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Young Elisabeth comes to Västlinge to meet her old relative, the vicar and and his young daughter. She is going to spend the Christmas there in peace and quiet but on Christmas Eve, the grocer is brutally murdered with an axe. Police inspector Christer Wijk comes to the small village to find the murderer. He soon discovers the puzzle of evidence that makes almost everybody a suspect.

Karl-Arne Holmsten as  Christer Wijk
Nils Asther as  Vicar Tord Ekstedt
Birgitta Pettersson as  Elisabeth Rydén
George Fant as  Arne Sandell
Elsa Prawitz as  Barbara Sandell
Adolf Jahr as  Connie Lundgren
Mimi Nelson as  Hjördis Holm
Sif Ruud as  Frideborg Jansson
Hjördis Petterson as  Tekla Motander
Bengt Brunskog as  Mårten Gustavsson

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Reviews

jangu
1960/12/26

This thriller in the Agatha Christie vein could have been much better that it is. The actors are all well known in Sweden and Nils Asther even made a Hollywood career. The snowbound setting is atmospheric even if it is spoiled by the very theatrical looking graveyard. Arne Mattsson had before he made this had much success with a few thrillers where his unique sense of movement and lighting overcame silly storylines, much like Mario Bava in Italy. Most notably maybe in "Mannekäng i rött", an elegant technicolor thriller. This movie has a story that takes place around Christmas and New Years eve. There is a murder and more suspects than I have the strength to name here. The start of the picture isn't half-bad but soon stiff acting and silly dialogue destroy whatever mood there was in the beginning. As long as the actors are doing everyday chores and such thing, they seem quite natural. But once they are to display emotions of fear and dread, they act like cardboard cut-outs or hamming it up terribly. A few suspenseful sequences and a nice score cannot help this one I'm afraid. If you want to get familiar with Arne Mattsson and his particular visual style, watch "Mannekäng i rött" or "Vita frun" instead. They may look old-fashioned now, but at least they are hugely entertaining.

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