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This British documentary shows the complex layers of legendary jazz trumpeter Miles Davis, who was a major innovator in post-bop, cool jazz, hard-bop and fusion. Davis's raw-edged trumpet tones were some of the most evocative sounds ever heard. This profile captues the magnificent and mercurial artist -- one of the most identifiable and misunderstood pop icons of the 20th century -- through rare footage and interviews.

Shirley Horn as  Self
Frances Davis as  Self - first wife
Clark Terry as  Self
George Avakian as  Self
Ron Carter as  Self
Betty Davis as  Self

Reviews

ebiros2
2001/04/14

Very complete biography of Miles Davis through the eyes of his family, band member, influences etc..To me Miles Davis is modern jazz. He's the scientific doctor who invented this new science in music. His legacy is so obvious, but there wasn't a complete biographical movie done about him until this one. Miles was different in many ways from other black musicians. He was from a middle class family, he was very smart, and started his musical career at a school brass band.To me he is the first "intellectual" jazz musician. He constructed his music from an idea perspective that nobody else have done. Often this approach is too cold for me, but it's clean and beautiful like no one else's music.This is a great documentary on life of Miles Davis. It shows the many sides of the complex man. Although how he was able to create his music remains elusive, we do get to see the path Miles have taken as a musician, and that's a worthwhile addition to anyone's musical library.

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Killfordada
2001/04/15

before i talk about the documentary i just want to understand how can anyone say chik corea and keith jarrett "nearly ruined jazz", and were just noodling around? what they were doing was exploring and evolving the music to further realms. hasn't the backbone of jazz always been innovation and exploration? didn't charlie parker himself break rules? what about monk? jazz isn't about staying within certain boundaries (besides miles never claimed what he was playing in his "electric" era was jazz). i just feel that before people start in on the whole "miles sold out when he went electric" routine, they should remember that jazz changes, music changes, it changed from scott joplin to louie armstrong to charlie parker to miles davis, etc. now as far as the DVD goes, i don't understand why someone would spend more time on showing the man's personal life than his musical. if it wasn't for his music no one would even know who he was. i understand that things around him, in his personal life might have reflected in his music, but to spend the majority of the time highlighting his romances, etc., i feel is missing the point of making a documentary about him in the first place. however there is some great (and unfortunately incomplete) footage of some of his live performances. i do appreciate the fact that someone wanted to make a documentary to such a GREAT musician, but i would rather recommend the documentary: Miles Electric: A Different Kind of Blue, because it is truly about the music.

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Peter
2001/04/16

One of Miles Davis ex-wifes puts it like this: "The genius of Miles lies in his music, not in his streetways." The sound of Miles' trumpet is eerie and so beautiful, it hasn't and can't be produced by any other. His personal life was influenced by his drug-abuse and for a little while he even pimped. Maybe Miles was not a nice man, but he was the greatest musician of the 20th century. This is not weird, even the great classical composers like Chopin and Schubert had their drug-abuse and/or sex-addictions. They were not holy men themselves as the classical world portraits them so often. I don't give a damn about his wrongdoings, his music enriches peoples lives.

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david-925
2001/04/17

Somehow, this documentary about Miles manages to include very little music and no complete tunes. Though Miles appears in the film, 95% of the interviews are other folks, not Miles. There are huge chronological gaps, many aspects of his life (his childhood prodigy, his drug addiction) are skipped or glossed over, and you'll learn little about what made the man and his contribution to music so groundbreaking. Skip it.

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