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Captain Ralls fights Dutch shipping magnate Mayrant Sidneye for the woman he loves, Angelique Desaix, and for a fortune in gold aboard the Red Witch.

John Wayne as  Capt. Ralls
Gail Russell as  Angelique Desaix
Gig Young as  Samuel 'Sam' Rosen
Adele Mara as  Teleia Van Schreeven
Luther Adler as  Mayrant Ruysdaal Sidneye
Eduard Franz as  Harmenszoon Van Schreeven
Grant Withers as  Capt. Wilde Youngeur
Henry Daniell as  Jacques Desaix
Paul Fix as  Antonio 'Ripper' Arrezo
Dennis Hoey as  Capt. Munsey

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Reviews

Edgar Allan Pooh
1948/12/30

. . . of its 2001 Artisan "John Wayne Collection" DVD release could not even keep the main facts straight themselves on their WAKE OF THE RED WITCH jewel case. Angelique, the brunette flashback chick, is the NIECE--not the "daughter"--of Evil Island Commissioner Desiax. First Mate Rosen's blonde chick of the present, Teleia, also is only the niece--not the daughter--of Angelique and Captain Sidneye. Where the parents are of all these nieces running around underfoot in this story NEVER is explained; nor is the alleged existence of Angelique's daughter ever fleshed out. (Sometimes it might be wise to spring a few bucks and cast a few "extras" to make plot points a little more plausible.) Maybe one should not be too harsh in blaming the Artisan copy writers, as this flick is NOT close-captioned, preventing them from rechecking anything on the nonexistent subtitles, and the sound of many scenes has NOT been digitally restored, leaving it virtually inaudible (and forcing the poor Artisans to work under "garbage in, garbage out" conditions). John Wayne fans may wish to skip this picture, as the Duke's character "Capt. Ralls" is a drunken loser who flogs his sailors on capricious whims and destroys a Native Islander religion and deity. Capt. Ralls loses a pearl, loses his girl, loses his ship, loses ANOTHER ship, loses a cargo of gold bars, and loses his life. The final scene shows explicitly that this man is better off dead.

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oldblackandwhite
1948/12/31

The first thirty minutes or so of Wake Of The Red Witch has so many characters, and it's so hard to figure out what's happening, it may remind you of The Big Sleep. After two lengthy flashback sequences, told by two different characters, the waters of the plot were a little less muddy. Unfortunately, at that point the story slowed down and sagged a little. Nevertheless, this is a very exotic (as in strangely but appealingly different) and entertaining movie and a different direction for John Wayne, who plays one of the most sinister and cruelest characters of his career.Republic Pictures was a studio with a reputation for making movies on the cheap without the final product looking cheap. Most of their output were programmers, but they liked to turn out one or two "quality productions" per year. It looks as if Wake Of The Red Witch with a budget of over $1,200,000 was the quality of 1948. The movie premiered in Houston, Texas in late 1948 but did not get a general release until March 1949, which probably indicates some re-editing and perhaps new scenes. It has a terrific cast, headed by Wayne and Gail Russell, excellently supported by Gig Young, Adelle Mara, Luther Adler, Henry Daniel, Eduard Franz, Paul Fix, and Grant Withers. Edward Ludwig's direction is sharp, especially considering the complex script handed him by screen writers Harry Brown and Kenneth Gamet. Cinematography by Reggie Lanning is up to the best standards of beautiful back and white era. Though there is some obvious back projection in places, the South Sea sets by John McCarthy, Jr. and George Milo are lush and convincing, and stock footage from other movies (one of Republic's favorite cost-cutters) is blended in flawlessly. On the other hand the fluid editing we take for granted in pictures from the 'forties is spoiled by too many abrupt, blackout scene changes. This may point to some radical re-editing between the premiere and the general release three months later.Set in the 1860's Dutch East Indies and surrounding area, the story revolves around a bitter but respectful rivalry between sea captain Wayne and ship owner Adler. These two strong, morally challenged men are locked in a long-standing mutual hatred. But each grudging admires the other as the most ruthless and competent man he knows. Their rivalry eventually becomes the sole reason each has for living.Wayne was coming off the release of the highly successful Red River, which had actually been filmed two years earlier, when Wake Of The Red Witch was made. There was a little of Tom Dunson, the cruel, tyrannical rancher he played in Red River in practically every movie John Wayne subsequently made. There is a lot of Dunson in his Captain Ralls in Wake Of The Red Witch. He is Dunson magnified. Wayne and Adler's intense character studies are what makes this movie really worth watching. As for the rest of the cast .... judging by this picture, it would seem that Gail Russel, in addition to wrecking her career with booze, just wasn't really much of an actress. Adele Mara should have had the female lead instead of the second lead. And Gig Young should have kept the mustache.Wake Of The Red Witch is one of John Wayne's best performances, an entertaining, action-packed, and mysterious picture.

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edwagreen
1949/01/01

We're in the 1860s somewhere in the Pacific. John Wayne is looking for riches surrounded by natives, Gail Russell, Luther Adler and a very young Gig Young.The picture should have been in color for starters. Wouldn't you really like to see The "Red" Witch of a boat?The story is one of revenge between Luther Adler, a vicious, cunning individual who stole Gale Russell from the clutches of Wayne.To get revenge, Wayne sunk Adler's Red Witch boat and Adler shall reciprocate as the film goes on.Miss Russell must have thought that she was Merle Oberon in the way that she attempted to play her death scene similar to Oberon's "Wuthering Heights." The uneven writing doesn't help one bit.Wayne joining Miss Russell in death at the end while searching for gold at the bottom of the sea is Hollywood mush.This film needs to be waked.

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grannycog
1949/01/02

My all time favorite of all the John Wayne movies. It came out when I was a young girl and I have seen it 34 times, and would watch it again if I could find a video. Compared to special effects today, it is lacking, but I believe it was one of his best.

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