Jan-Michael Vincent stars as Mike, the grandson of Native American shaman Old Man Hawk who is called back to his village to help defeat evil forces threatening the tribe. After years of living in the city and working in a business world altogether apart from his roots, Mike is contacted by a freelance reporter, Maureen, who was enlisted by Old Man Hawk to track his grandson. When Mike assents to returning with Maureen, they find that the village is beset by the evil spirit of an ancient sorceress, Dsonoqua, animating beasts and objects and causing strange, deadly accidents. Only the heir of the tribe’s shaman can stand in the way of the evil and protect his people, but will Mike be able to harness his power in time?
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Relatively obscure as it is, I still had modest expectations from Shadow Of The Hawk - there are several positive reviews here on the IMDb, the idea is appealing, and the cast contains two of the unsung workhorses of 70s cinema in Chief Dan George and Jan Michael Vincent. A little part of me hoped that perhaps this might be one of those rare overlooked gems one is lucky enough to unearth from time to time. Sadly, the film does not live up to its potential - it has a couple of highlights, separated by long stretches of tedium; worse, for a horror flick, it commits the cardinal sin of being virtually scare-less for its entire duration.Mike (Jan Michael Vincent) has half-Indian ancestry, but has forsaken tribal life for a job in the big city as a computer executive. He is visited by his grandfather Old Man Hawk (Cheif Dan George), who wants him to come back to the old tribal community to help him fight the spirit of Dsonoqua, a vengeful old witch-woman who has previous history with Hawk's family. Mike is initially reluctant to turn his back on his high-tech city lifestyle to go chasing ghosts and goblins in the forest. However, a female journalist, Maureen (Marilyn Hassett), persuades him that he really should show enough respect to at least take his grandfather home and check out his claims. Maureen senses there may be a news story somewhere in all this, and that too motivates her. Mike, Hawk and Maureen begin the long, lonesome drive into the woodland but they are threatened by strange events en route. A menacing black car pursues them and forces them off the road; a masked figure continually observes them from the bushes; they are attacked by enchanted snakes and roving bears. As they near the tribal village, Old Man Hawk reveals that he has known Mike will be the one to face down Dsonoqua since he was a young baby. Now is the time for Mike to embrace his tribal roots and defeat the malevolent spirit of the enemy.The script trips up everyone here, lacking both drive and coherence. George is a wisened old pro, but he looks pretty indifferent here; Vincent was a rising young star at the time of release, but he too looks like his heart isn't really in it. Things are cursorily explained so there is very little interest or suspense in the events. A couple of scenes are neatly done - a snake bites Old Man Hawk while he sleeps; a car crashes into an 'invisible barrier'; a group of eerily masked worshippers emerge from the trees to terrorise Vincent while he stands in an enchanted circle... but these strong moments are separated by such long stretches of dullness that they cannot save the wider film. Too many scenes fizzle out without making much impression, and an air of dispiritedness hangs over the proceedings. 'Dreary' is the most apt description for it - 'Shadow Of A Movie' might have been a better title!
What the hell are you supposed to do when suddenly one night, during your birthday celebration moreover, your old and physically exhausted grandfather shows up on your doorstep and begs of you to disregard everything and drive 300 miles to bring him back home? You could refuse and put him on a bus, seeing that he also managed to find his way there alone perfectly fine, but – like the cute woman accompanying him already pointed out – he is your grandfather and you just don't do a thing like that. So what other option is there but to politely offer a ride to both gramps and the lady? During the road trip, however, granddaddy reveals he's entangled in a spiritual battle with a ancient witch called Dsonqua and you are involved through your bloodline. A-ha! That immediately explains the eerie hallucinations you're having about wicked witch masks inside the pool and outside your bedroom window! All this is what's happening to Jan-Michael Vincent in "Shadow of the Hawk"; an above average compelling and atmospheric 70's thriller with a good cast and astonishing Canadian filming locations. Especially the first half of the film is more than fascinating to observe, what with all the mysterious Indian mythology and the genuinely creepy images of the witch's frightening mask. Unfortunately the film loses quite a lot of its pace and interest halfway and ends up being a rather dull and unmemorable supernatural hocus-pocus thriller. The most exciting moments of "Shadow of the Hawk" occur during the road trip, like for example the crash into an invisible wall, whereas the long-anticipated climax battle against the witch and her disciples is tedious and disappointing. George McGowan, known from the nature-revolts classic "Frogs", directs with a noticeable disinterest, but luckily the cast is excellent. Chief Dan George and Jan-Michael Vincent (one of my personal heroes of the 70's) are terrific and very believable as the Indian saviors. "Shadow of the Hawk" is quite difficult to track down these days, so make sure you only take the effort in case you're really interested in the film.
The aging Indian medicine man Old Man Hawk arrives in the city to to find his grandson Mike.Old Man Hawk is fighting a magical war with the witch Dsonqua who was executed two hundred years before and is now seeking revenge.Reluctant at first Mike decides to help his grandfather,but during their way to home Dsonqua increases her magical powers."Shadow of the Hawk" is an eerie tale of Native American witchery.The white Indian mask is creepy as hell as are mysterious spells and magic rituals.The scene where black car smashes into the invisible wall is truly chilling and memorable.The demonic Wendigo wind is also a nice touch.9 spells out of 10.An effectively eerie and forgotten horror film.
at 14 years old this movie scared the living bejesus out of me. ultimately, it is responsible for my love of being scared to this very day. i actually scratched my legs to the bleeding point through sheer nerves. i have never seen it since. i have not bothered to check on its availability, and i don't know that i want to. i hate disappointment. the last movie that threw me for such a loop was Phantasm. it was my first DVD purchase and by the time i got it all hooked up and running, it was late and i was all alone. i couldn't finish the movie til the next day, sunshine and daydreams! but enough of that movie, this was a milestone.