Rough'n'tumble mercenary Matt Riker (woodenly played by the hunky Rick Gianasi) and his tough mutant-stomping buddies Johnny Felix (Ron Reynaldi rocking one hell of a wicked mullet) and Elaine Eliot (ravishing redhead Taunie Vernon) venture into the dangerous dark tunnels to find the secret lab of the dastardly Z (a nicely slimy portrayal by Bill Peterson), who's responsible for unleashing a race of lethal cyborgs that are terrorizing the city.Boy, does writer/director Tim Kincaid cover all the endearingly atrocious mondo stinko schlock cinema bases with often unintentionally uproarious results: We've got crummy acting from a lame no-name cast (Stormy Spill in particular really camps it up as Z's evil and treacherous ex-partner Domina), erratic pacing, a mechanically bouncy and redundant synthesizer score, garish cinematography, tin-eared dialogue ("Time to rock'n'roll"), ineptly staged fights, an utterly ridiculous plot, and tacky (not so) special effects (although the gooey cyborg make-up ain't half bad and the cyborg puppet is pretty impressive considering the paltry budget). Kincaid regular LeeAnn Baker pops up in a small part as an ill-fated pleasure droid. A hilariously horrendous hoot and a half.

The film was created on next to no budget by an infamous director/writer/producer of adult pornography. Watching the fashion and mustaches on the male cast that last thing might not be that much of a surprise but what surprises me the most is the ego of the production team. If you have no money and hardly any skills in filmmaking then you might get away with creating a sleazy slasher at most. This film takes it inspiration from epic films like Bladerunner but fails fails in nearly every department, fails HARD. Awful settings, uninspired wardrobes (except for Domina's), no logical plot, weird fight scenes, laughable "inventions" and utterly useless cyborgs that look like failed EBM musicians and act like stiff zombies.Bladerunner had its following of low-budget cyberpunk copycats and a lot of them actually succeeded with delivering a somewhat engaging story (Robotrix for instance) so this film can't really get away with it just because of finances. If I were to cut it some slacks then it has to be the effect and gore. I am especially thinking about the decaying cyborgs that are skillfully done with both stop-motion and makeup.

Some claim this is a BLADE RUNNER ripoff but I know the truth. In the distant future, failed filmmaker Ridley Scott built a time machine and decided to go back in time to film MUTANT HUNT, what many in this future consider the greatest film of all-time, before it is actually made. His plan worked and BLADE RUNNER hit in 82 while MUTANT HUNT's legacy was muted because it was seen a ripoff.Seriously, what can one say about this classic? It is indicative of a cinematic time long gone, the era of cheapo sci-fi flicks shot in abandoned warehouses (the future!) on a 5-day shooting schedule (see also: Ray, Fred Olen). I'm glad to know that in the future cyborgs will be modeled after the band Devo. Tim Kincaid directs this as flatly as possible. I love the fight in Riker's apartment where the girls just sit and stand there. I also love the bit where the robot begins to severe its left hand. When the filmmakers cut to the hand hanging in the cuff, it is a right hand! And who can ever forget the couple making out in the alley? Awesome. To the film's credit, Ed French's cyborg puppet head is pretty impressive and actually emotes better than 3/4 of the cast. After watching this 75 minute insanity fest, the only natural thing to ask is, "What Kincaid film should I watch next?"

Recently, I started browsing through the used movies bin at a local video store. You know the type, every movie marked down from $4 to $2. This is usually where you find old work out videos and videos that came with 80's toys (I think I found a Barbie Adventure in one of these once). Anyway this is where I discovered Mutant Hunt. The tagline on the box had me sold, "It's the 21st century New York and It's open season on cyborgs". The god awfulness of this tagline pretty much describes the god awfulness of the film. But that's actually the most entertaining feature of the film.Mutant Hunt is by no means a good movie, or even a decent film. The script is terrible, the editing bites, and the camera work is abismal. However, if you want a film that you can repeatedly make fun of over and over again, this is your flick. My friend and I watched this film and made jokes throughout the entire thing, MST3K Style. One of our ongoing jokes was that Cyborgs are weak against wood and karate chops because that seemed to be the only thing that really had an effect on them.I do have to give props to who ever was on the robot design, the cyborgs, normally just guys wearing sunglasses and are dripping fluid, generally look pretty terrible. However at one point, one of the cyborgs gets its skin torn off and we see the robotic endoskeleton. Its movements and looks were pretty good and you can see where 95% of the budget for this film went to.Overall the film has some decent oneliners (including the phrase "space shuttle sex massacre" and one character who calls the cyborgs Jellyheads) but the true enjoyment of this film is really just making fun of it. This is the only redemption of the film. Jellyhead.