This films speak to to my love of nonsensical dry slightly dark humour. This films progression and self-reference to director himself quite evident. It also coincides with the directors personality, which is don't take me seriously and let me create. The other part of this film makes it my favourite is this character's. Mark Burnham in my books does this great job in playing the serious and stubborn depressed looking cop in this absurd kind of circumstance. his reactions, or lack of, make some great awkward cringey moments but I just love and it makes me laugh. The supporting cast do a great job of adding to the absurdity of the situation. Normally exacerbating it or having to deal with Mark Burnham's character actions/reactions.

This movie is almost like a comic version of "Bad Lieutenant".Directed by Quentin Dupieux, a.k.a. Mr. Oizo, who also directed "Wrong (2012)", so you should know how weird this movie can get.Like "Wrong", this movie has a strange style, strange story line, strange cinematography (especially those sudden and random zooms), strange writing. Everything about it is strange. But it's funnier than "Wrong".And if that's not weird enough, you should see the mini-guest (almost cameo) role by Marylin Manson - the movie is worth watching for that scene alone (clue: An almost unrecognizable Marylin Manson without makeup, plays an insecure teenager who listens to electronic music).There are also two cameos by Jonathan Lajoie, one of them as rapper "E=MC Vagina" (you might miss it if you blink).

I have never felt so ripped off and disgusted after walking out of a movie theater. They stole both my money and my time. I can't fathom how anybody gave this film a rating above 2 (except for the plausible exception of the guy that got high before watching this filth).The movie appears to be the work of an incompetent poseur freshman film student trying to make some type of avant-garde and eclectic movie which avoided the stereotypes of Hollywood and standard cinema guidelines. So much of this film was not only non-sequitur (in an unintentional way), but was filled with outdated, offensive "humor" which lacked any punchline. There are so many inconsistencies in the story line and no closure to key themes in the movie. (What happened to the dying guy who was in much of the film? He was just forgotten at the end).It appeared like the director watched a series of early-80's art-house films (Liquid Sky, Videodrome, etc) to be "inspired" to meld quirky music with jumping from scene to scene without much plot or consistency. Either that, or he watched a series of American police comedies (Police Academy, Reno 911) and did not understand that there are several jokes in those which are context-based or have some type of pop-culture reference. This film seemed to want to have such jokes but lacked any pop-culture connection for anchoring any of their attempts at humor.This movie not only falls flat but could only be a cult classic for those whose only method of sitting through it are taking drugs and entering an altered state of reality. The Russian connection of this film is obvious in the way they portray the police. I can only see that the inspiration was transplanting corrupt Moscow police mentality into LA and think that the audience will have both the cultural references for both of these environments. Even with this cultural context I felt completely violated by this film and can't get back either the time or the money I wasted on this worthless garbage.

Quentin Dupieux's films are not for everyone, but if you're looking for a very fun, absurdist film you're going to love Wrong Cops.I can't understand why other reviewers hate on this film so much. I watched it and laughed my ass off and had a great time. It's my favorite film of the past year. It's deadpan absurdity, a sequence of slightly the surreal encounters of a police force that does more harm than good, who spend their time selling drugs, refusing to investigate crimes, and composing house music. Dupieux's films collectively are like a breath of fresh air in a stodgy and self-important film culture.The plot of Wrong Cops is loose and it almost feels like a piece written for the stage. It's all about the slightly twisted encounters - from scene to scene there is no way to predict where the film will take you, and once it takes you there there's no way to know exactly where you are. This kind of mischievous disorientation can be very fun if you just let go and take the ride.If you like David Lynch, Alejandro Jodorowsky, etc. - films that go over the top with their surrealism and absurdity, films that never feel quite comfortable and familiar yet which you can't look away from, you will love this film. If you're looking for standard fare, just don't watch it. It will probably make you angry.