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When an unauthorized letter is sent to Moscow alleging the U.S. government's willingness to help Russia attack China, former naval officer Charles Rone and his team are sent to retrieve it. They go undercover, successfully reaching out to Erika Kosnov, the wife of a former agent, now married to the head of Russia's secret police. Their plans are interrupted, however, when their Moscow hideout is raided by a cunning politician.

Bibi Andersson as  Erika Kosnov
Richard Boone as  Ward
Nigel Green as  The Whore
Dean Jagger as  Highwayman
Lila Kedrova as  Madam Sophie
Micheál Mac Liammóir as  Sweet Alice
Patrick O'Neal as  Charles Rone
Barbara Parkins as  B. A.
Ronald Radd as  Captain Potkin
George Sanders as  Warlock

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Reviews

Bladerunner101
1970/02/01

Majestically directed by Huston, stuffed with great performances including Richard Boon, John O'Shea, Nigel Green, and especially Max Von Sydow who is in compelling form. Bibi Andersson is a revelation, so full of tenderness, anger and despair.Full of engaging characters, unexpected scenes, and plenty of twists this is a neglected classic of the genre.It needs a proper DVD release with plenty of extras, before all those involved pass away (Bibi Andersson and Barbara Parkins are the only principals still with us) Despite being central to the plot Orson Wells has little more than a cameo. O'Shea is little known now but deserves a larger entry in the footnotes of the secret agent roll.

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sol1218
1970/02/02

****SPOILERS**** Confusing mess of as movie that centers around this letter that if its contents become know to the Communist Chinese Government it could very well spark a third world War between China and the US and USSR. What the letter is all about is a promise from a top member,very probably the head man, of the CIA that the US will join the USSR in an attack on the Chinese Communist nuclear facilities in a joint military operation when the time is right.As the movie slumbers along the letter becomes less and less important to the plot with the guy put in charge of getting the letter US Government Super Secret Agent Charles Rone, Patrick O'Neal, finding better things to do like become a male hustler in Moscow and getting acquainted with the Soviet sadistic counter-intelligence head Col. Kosnov, Max Von Sydow, oversexed wife Erika, Bibi Anderson. Erika is dying to leave the USSR and start a new life in the free world Western Europe or the good Ol' USA. And in the end Erika has half her wish, the dying part, come true!Rone was was drummed out of the US Navy with an dishonorable discharge as a cover for his new job as a US Super Secret Agent has retired US Government Agent ward, Richard Boone, show him the ropes in what's expected of him which is meeting up with a number of ex-government agents all round the world to coordinate the operation in keeping the letter,"The Kremlin Letter", from getting into the hands of the Communist Chinese Government. Which by the time the film is less then half over the mysterious letter is almost completely forgotten about only to resurface later in the hands of the Communist Chinese at a Pieking post office dead letter unit where no one there, in the post office as well as Communist Chinese Government, takes it seriously thinking that it some kind of a prank by the CIA or British I5 to create friction between the two communist super powers!Boring movie that you need an entire bottle of NoDoz to gulp down in order to stay awake to watch it from beginning to end. There's so many side plots in the film that at one point I thought that I was watching at least a half dozen different movies at the same time. ***SPOILERS***Agent Rone who by the time he finally gets the hang of it, his secret assignment, gets himself romantically involved with super safe cracker Elector Set's, Niall MacGinnis, daughter B.A (Barbara Perkins), who can crack safes with her feet as well as hands, that in the end backfires on him with her being used as a hostage in order to have him do what he was really recruited for to do in the first place! A hit job back in New York City that has nothing to do with what he thought he was in the movie for in the first place: "The Kremlin letter"! Talking about changing horses in the middle or a race!P.S There's also a cameo appearance, like in an Alfred Hitchcock movie, in the film by it's director John Huston playing someone called the Admiral as well as Orson Wells as the guy who's really pulling the strings in the film as Soviet Central Committee honcho Bresnavitch. But the person who really steals the show is George Sanders as Warlock a San Francisco transvestite who likes to nit red, Communist red, stockings in his spear time. Sanders or Warlock ended up being thrown out of his Moscow apartment window when it was decided by his handlers, the CIA?, that he had outlived his usefulness which couldn't have statued, in Sanders finally exiting this dull as dishwater film, him more!

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Robert D. Ruplenas
1970/02/03

I caught this on one of the cable channels and was blown away by the cast lineup - Max von Sydow, Richard Boone, George Sanders, Dean Jagger, and - mirabile dictu - Orson Welles. What could go wrong, says I, in a Cold War intrigue drama with such a lineup, and directed by John Huston (who puts in a cameo)? As it turns out, plenty. I wondered why I had never heard of this flick, and after watching it, I realized why. The plot is incomprehensible, involving a mysterious letter that must be retrieved. It turns out that this letter, which we learn of at the beginning of the movie, is nothing more than what Hitchcock called a "McGuffin," an undefined object which gives the director an excuse to strut his stuff. In this case the "stuff" is a beautifully filmed exercise in obfuscation. It is never clear at any point who is doing what to whom. Huston got Welles to play a role, but he phones in his part in the pompous way of his later years. After a couple of hours of confusion, the ending, rather than giving us any closure (heaven forfend that a viewer might ask for closure), merely prolongs the incomprehensible. In sum, a confusing, overwrought, pretentious mess. The only upside is that it is beautifully shot. I wish I could also say that it's a pleasure to watch, but good cinematography only takes you so far. The frustration of the confusing plot kills everything. Skip it.

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TVPowers
1970/02/04

An absolutely diabolical cold war spy thriller. Directed by John Huston, with a mostly all-star cast, it's offbeat, grim, brutal, sexually frank (if far from PC these days)-- and rather bloody for its time.Patrick O'Neal seems at first glance a bit older than the Rone character should be, but a line of dialog indicates service in Korea. So perhaps this correct, and the passions he seems to elicit from the younger female characters are part of the book. Speaking of which, it's based on the novel by Noel Behn, who had served in the real-world Army Counter-Intelligence Corps. The print I saw on TCM was extremely crisp and clear, I didn't notice any graininess. The sound seemed fine, although the over-dubbed Russian to English bit did seem like a misstep at first.

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