"Angela" is a movie that has a not entirely unsuccessful stab at depicted the world through the eyes of a child. However, it never succeeds at keeping our attention for very long. It's like listening to a rambling storyteller who occasionally stumbles upon something interesting, but most of the time, you can safely tune him or her out without missing anything. I admit to being perplexed and distracted by the movie's boom mic being so often visible. I couldn't understand how a movie so beautifully shot and with actors like Frances Conroy, Vincent Gallo and John Ventimiglia could make such a basic mistake. Apparently, (as IMDB tells us), this fault was not with the filmmakers, but the distributors. The movie was supposed to be shown in letterbox format, which would have obscured the equipment. When transferred to DVD, the black bars at the top and bottom of the screen were removed.I'm glad to hear this wasn't the director's mistake, but still, it is very, very noticeable. The plot is about a young girl whose parents are struggling to deal with the wife's mental illness. Left largely to fend for themselves, the girls attempt to "enter Heaven", interpreting strangers as either good or bad angels there to help them on their journey.The movie reminded me a bit of that Swedish masterpiece, "Children's Island", but it's not nearly as good as that one, despite strong performances and beautiful photography. It doesn't bring you into the child's world as completely as that movie does, and it doesn't captivate you half as much.

The ten year-old Angela (Miranda Stuart Rhyne) and her little sister Ellie (Charlotte Blythe) move to an old house in the countryside with her parents Mae (Anna Thomson) and Andrew (John Ventimiglia). Their mother has mental illness and has just left an institution and her husband tries to keep the dysfunctional family together. Angela is an imaginative disturbed girl that might have inherited the illness of her mother and is obsessed by purification to get rid of her sins; and has visions of the fallen angel Lucifer and the Virgin Mary. She leads her little sister in her paranoia and uses a circle of toys and dolls to protect them against evil. They have a crazy neighbor that Angela believes is an angel and she asks the woman how to find the way to heaven. When Mae returns to the institution, Angela becomes uncontrollable in her quest to heaven. "Angela" is a weird and bizarre film about mental illness and religious paranoia. Angela seems to have inherited the mental disorder of her mother, having vision of Lucifer and Virgin Mary, and fantasizing purification processes to cleanse the sins to reach heaven. The worst is that she drags her little sister in her fantasy. The tragic conclusion is expected. It is impressive the number of times that the microphone is visible. My vote is six.Title (Brazil): 'Angela: Nas Asas da Imaginação' ("Angela: In the Wings of the Imagination")

This is a complex story about insanity, and the thin line between insanity and religious superstition. Two little girls are neglected by their parents, and the older girl (Angela) imagines or hallucinates seeing and talking to the devil. The younger girl has a scary moment imagining or hallucinating too. Nobody teaches these kids about reality, and in the end that lack of attention becomes a horrible disaster. The ending has such impact that the second time I saw the film I turned it off before the ending.The girls are absolutely adorable and the photography does them justice. There is one nude scene (body suits?) that is completely innocent. The two girls are portrayed realistically most of the time, so that you don't really mind the occasional lapses in realism. The children are so lovable that the ending is doubly tragic: you want the story of their lives to go on forever.A great scene is when the two girls sneak away from the adults, find their way to a carnival, and meet a young man who is apparently a pedophile. They unwisely follow him to a somewhat secluded place, and he kisses Angela. But the child imagines he is an angel, and tells him "I know who you are." The poor guy is frightened to death that he's about to be arrested and runs away! There are many other great moments of comedy and irony in this film. Despite the lack of high-budget action or special effects, there isn't a boring moment in the whole movie. The writer/director is a creative genius, and the music is beautiful too!Frank Adamo, author of the documentary "Girl Becomes Woman."

I loved the plot, acting and direction of this movie, so it pains me to say this but on a technical level ANGELA is subpar thanks to a starring role from--the sound boom! Yes, my friend and I counted no fewer than a dozen scenes in which the boom was clearly visible over the actors' heads. The worst of these is when Angela and her sister are walking along the railroad, approaching the boy's house; the mic bobs around like a fishing pole caught on a rubber boot. A pity, because given its other merits ANGELA should have been an intelligent, professional-looking film.