This is the first of these Nancy Drew movies I have seen, having just watched it on TCM. In general, I love movies from the 1930s, but this one was disappointing. When my daughter was growing up, I read to her every night, and often read a Nancy Drew mystery. It would usually take at least a week to finish one. They were quite good juvenile fiction, intriguing and suspenseful. This movie has a totally different feel and tone. It is basically a comedy with a mystery subplot. Most of the characters are just silly compared to those in the books, especially Nancy, "Ted" (what's wrong with "Ned"?), and the police chief. It got better once the staircase was discovered, and the last ten minutes or so was clever and entertaining. But still, I would much rather have a story faithful to the novels.

Bonita Granville has the title role in "Nancy Drew and the Hidden Staircase," the final entry into the Nancy Drew series. It also stars Frankie Thomas and John Litel. This particular film is based on one of the actual books, but how closely it sticks to the story - well, I haven't read Nancy Drew in nearly 50 years, so I can't remember. Since in the books, Nancy had two girlfriends, missing in the series, it probably doesn't stick all that closely.In this one, Nancy is determined to make sure that two elderly sisters keep to their father's will so that the house can be donated to a hospital. That won't happen unless at least one of them is in the house every night for twenty years. With only two weeks to go, and their chauffeur shot dead in the house, the ladies want out - fast.Nancy manages to drag Ted Nickerson, her quasi-boyfriend, into all kinds of trouble, and that's where the fun happens. Thomas is a riot. Nancy always got into deep water in the books, but I remember her as more serious and perfect. That wouldn't have worked for the films, so Nancy is kind of a Lucy and Ted is Ethel, an unwilling participant in her schemes.Bonita Granville was a fine movie Nancy, very lively, wacky, and likable. It's a shame there are only four "Nancy Drew" films. It is a very good series.

Long before Harry Potter arrived to slake the thirst of voracious young readers, the factory minted Hardy Boys and Nancy Drew mystery series were getting regular readers.While straight forward and relatively uncomplicated in their mystery plotting, they were basically solid "B" level templates, and at the height of the 30's Hollywood mystery vogue, Warner Brothers jumped on the bandwagon with a creditable four film series of Nancy Drew's - this final effort arguably the best (and the only one to share a title and a couple plot elements with an actual Nancy Drew book).Bonita Granville makes a borderline silly Nancy, with a mad energy level approaching Betty Hutton levels and (plot-wise) causing as many problems as she solves, but once accepted, her chemistry with John Litel's warm Carson Drew (the father figure) and Frankie Thomas' guileless comic foil/boyfriend Ted Nickerson is outstanding. Had the series tried for more, these solid supporting performances might well have kept it around for a longer run, but Granville's frequently charming caricature and Frank Orth's even sillier Police Captain Tweedy (who never listens to ANYONE once he hears half a clue) firmly place it in limited audience "B" territory - above the cartoonish "Dick Tracy" series, but several steps below the longer running "adult" Charlie Chan's, Mr. Moto's, Sherlock Holmes', Thin Man's or even the solid Saint's, Falcon's or Lone Wolf's.The best thing about the series 70 years after it was first shown (and which should still hold the attention of the serious film lover) is its beautifully observed picture of life in small town America just before World War II, when icemen actually did deliver blocks of ice to the actual ice boxes which adorned most kitchens (and the standard system for calling for delivery) both of which form interesting plot points.We're not talking great art here. Consider the drop in quality of the still decent 3rd and 4th Harry Potter films - as the books got better, "movie-movie" directors made the films less faithful and less effective. At least the Nancy Drew series ended on a high note as they edged closer to the source material.

From 1938 to 1939, Warner Bros. produced four entries in its "Nancy Drew" series. Each is a perfect delight; why didn't the studio continue making more of them? Perky, blonde, vivacious Bonita Granville is perfection as the feisty teenaged sleuth. John Litel is equally solid and dependable as her tolerant dad. Rene Riano is a joy as the Drews' long-suffering but devoted housekeeper. And the underrated Frankie Thomas outshines them all with his droll, engaging, All-American-Boy niceness as Nancy's would-be boyfriend Ted, whom Nancy drags reluctantly into each of her outlandish crime-solving schemes. This final entry packs more fun, suspense, and twisty plot turns into a mere 60 minutes than most of today's bloated bombs manage to squeeze into two hours. The Drew's home, nestled on a cozy small-town American street, complete with picket fences and old-fashioned street lights, could be a block away from the Hardy family's domain. Although done on a B-budget, the production values of the entire Nancy Drew series are first-rate (craftily utilizing the sets of Warners' big-budget films of the era). Watch "Nancy Drew and the Hidden Staircase" (and spend the night in a "haunted" house, shivering along with Nancy and Ted) and I guarantee you'll be hooked--and searching TCM's listings for showings of the other three entries in the series. Mystery, wry comedy, spine-chilling suspense, first-rate writing, crisp direction, and endearing performances by actors with charisma to spare--movies of any generation don't get any better than this! The Drew series quartet is a fascinating forerunner of the teenagers-in-jeopardy genre revived in 1978 by "Halloween" (and a thousand imitators) for a more blood-thirsty generation. There's not one single drop of blood to be seen in the entire Nancy Drew series, but the suspense and chills are no less palpable. Catch these unsung classics as soon as possible. After 60-some years, they are still fresh as if newly minted, and thoroughly irresistible.