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When an eccentric practical joker dies, he divides his fortune among four heirs. But before they can collect the cash they must each do something which goes completely against their nature. NB: This is the film which introduced Audrey Hepburn.

Alastair Sim as  Deniston Russell
Fay Compton as  Agnes Russell
Beatrice Campbell as  Lucille Grayson
Guy Middleton as  Simon Russell
George Cole as  Herbert Russell
A.E. Matthews as  Sir Charles Robson
Joyce Grenfell as  Elizabeth Robson
Anthony Steel as  Roger Godfrey
John Laurie as  Gordon Webb
Eleanor Summerfield as  Sheila Wilcott

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Reviews

MartinHafer
1951/11/11

When the film begins, an elderly man is dying...and he commits a prank on his way out of this world. But it's not his final prank...that comes in his will. When it's read to his four relatives, they're each told they'd receive 50,000 pounds...provided each do something odd and specifically tailored to them. His haughty sister is told that in order to collect, she must become a domestic and serve as one for a year. His cousin, the writer, must act out his dime novels...and get himself incarcerated for 28 days. His meek relative must hold up a bank with a fake gun...and his playboy cousin must marry the first woman with which he strikes up a conversation! And, all of these must be completed without telling anyone why they are doing it! What made this one especially good is that, for the most part, the folks all learned a positive lesson from all this and there were also a few laughs along the way. Worth seeing and clever.

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Robert J. Maxwell
1951/11/12

Hugh Griffith, a terribly rich prankster, dies and splits his fortune up between four of his relatives on the condition that they fulfill certain obligations. In general, they must disclose the elements of the will to no one. And then there are specific requirements for each beneficiary.Fay Compton, Griffith's cousin, is a prune-like, bitter woman who dominates her friends and excoriates her maid for slight infractions. Her job is to find work as a maid for one week without being fired. She winds up in the household of the cantankerous, bossy, hypochondriac John Laurie, who does a fine number on the fast-talking sadist. He was the Scottish farmer in "The 39 Steps" who asked, "Do ye eat the herring?" George Cole is the mousy bank teller who must don a mask and pretend to hold up a bank with a water pistol.Guy Middleton is the picaresque moocher and ladies' man who must marry the first woman he talks to after the reading of the will is complete.Alistair Sim, the survivor-in-chief, is a respectable retired Army captain who writes Mickey Spillane novels under various noms de plume in order to preserve his dignity. His job is to commit a crime that causes him to spend 28 days in prison.All four of the beneficiaries undergo complications of one sort or another. Some are funnier than others. Cole earns respect by accident at his bank. Compton's story is meant to be heartwarming. Middleton ends up the victim of a plot himself. All of them learn something about life and about themselves, and find their situations improved, despite the final prank of the great prankster.Sim's story is the funniest and he handles the comedy flawlessly. Like Charles Laughton in that O. Henry story, he can't seem to get himself into jail. His attempt at shop lifting is foiled when the expensive item he steals is stolen from him by pickpockets. The most amusing scene in the film is Sim's trial for breaking a window and bopping a cop with his umbrella. The magistrate turns out to be a friend of his and is reluctant to prosecute him. But Sim prods him mercilessly and offers no defense. Very well, he gets 14 days in the slams. That's not enough. He needs 28 days. So he calls his friend a pompous ass. The sympathetic magistrate becomes insulted and adds another 7 days. That's still only 21 -- not yet enough. Sim affirms his insult and adds that the judge isn't fit to conduct a bus let alone a courtroom trial. Boiled down like this, it probably sounds less amusing that it appears on screen.It's not hilarious. It's not a masterpiece of the sort that Ealing Studios were turning out in the 1950s. It shouldn't even be mentioned in the same breath as a side-splitting comedy like "The L_________s." But you'll find it diverting.

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ar_de_be-1
1951/11/13

Any film with Alastair Sim is worth watching, but this must rank as one of his best. Here he really displays his comic genius; his scenes can rightly be described as a masterclass in the art of comedy. Not before time, this has now become available on DVD, although, as yet, only part of a box set. Since Alastair Sim appears in the other films offered, this is not a great drawback. The other main characters in the film are also very good, particularly Fay Compton, and the supporting roles are filled well, with the always reliable Joyce Grenfell giving great satisfaction. The plot, too, is a cut above the usual, and it all adds up to a very satisfying experience, and one which I have watched many times, and hopefully will watch many more times.

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Steve
1951/11/14

This is a most excellent example of the comic talents of Alistair Sim. His bungling attempts to get himself arrested had me in stitches. Particularly trying to get the store detective, or indeed anyone, to notice he was trying his hand at shoplifting. And of course finding a crime that would only get him the 30 days in jail as stipulated in the will.As someone else has mentioned he did have all the best lines, but the remainder of the cast did a great job, the mild mannered clerk who had to rob the bank where he worked, the overbearing snob who had to be a maid, the womaniser who had to marry the first woman he spoke to, all made for the usual mix of farce and comedy.It was also notable for an early appearance of Audrey Hepburn as the cigarette girl.

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