that sunk it down another star for my rating.

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dbidentity-31386
2015/10/19

It started slow but grew in intensity as the darkness and mental breakdown of the female took over. The star and supporting cast were excellent. I read the three comments thus far given and only Lazarillo's hit the mark. The other two probable never watched the movie "Repulson" by Polanski and didn't understand the type of film intended. It was a take back to 1970's thrillers. During the Blackout Kate (Whitney Able) is trapped in her apartment, the darkness engulfs her and plays on her mind. She hears someone lurking in her apartment and her mine reverts back in time while she fades into madness and despair. Everything from direction, lighting, editing to the excellent music score kept me on edge

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HeatherOHara
2015/10/20

Salutations. This title is marketed as Drama,Horror,Thriller. It's not horrific, or thrilling, so I suppose that leaves drama. It's a strange, cut and shopped together piece that takes the viewer through one night inside the head of a very disturbed young woman. She has no idea what's going on, and confesses the same; unfortunately, neither does the viewer. The film gets stranger and more deliberately confusing as it goes on. I suspect this is in the name of art, but some shots are painfully long and uncomfortably self-indulgent. I forced myself to watch it all, but frankly, I wouldn't recommend it. From the teaser 'lesbian sex scene' at the film's opening, through the distasteful running undercurrent of 'rape', to the final slide show of tenuously connected frames, it's not good cinema. *** for actually getting me to watch it through.

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