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Trailer Synopsis Cast Keywords

Young Henery Hawk's father regretfully admits their family's shame: they hunt and eat chickens. Henery set off to find one, and comes across Foghorn Leghorn, where the loudmouth rooster is engaged in his favorite pastime, playing tricks on a grumpy dog.

Mel Blanc as  Foghorn Leghorn / Henery Hawk / Barnyard Dog / Henry Hawk

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Reviews

Horst in Translation ([email protected])
1946/08/31

One of my favorite cartoon characters and he brings his frenemies Barnyard Dog and Henery Hawk. "Walky Talky Hawky" is a 7-minute cartoon from 70 years ago that was made right after World War II and its success resulted in many more films with these characters. Director is McKimson, writer is Foster and voice actor is Mel Blanc of course, all very prolific for Warner Bros. This one may have lost the Oscar, but it was still a success. The story is about Foghorn tricking the chicken hawk into thinking that Barnyard Dog is actually the chicken, a storyline that has been used in other films as well with these characters. It was okay, even if some of the jokes were really just pure action with little comedic value. However, all in all, I felt it was a decent watch with a nice ending too that was actually funny. And you hear Foghorn making chicken sounds, which does not happen too often in these cartoons. I recommend the watch.

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TheLittleSongbird
1946/09/01

Foghorn Leghorn is not my favourite of the Looney Tunes characters. He is however a very funny one and one of their most distinctive(Pepe LePew probably gets the top spot on that front. Walky Talky Hawky was Foghorn and Henery Hawke's first cartoon, and while it's their first it's also one of their better ones. The animation is beautifully done, Foghorn is a little overweight here as he was in his early cartoons but the colours are vibrant with a good amount of depth and the backgrounds are fluid and detailed. The music has always been one of the main reasons why Foghorn's and Looney Tunes' (in general) cartoons score so well with me. It is lushly orchestrated, it is hugely energetic and very catchy and jazzy, it enhances the action so well and keeps you in a good mood throughout and afterwards. The writing would get wittier later on- as you'd expect for a first time there is the sense that it's trying to find its feet still, perfectly natural- but it is still very funny and fresh with the Foghorn series' writing style(ie. Foghorn's repetition and crazy similes) evident. The gags are clever and well timed. The two characters come off against each other very well, they're not at their best, their personalities got stronger as the series evolved, but they are still like the characters that we know. Mel Blanc does a great job, spot on as Foghorn as always and while he's fine as Henery there are times where he sounds as though he's experimenting with which voice he used before settling with a hybrid of Bugs Bunny, Speedy Gonzales and Tweety. In conclusion, a great promising start in introducing a character that is funny and sticks out from the crowd. 9/10 Bethany Cox

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Robert Reynolds
1946/09/02

This cartoon, nominated for an Oscar, was actually a Henery Hawk cartoon. But Foghorn Leghorn-a takeoff on a radio character of the 1930s-1940s-steals the show and launched himself to fame and fortune, while Henery saw his career fizzle. The Foggy in this is the Foggy everyone knows today. Very little change from the first appearance to the familiar figure, unlike Bugs, Daffy, Porky, Elmer or most of the others. Well worth watching.

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Alice Liddel
1946/09/03

This Foghorn Leghorn short offers a twist on the usual Tom and Jerry/Sylvester and Tweety/Roadrunner and Wil E. Coyote model. Like those classics, we are offered a conflict between scavenger and prey. Unlike them, the scavenger is a sweet little cutie, while his victim is a bloated, blustery sneak. The film begins with lachrymose melodrama, as the hero's father tragically tells toddler Henery Hawk that he is a chicken hawk, that he must hunt chickens. With innocent bravado, he sets out to fulfil his duty, but his ominous first act is to fail to fly, falling and thudding from a great height.Meanwhile Foghorn Leghorn is having his usual self-imposed troubles with Barnyard Dog, taunting the latter because safe in the knowledge of his being tied up. Foghorn is lovably unsympathetic, a windy, Burl Ives-type, full of cod-military guff; he'll turn any trick to save his own hide. This mixture of malice and cowardice makes him a true cousin of Bugs.He sees in the chickenhawk an opportunity to further exasperate Barnyard, and, persuading the little fellow that he is a horse, and Barnyard a chicken, urges Henery to root out his meal. Much sadistic lunacy ensues, wonderfully brutal, with the scheming Foghorn not always coming out best.This energetic short plays havoc with sentimental ideals of the pastoral, especially prominent just after the war - its celebration of metamorphosis, duplicity and cunning is heartening in that oppressive All American social atmosphere. There is also some bracing philosophy about the struggle between free-will and genetic destiny. A Tex Avery would have made this a classic, but a funny script and peerlessly protean Mel Blanc voicing make this a rare treat.

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