This film was not as good as some reviews and not as bad as others. However, in spite of some effort at good production values, I feel that more effort could have been made in the writing and casting of the film. Many of the actors just weren't believable in their roles. It had a community theater feel to it. And the writing was puzzling at times. There was a bonding scene in the film between the uncle and the nephew concerning a story about the nephew's father (who was deceased) taking him to school in an inappropriate vehicle. At the end of the story, the uncle delivers what is supposed to be a punchline by the father and the two characters laugh and laugh but I just sat their wondering how they found it humorous. It wasn't close to being humorous. All in all these folks made an earnest effort to make an interesting film and if you have a spare 90 minutes you might want to watch it.

I am only writing this review to warn others not to waste their time watching this atrociously trash film.Everything about this film was terrible from the costume to the casting to the story to the attempt at acting. It was absolutely awful. I am not the sort of person to write reviews but I watched this film because of the rating on here and am utterly disappointed. How this film managed to gain a whopping 7.1 is astounding. Easily the worst film I have ever watched. No redeeming qualities whatsoever.Do not watch this film if you value your time.To elaborate, the actors are made out of wood, the filming looked like something out of a gcse project and I have seen more believable acting in Hollyoaks. Overall, a terrible and gruelling 90 minutes of my life was wasted.

I usually do not write a review for any movies I watch, which will be obvious from this one. I will not claim to be anything more than a movie buff looking out for fellow buffs who find their time precious. I read reviews hoping to weed out the stinkers, as I cherish my free time. No thanks to the reviews on this film, I watched in amazement possibly the worst film of my life. The acting was unbearable. The casting atrocious. The storyline, screenplay, lighting, furniture...you name it and it sucked!(the dog was stellar, however)I could spend 5 or 6 paragraphs explaining the movie, which the synopsis does and yet the clowns leaving the reviews before me waste more time by doing. I will instead give you the advice that I only wish was given to me...grab a chair, turn on your faucet, sit down and watch for an hour and a half. At least you will be able to erase that from memory.

A child appears, mute and traumatized, rushing through the woods, a fugitive from ten years of captivity at the hands of a pedophile.Flashbacks to a good family time at the beach, building a sand castle crowned by a chess queen.A momentary glance away that will yield a decade's worth of pain.The loss of the child (at whose despicable hands?) has wreaked its havoc on those left behind ~ the despondent alcoholic mother, Marie (Saxon Trainor); older brother Noah (Jordon Hodges), a lumber mill worker; Uncle Tommy (Randy Spence), seething with anger and an irresistible itch for revenge. Each bears their cross; all wrestle with their demons.An excerpt from Proverbs 23:18 has affirmed that "Surely there is a future, and your hope will not be cut off."Sand Castles, written and produced by Mr. Hodges and directed by Clenét Verdi-Rose, gives promise to the proverb as it painstakingly and dramatically tracks the Daly Family's journey to hope and Lauren's to recovery.There's a solemnity and tautness to the film's pacing, an air of danger that presides in the background music by Todd Maki and in the moods of its male characters, and a promise of possibility and justice (what you might think of as great expectations).It is, however, the stunning performance of Anne Winters that makes this such a haunting and powerful film. Hers is a remarkably expressive countenance; her expressions, worth a thousand words; her eyes, a road-map to Lauren's fears and reflections. In a uniquely understated performance, Ms. Winters delivers a singularly powerful and heart-wrenching performance.In the real world, the road to recovery is not a straight line. It is filled with pitfalls and detours. Sand Castles does not spare us reminders of this reality (for example, Lauren's removal by Children's Protective Services from the Daly home to foster care) and the falls from propriety of even the noblest characters (Lauren's social worker's ill-advised affair with Noah).In the real world, as Noah notes, everyone has choices ~ some to be celebrated and some from which there is no return.In the wake of headlines that have screamed the tragedies of lost children and their enslavement by madmen ~ the worst nightmare of any parent ~ Sand Castles is an especially relevant and timely contribution. At the center of this tale of tragedy and hope, of desperation and redemption, is a message about the mindfulness that is essential to the caring of our children, the patience that is required when we must relieve them of their pain, and the hollowness of revenge. At the end of this tale is an abiding sense of reverence.Herbert Paine, BroadwayWorld.com