When Miss Jane Marple arrives at palatial Stonygates, one thing is certain. Before there's time to lather a warm scone with marmalade and place a tea cozy, murder most foul is bound to occur.
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I cannot explain why but, when Agatha Christie is brought to life by The BBC or ITV it has a magic and quality that cannot be matched, when it's made on the big screen it always seems flashy, and Murder with Mirrors is another example, the story is lost in favour of celebrities and showy staging. The screen play is dull, it's not one of Christie's finest plots, but it's still decent, this adaptation does not make the most of the subtleties of the plot. Once again, filling the production with stars is an attempt to make something good, but it fails miserably. Bette Davies dazzled in Death on the Nile, but I find it quite sad watching her in this, her delivery is a little laboured. I didn't care for Helen's characterisation of Jane Marple, she simply isn't the character in the text. I also find the accents really irritating, too many attempts at sounding 'English,' not everyone in the UK sounds like Queen Elizabeth. On the plus side, Frances de la Tour and Leo McKern are both very good, and it starts off well, but ten minutes in it becomes a struggle to watch.She's never been near St Mary Mead in her life, watch Hickson's version for the definitive production, even Julia McKenzie's is superior.Poor 4/10
Apparently Bette Davis fans will watch her in anything, which explains why even though she was deathly ill she agreed to travel to England to do this made-for-TV mess. She looks far more ill than the role suggests, supposedly in her current condition because of a bout with the flu. Indeed, she looks ghastly in over-emphasized make-up and is unable to give anything but poor line readings to her role as the woman who is rumored to be the victim of a poison plot.Even older than Bette is Helen Hayes as Miss Marple, but she at least is spry enough to convince us that she could be the meddlesome type her character is supposed to be. Her scenes with Leo McKern, as a befuddled police inspector, are a joy to watch.The less said about the rest of the cast, the better. Even pros like John Mills fails to make his character believable as the head of the household. The usual red herrings don't work here, as the murderer is revealed far too soon for anyone paying attention to details.Chalk this one up as another misfire in an attempt to do justice to Agatha Christie's work.
In what turned out to be Helen Hayes's farewell role, she reprises the role of Agatha Christie's famous spinster sleuth Jane Marple in Murder Is Easy. This also gives Hayes the once in a lifetime opportunity to work with another legend, Bette Davis who is the prospective victim of a poisoning plot.Helen's solicitor is worried about some strange goings on at his stepmother Bette Davis's place and is in fear for her safety. It turns out that the solicitor is the murdered party, shot while everyone else is seemingly accounted for. It's a typical Agatha Christie setup and of course there's the ever helpful Jane Marple to aid the police, in this case in the person of Leo McKern. Two more deaths occur before the mystery is solved.It's a delight to see both Hayes and Davis together and that's what the film is designed primarily to do. But frankly it's one of Agatha Christie's weakest plots. If you cannot figure out who did the crime almost immediately after the deed is done, you have not seen too many of these films. It's really rather obvious. Still for fans of Helen and Bette, it's not to be missed.
One of Agatha's easier mysteries to solve begins with some decent location atmosphere and solid characters then soon nosedives, like most Christie adaptions, into the silly. I agree that Dame Bette looks sadly old here and is basically wasted, so Helen Hayes makes up for a lot as the nosy Miss Marple. The funniest part of unintentional giggles, next to that exploding car crashing thru the gate, which never happened in book form, is seeing Tim Roth as a so called delinquient teen. He's a riot here and helps the disappointment factor from jumping too high. It's also nice to see Leo McCern from Rumple of the Bailey in a token, gruffy, voice-of-the-law role which plays off the Hayes cuteness level without too much strain. Too bad the plot wasn't as meticulously handled as the scenery...