This is a bit of a throwaway. A couple of guys are competing for the affections of a barmaid in Mexico (or Spain, perhaps). They have a series of confrontation and then the little guy goes off to fight a bull. The bull is hilarious. He and the toreador battle on and on in a kind of pointless way. There are some rally funny dance sequences. This is not great but in the Silly Symphony tradition, it doesn't matter. Watch it for a couple spontaneous bits.

Before you can get to see "Cannibal Capers" and a few other 'special' cartoons on the "Walt Disney Treasures: More Silly Symphonies" DVD set, you are forced to watch an introduction by Leonard Maltin. He talks about the times in which they were made and how politically incorrect the films are. I am not against this, but hate how once you view it, you must ALWAYS view Maltin's speech again if you come back to any of the offensive cartoons. The same thing happens in some of the other Treasures DVDS--such as the second Donald Duck set.As far as "El Terrible Toreador" goes, I was rather at a loss to understand why it was placed among the infamous shorts introduced by Maltin. Now I am not Hispanic nor am I a bull--if I were, I might feel otherwise. Perhaps someone took offense at the way the folks were depicted or the idea of showing a bullfight--though it was very non-violent. Perhaps someone thought the bull was gay or the cartoon offended bald folks--I'm just grasping at straws trying to figure out what's 'incorrect' about this rather charming cartoon.

In the intro on one of the discs of Walt Disney Treasures: More Silly Symphonies DVD set, film critic Leonard Maltin mentioned that not all the SS (Silly Symphony) shorts were great or successes, or something like that along those lines. And I think that I just may have found (and can see) this as being one of them. This is the SS featurette (if not one of them) that's definitely just at the bottom of the barrel, having seen it and judging from what reviewers at the Disney shorts site wrote about it. There are probably many others who'd choose and name this their least favorite or one of their least favorites out of the series. One reviewer claimed that the animation isn't quite up to par, even by late '20s standards. I hadn't really noticed that or, as much as I'm an animation fan/lover, I'm not quite enough of an expert to tell the difference between the illustrations in this and, say, those other SS and Disney cartoons in general. I just don't see it and have failed to do so, maybe I should watch again and closely this time eventually, just to see what the commentator was really writing about exactly. Anyway, I found it to be a so-so short, nothing truly special nor spectacular, there are better I've seen. One toreador challenges another to a bull-fighting contest after the latter toreador tries to steal away his girlfriend, a waitress, basically. Even though I find it average and not top-notch, I was okay with it anyway until near the end, when the first toreador turns the bull inside out, by reaching inside his mouth and pulls his innards outward. Now that was just way too freaky, repugnant and even cringe-inducing. That was the worst, if not only really bad part about it I found. That was a big what-the-blank surpriser or shocker of a moment right there that no one would've seen coming (I know I didn't), unless he/she were clairvoyant. If anybody is still curious and wishes to view, be my guest and check it out anyway, but you'll be repulsed by the twisted ending like I and a few others I know of were. You'll, too, be wondering just what the writers/animators were thinking, why the conception of that scene was green-lit and why (if this was actually the intent) thought it might get big laughs. That isn't even the slightest amusing. I give it half the highest star rating.

A Walt Disney SILLY SYMPHONY Cartoon Short.A vile officer takes liberties with a barmaid, who is the girlfriend of EL TERRIBLE TOREADOR. The bullfighter then proceeds to proudly show-off his skills in the bullring.An interesting & somewhat violent little black & white cartoon, with a great many of Disney's obligatory posterior gags. Most of the music, appropriately, is from Bizet's Carmen. The surprisingly gynandrous bull could almost be seen as a precursor of the celebrated Ferdinand.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.