If A Man Answers was another attempt by Universal to make husband and wife Bobby Darin and Sandra Dee their junior league Rock and Doris. This comedy has Sandra as a rich, but free spirit who marries professional photographer Bobby Darin. It's the story of their early days of marriage.A girl's best friend is her mother and Sandra has Michelline Presle of France for a mother. Let's say she knows how to keep a man dangling, interested, and wanting more. Sandra was raised in both France and America and her father is Bostonian John Lund. Even raised in Boston Lund's learned a few tricks himself.Bobby and Sandra had their followings back in the day, both individually and as a couple. Their marriage and divorce was followed as obsessively as those of Liz Taylor for a slightly older set. Neither remarried when the marriage broke up. It was true love apparently but of a combustible kind.Cesar Romero has a key role in one of Dee's stratagems that Darin turns on her. He's as charming as ever.Fans of Bobby, Sandra, and both will approve.

"If a Man Answers" is a nice comedy-romance that stars two of the most promising new actors from the late 1950s. Sandra Dee and Bobby Darrin had each won a Golden Globe as the most promising newcomer to film. She for her role as Evelyn Leslie in "Until They Sail" of 1957, and he for his role as Tony in "Come September" of 1961. Dee also was in the latter film, and the couple was married by then. This is one of three films they made together while married (1960-67).This film has a very good plot and script. Darin and Dee play newlyweds, Eugene and Chantal. Micheline Presle and John Lund are very good and funny as her parents, John and Germaine Stacy. Cesar Romero is very funny in his short supporting role as Eugene's father, Adam Wright, who poses as Robert Swan, a fictitious love interest of Chantal (and of her mother in days gone by). The plot has a unique aspect, but to tell more would give it away. It's hilarious. Darin sings two songs with the title and credits of this film.This is a film that most people should enjoy for the plot, the characters and the acting. Darin's songs add some flavor and a touch of nostalgia.Darin will be remembered much longer for his great musical talent. He composed music, wrote songs and had a voice that made him one of the great male singers of the 20th century. But for his early death in 1973, Darin likely would have given us many more hit songs and memorable tunes. Can anyone hear "Mack the Knife" being sung and not picture Darrin singing the song that topped the charts in 1959? It continues to be played and heard in movie soundtracks, on radio, and in other venues well into the 21st century. Among his other hit songs were, "Beyond the Sea," "Splish Splash," "Dream Lover," "Let's Fall in Love," and "One for My Baby." Darin and Dee's marriage may have been ideal at the start, but it ended in 1967. Darin died at age 37 after open-heart surgery on Dec. 20, 1973. He had severe rheumatic fever as a child, and wasn't expected to live beyond his teens. Only late in his life and after his death did much of his background become public. Not even he had known that the woman whom he thought was his older sister, Nina, was actually his mother; and that Polly, whom he thought was his mother was really his grandmother. He learned the truth from Nina just five years before he died. Darin was born Walden Robert Cassotto, May 14, 1936, in East Harlem, New York City. His name was that of his mother and maternal grandparents. Nina became pregnant with him in the summer of 1935 when she was 17. Out of wedlock births in those days were very scandalous, and the family wouldn't consider an illegal abortion. So, they moved a few blocks and Polly passed Bobby off as her new son and brother of her teenage daughter Nina. Bobby's maternal grandfather was a gangster who died of pneumonia in prison a year before Darin's birth. Even after Nina told Bobby the truth about their relationship in 1968, she never revealed to him or anyone else who Darin's biological father was. While the family was poor, they were all close. Bobby's health suffered as a child, but he had a great singing voice, and he taught himself to play several instruments Sandra Dee had come from a marriage that ended when she was five. She was born Alexandra Zuck in Bayonne, New Jersey in 1942. She was abused by her stepfather and was anorexic most of her life. She was driven by her mother who wanted her to become an actress. She was a model at age four and then an actress in TV commercials. She moved to Hollywood in 1957 and made her first film that year. She became well known and liked in her ingénue roles. Her movie career began waning after her marriage to Darin, and when they separated she became a recluse and alcoholic. She died of kidney disease on Feb. 20, 2005, at age 62. Darin and Dee had one son, Dodd (born in 1961), who wrote a book in 1994 about his parents, "Dream Lovers: The Magnificent Shattered Lives of Bobby Darin and Sandra Dee." He also worked on films about his parents and Bobby's music. Kevin Spacey played Darin and Kate Bosworth played Dee in a 2004 biopic, "Beyond the Sea." Before that, PBS aired a 90-minute documentary in 1998, "Bobby Darin: Beyond the Song," and the A&E Biography series ran a 2001 episode, "Bobby Darin: I Want to Be a Legend." Darin had a popular TV show in 1973, "The Bobby Darin Show."While both of these young stars of the mid-20th century had troubled childhoods and tragic ends, they made good marks on society and American culture. We would be missing something had they not been born.

This movie didn't work for me on any level. The script is blatantly silly, corny, and contrived, with no pretensions of any kind of realism. Because of that you can't take it as a drama, and it's not funny enough for a comedy, so it's just amusing silliness. The overtly contrived, corny ending was just way too silly. Overall, this style of movie is over the top and therefore distasteful. It features explicit sexual references, a refreshing change from the Doris Day style goodie-goodie veneer that's really all sexual innuendo, but still falls flat having long since lost any shock value. Darin doesn't come across well, he just has no sizzle. Dee doesn't appeal to me, neither as cute, beautiful, funny, charming, nor talented. I like the wardrobe and the tiny waist. The chemistry between them didn't work for me. I didn't feel that they really liked or loved each other. Partly that's because of the ludicrous script and situations. The mom might have been OK but I couldn't get over the lame, almost not even there French accent. The script is crude, using obviously contrived devices to move so effortless among the plot points. They fall in love, marry, argue, and connive with the silliest motivations. The foghorn was ineffective and incomprehensible. Even on repeated play of the cartoon opening and pausing it to study and discuss it, I still feel that the meaning of the foghorn was not obvious enough. It might have been OK for then, but it's only good for nostalgia now.

Terminally coy and unsexy sex-farce, even more teasing than the popular Doris Day bedroom comedies from this era, has Sandra Dee married to photographer Bobby Darin, trying to make him jealous to get his mind off the models--later attempting to train him like a dog! Dee never warms up to the camera: she poses instead of acts, her heavily lipsticked mouth always puckered in surprise. Bobby Darin (Sandy's real-life husband) is looser and more involved with the audience, but he plays a stock character, the unattentive husband. Film doesn't even look good; the sets are cumbersome, the decor is on the tacky side. I couldn't wait for this thing to end. *1/2 from ****