Perry and Della are finally married by his old friend, Judge Mary. They plan to go on a honeymoon, but before it can start, Perry is retained by a woman with a gun and $5000.
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I think the writer of this Perry Mason story was either stoned or insane! After all, I can't think of any other excuse for such a strange and disjointed plot. When the story begins, Perry Mason is inexplicably marrying Della Street, his secretary! If this isn't hard enough to believe, Perry is kidnapped on his honeymoon by an armed woman. She later kills her husband and blames Perry...which makes little sense since Della witnessed the armed Mrs. Belter kidnap him in the first place. When the police show up at Mason's apartment looking to arrest him, his wife inexplicably says she has no idea where he is and acts as if he is a womanizer!! Does any of this makes sense? Not in the least.If this sort of stuff sounds nothing like the TV version of Perry Mason, you're right. In many ways, the Perry Mason movies with Warren William make the character more like the smarty pants rogue he generally played in other films. Plus, unlike the TV Perry, this one is a crime fighter versus a lawyer who spends all his time in court. Now this isn't to say the films are bad...though, unfortunately, "The Case of the Velvet Claws" IS....as it makes no sense at all and just frustrated me.
Perry Mason marries Della Street (in a ceremony performed by a female judge -- how often did you see THAT in older films) but their honeymoon is interrupted by a woman with a gun demanding Perry help her stop a scandal rag from publishing a story. Soon the paper's owner is murdered and Perry finds himself the prime suspect.This is the fourth in WB's Perry Mason film series and the last starring Warren William. If you're new to this series but are familiar with Perry Mason from either the books or the Raymond Burr TV show, you will be surprised by what you find here. This is Perry Mason in name only. The character in this series is pretty much your typical '30s detective, smooth with the ladies and quick with a wisecrack. Pretty Claire Dodd returns as Della Street after being replaced by Genevieve Tobin in the third film. Eddie Acuff is Perry's right hand stooge, Spudsy Drake. For his part, Warren William is...well, more of the usual Warren William screen persona that I've seen in many films from the period. He's enjoyable although, as I've said, nothing like the Perry Mason I grew up watching reruns of on TV. It's an entertaining B detective film. Nothing more memorable than that but a good time-passer.
Perry Mason and Della Street burst into the courtroom, a noisy crowd at their heels. Boldly interrupting proceedings, Mason announces that he wants the judge to marry him and Della immediately. They're going on a honeymoon then he's giving up his criminal law career: "I have promised Della to become a sober filer of briefs." –Alas, when they get back to his apartment, there's a woman hiding in the bedroom with a gun, and the honeymoon is off.A good balance between humor and suspense keeps this picture zipping along. Warren William dominates proceedings from start to finish in a flamboyant performance that is alternately silly and clever.Of course there's a murder, and the strong plot has the murder victim's wife—who may be guilty herself—accusing Mason of the crime, forcing him to hide out in a hotel and rely on assistant Spudsy Drake to do research and legwork. Eddie Acuff is more comical than serious as Spudsy; he and Claire Dodd (as Della) are both very good.A rather wild climactic gathering-of-the-suspects has Mason passing around kleenexes—over the course of the picture, just about everybody has caught his cold!Great fun.
After the disgraceful silliness of THE CASE OF THE LUCKY LEGS, Warren William's Perry Mason seems back on firm ground in a film that takes itself much more serious without forgetting to include healthy doses of character humor. What sets this one apart from the others is Perry & Della getting MARRIED (a development completely forgotten in the follow-up that starred Ricardo Cortez) and Perry being the #1 murder suspect, having been to see the victim moments before he was bumped-- a situation he has all too often had to get his clients out of-- including the woman's husband in this case. She had threatened both Perry and her husband with a gun, and would only NOT be a suspect to anyone watching this because it would just be "too obvious"!! Of WW's 3 Dellas, my favorite, Claire Dodd returns after having been absent from the previous installment. All 3 Dellas in the first 4 pictures have something to recommend them, I just happen to think Dodd is the most attractive (though Genevieve Tobin's was without a doubt the FUNNIEST). Sadly, Allan Jenkins, who played in cop in ...THE HOWLING DOG and "Spudsy" Drake in eps. 2 & 3, is replaced here by Eddie Acuff, who just doesn't seem to "work". Very oddly, Olin Howard returns as Coroner Wilber Strong from ...THE CURIOUS BRIDE, after having played a different doctor in the previous film! (Did anyone at Warner Brothers care about "continuity" in this series??) The standard routine of set-up, murder, investigation and courtroom expose so far is limited to ...THE HOWLING DOG. In WW's other 3 films, he solves the murders at a dinner party, in his office during a medical check-up, and at the hang-out of the killer before moving on to the street in front of a hotel. The only time we see the inside of a courtroom in this film is when Perry & Della get hitched-- and when she tries to have it annulled. CRAZY!! The other point of interest for me was actress Carol Hughes (my favorite "Dale Arden" from 1940's FLASH GORDON CONQUERS THE UNIVERSE) who is almost completely unrecognizable in here due to bright blonde hair and a southern accent.I love Warren William's Perry Mason-- I DO! And I wish he'd done a lot more of these. But I also wish he'd done more like the 1st one, where at least, despite the huge differences, I could actually recognize the format and the character of the "real" Perry Mason, instead of this rambling comedic chaos WB kept foisting on audiences!