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Trailer Synopsis Cast Keywords

Captain Scarlett rescues Princess Maria from being abducted while travelling. She's not exactly grateful. He finds out that she is to be married to a man she doesn't like, so Captain Scarlet attempts to help her but winds up in prison for his efforts. He escapes and finally helps the reluctant bride who winds up joining Captain Scarlett and his sidekick and they become something along the lines of the three musketeers.

Richard Greene as  Capt. Carlos Scarlett
Leonora Amar as  Princess Maria
Nedrick Young as  Pierre DuCloux
Eduardo Noriega as  Count Villiers
Isabel del Puerto as  Josephine Prenez
Manolo Fábregas as  The Duke de Corlaine

Reviews

Spikeopath
1953/09/12

"Following the defeat of Napoleon, France was in a state of unrest. Many of the Royalists who had fled to England returned to exact vengeance for their real and fancied wrongs. Some turned the situation to their personal advantage...becoming Tyrants and Petty Dictators...."Set in France but filmed in Mexico, Captain Scarlett is a hum-drum swashbuckler short on thrills, spills and originality of story. Richard Greene stars as the titular Scarlett, who sets about righting wrongs as he gathers supporters and catches the eyes of the babes. It's a sort of low rent Robin Hood, the Gallic version, Greene is dandy as usual, the costuming pleasing and with it running at just 75 minutes it moves along fast enough and doesn't outstay its welcome. But it's all pretty stale and way down on the list of swashbucklers to see before you die. 4/10

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MarplotRedux
1953/09/13

I fear that other reviewers have failed to recognize this movie for what it is: a fine example of a 1950s Saturday afternoon double feature film. The principal actors are obviously enjoying themselves, and we should too. Yes, there's lots of filler, yes much is predicable. That's why I just relaxed and enjoyed it. Here's an analogy from another movie: Errol Flynn is in Queen Elizabeth's castle. An enormous piece of dark cloth hangs on a bare stone wall near the top of a steep stone stairway. The cloth serves no purpose that an Elizabethan interior decorator would accept. A few scenes later, Mr. Flynn is about to descend these stairs when he sees three miscreants with drawn swords waiting for him. What does Mr. Flynn do? Why he grabs hold of that cloth, swings down upon those extras, and … Besides, as a student of history I learned several things about France after Napoleon's defeat. Day and night switched back and forth unpredictably. As one was pursued by horsemen this might happen several times during a single pursuit. Small orchestras accompanied these horsemen but never interfered with the pursuit. (This, of course, was also true in the Old West, but Restoration France's orchestras were slightly larger.) Clothing never got dirty, even though one wore it day after day. Expensive seeming scarlet (a.k.a. scarlett) cloaks were so readily available that at least six of them could be lent to local villagers who sought to imitate our hero. As is still sadly true, men (well, one man … our hero) pursued women who never would become properly submissive wives and whose conversation would cease to be interesting after a very few years. Men who had pistols usually forwent their use in order to fight each other with dueling swords. (For some reason this wise practice didn't continue in the Old West, despite that one almost never hit anyone no matter how many shots one fired at them from Old West pistols, whereas with a trusty sword …) Internet Archive offers this film free. As a still-loyal member of ABCDEFGHI, I recommend it for late-evening viewing. ("What's this alphabet stuff?" American Boys Concerned to Defend Errol Flynn's Good Honorable Intentions, that's what!)

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JoeytheBrit
1953/09/14

This is a bad film and, although it's not quite bad enough to be good, it was clearly made on the cheap for undemanding schoolboys with only scant regard paid to logic or character development.Richard Greene was no major talent when it came to acting but he towers above everyone else here - especially the pretty but wooden Leonora Amar. Naturally the perfunctory script makes it impossible for anybody to deliver a believable performance that they'd wanted highlighted on the CV, but some performances are little better than school nativity standard.The storyline is the familiar one about a nobleman returning to his homeland to discover his estate has been claimed by some unscrupulous tyrant. Greene's Captain Scarlett jovially sets about recovering what his rightfully his with he help of a similarly displaced nobleman and the princess he has rescued from one of the tyrant's cronies. The manner in which Scarlett and his sidekick escape from wall shackles is particularly memorable: With their hands shackled either side of them, they manage to retrieve the keys to their tethers from a guard using only their feet. In the next shot they are free with no explanation given as to how they managed to unlock themselves when their wrists were manacled to the cell walls.Scarlett finally manages to defeat the cruel tyrant by having half-a-dozen locals distract his guards by running around in scarlet cloaks. Obviously a resourceful chap, we can only assume he rides around the countryside with a dozen or so neatly folded in his saddle...Avoid unless you are prepared to leave all critical faculties at the opening credits.

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jpkolo
1953/09/15

One of the worst movie I have ever seen. The script is awful, the acting is awful, the direction is awful, the sound is awful and the colours are awful. Seems that they put all their talents together to produce the worst movie ever made...Wonder if "The Producers" was based on that exercise???

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