When a crafty reporter uses false pretenses to get a story out of heiress Tony Gateson, she turns the tables on him, telling the press that they are engaged. Suddenly he's front page news, every salesman is at his doorstep, and he loses his job. A series of misadventures ensues with him alternately back on his job and fired and her ex-fiancé showing up.
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Tyrone Power, Loretta Young, and Don Ameche star in this fun fast-moving comedy about the press and how they hound celebrities and how it feels when the shoe's on the other foot.Ty is a reporter who tries to catch Loretta, a millionairess who just broke up with a duke or something, and get the story for himself for an exclusive. They don't get along at all. Really, they don't. At least for a while anyway.Costarring George Sanders, Jane Darwell, Walter Catlett and Elisha Cook, Jr. in a small role, it feels like a poor man's "Libeled Lady." But, just because something's unknown doesn't mean it isn't worth watching. This is one of the best Ty/Loretta films they made together and should be watched again and again. And, with Don Ameche as his boss, this is one escapade that's too good to miss.
While watching Love is News, what I wished for was that this film would have been cast and directed by a whole different team. Because I like screwball comedy, it's hard to do, and requires a finesse, a light touch, and a specific feather tone from both director and actors to handle delicate material - like a soufflé - a little bit too heavy- handed, and it falls flat. With the exception of Slim Summerville as the small-town judge, the performances were uniformly bad. None of the very young and green principals knew how to handle comedy - so they just went broad and big - Don Ameche bellowed, Loretta grinned and mugged, and Tyrone Power was over-animated. Of course it was the director's fault - pump it up, give me bigger, bigger. But he was dealing with actors who were not natural comedians, whose charms were more in smaller gestures. I kept dreaming of the usual stable who could handle the material - Jean Arthur, Carole Lombard, Cary Grant, Melvyn Douglas - because the storyline was fun and sillilly amusing - an heiress turns the tables on a reporter, and decides to put him under the glare of publicity by planting a false story. I watched it all the way through, seeing potential in the script, and wishing it had been at another studio and cast differently, with a different director. I think it could have been a classic. There were priceless moments, from the fake car crash, to the jail scene, the airport scene - that with the right actors and a director like Mitchell Leisen or Greg LaCava or Howard Hawkes could have catapulted this film in a minor classic instead of an ersatz version of the classic screwballs by people who knew how to do it
Love is News (1937) *** (out of 4) Loretta Young plays a millionaire with a strong hatred of the press who she feels is constantly telling lies on her. One reporter (Tyrone Power) is the most guilty with his lies but Young plans on getting even by announcing to the world that they're going to be married. This way the reporter will know what it's like to be in the spotlight all the time. I read a couple negative reviews of this film but I thought they were way too hard on the film, which I found to be incredibly entertaining throughout with some terrific laughs from the cast. Young is my favorite actress and she delivers another strong performance here as she really captures that society girl image and delivers great comic timing. Power also comes off terrific as does Don Ameche in his role as Power's editor. The two men are constantly battling over the headlines and their comic timing together is wonderful and adds many laughs. Power also works great with Young and the two deliver the laughs as well as the romantic angle. George Sanders has a small role as Young's ex-fiancé. The film runs 78-minutes and there are very few scenes that don't work. The screwball antics are all very funny and the entire situation just makes for some wonderful laughs. One of the highlights is a scene in the bar where Power and another reporter are playing checkers on the floor with whiskey and beer.
Back when this film was made in the mid Thirties there seem to be an abundance of films about madcap heiresses. In the middle of the Great Depression films about the rich partying away seemed to find an audience.Back then the real life model was Peggy Hopkins Joyce, today it's Paris Hilton. We just love to read about the rich doing their reveling.So the premise is a bit ludicrous about Loretta Young getting very angry at the newspaper reporters for reporting on her every move. Believe me if she didn't want publicity she wouldn't get any. Believe it or not, then as now, there are rich people out there who are not tabloid fodder.But I guess anyone can get a little cranky and Loretta has come her time of crankiness in Love Is News. When an especially enterprising reporter gets on board her private plane, she's had it. While reporter Tyrone Power thinks he's scooped his colleagues, Young has an impromptu press conference with the others and announces she's engaged to Tyrone Power.And then Power as he was in real life becomes the object of a lot of tabloid fodder. His editor is Don Ameche who keeps firing and hiring him back to straighten the mess out. If this were done at Warner Brothers, Love Is News would have been perfect for James Cagney and Pat O'Brien.Twelve years later Power did a remake of this same film with Gene Tierney. Hard to choose between the two which is better. Ty is at the beginning of his career and Darryl Zanuck was casting him in all kinds of parts, comedic, adventurous, dramatic. And Power himself was perfecting his screen image.Best scenes in the film involve small town judge Slim Summerville who Young comes up before for speeding and that sets up a whole bunch of funny situations.I can see this being remade today, unless Paris Hilton herself wants to star in it.