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The Grind is a modern urban drama, set in world of sex, drug dealers, dance nightclubs and loan sharks. Vince is the nightclub manager of The Grind in Hackney, East London and having fought his way to a decent living and respectable lifestyle he is determined to settle down and take life easier. Upon meeting and starting a relationship with Nancy, Vinces dream of running a casino for his Boss and getting married looks set. Bobby, Vinces best friend from school, is released from prison and their friendship soon falls apart, Bobbys addiction to cocaine and gambling spirals out of control and he now owes a huge amount of money to Vinces boss, Dave ; owner of The Grind and an East End loan shark. Vince's life takes a dramatic turn for the worse. Loyalties are tested and friendships are pushed to their limits.

Jamie Foreman as  Dave
Zoë Tapper as  Nancy
Danny John-Jules as  Phil
Gordon Alexander as  Bobby
Kellie Shirley as  Jo
Dynamo as  The Dealer
Barber Ali as  Big Guy
Joseph Morgan as  Paul
Alex Avery as  DI Greaves
Eleanor Matsuura as  Charlie

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Reviews

Michael Ledo
2012/03/23

The film mostly centers around Bobby (Gordon Alexander) who just got out of prison and has habits. He works as a stock boy at a grocery store. His mum (Joan Hodges)is sick and confined to a wheel chair. He owes Dave (Jamie Foreman, the ugly guy on the cover) money that he can't pay back. Bobby has a good friend Vince (Freddie Connor) who manages a trance/techno dance club called "The Grind." Vince works for aforesaid Dave, who cooks the books. Dave plans on opening a casino and can't have anything go awry while the application is in process.The main plot action consists of Dave leaning on people for money. Bobby's life spirals out of control as he tries to get cash to pay Dave back. While the film centers around Bobby, Vince is the closest thing we have to a likeable character in this crime thriller. I thought the production was well directed, written, and acted. It held my interest, but it lacked the dry humor that we have come to expect in British film. Jamie Foreman gives us an excellent performance. At 107 minutes the dance scenes could have been shortened.F-bombs, brief sex, nudity (Zoe Tapper)

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Eelsdownyourleg
2012/03/24

I had lost sight of how bad a film could be. I am genuinely lost for words and would not know where to begin describing how appalling this film is. However, I'll give it a shot: It is a plot-less mess, that hopes to somehow redeem itself in the 'arty' (read sh*te) editing.Suffice to say this film could be used as torture mechanism, water- boarding would seem like a month in the Maldives. Please spare yourself the need to have to write a review by avoiding at all cost.'The Grind' really does plumb new depths of badly shot banality. It also re-defines what can be called a 'film'I like gritty, I love 'Deadman's Shoes' (9.8/10 for me) but for f*ck's sake, don't expect anything remotely watchable or anything with a semblance of cohesion or meaning.

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jorisbohnson
2012/03/25

terrible plot, shocking acting made worse with bad mockney accents, jamie foreman was good but it looks like all the budget went on him! everything about it was really unbelievable, like a bad drama class loads of bad pauses in between lines, bad delivery of lines. Really annoying direction, showing nightclub scenes for too long, seemed like it was trying to pad out the film with slow motion shots of the dance floor, completely boring i had to fast forward loads of bits, and there was no relationships between the characters, and the dialogue was really unbelievable to the DJ.."ill tell you what mate.. bang out a couple of house tunes yeah??" amateur hour! don't bother watching it, total waste of time.

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medialuvr
2012/03/26

Brit gangster movies can be enjoyable, but this one was simply too tedious and confusing for me. I really wanted to like it. Closer editing would have condensed the story into a crisper 30 minute presentation. The production team was obviously going for gritty street realism, and it showed. It is truly regrettable that I have to produce ten lines of text for this review to be posted, but here goes. The characters were one-dimensional; "Dave" did not come across with the gravitas one seeks in a cinematic villain; Bobby was not tragically flawed, merely tragic; the soundtrack was even more grating than Dave's tire iron; viewers will struggle to differentiate major, minor, and other characters. Would I be spoiling if I recommended that readers not invest any wealth, interest, emotion, or time into this movie? I give it a 5 because I still can't figure out what happened, and that which did happen might have been good to other viewers. Or maybe not.

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