A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without revealing his parentage in this circular tragedy. Filmed in glowing technicolour, this tale of romantic and familial love in the face of unbreakable tradition is more universal than its setting.
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A very well done story about the illicit relationship between a man and his "aunt" in 1920's China that results in disaster for all concerned. I've seen Gong Li in a couple of movies recently, and it's clear that she is both beautiful and talented. Here she plays the title character of Ju Dou, a young woman forced into marriage to Yang Jinshan, the brutal and sadistic owner of a dye mill, who beats and tortures her, and also wants her to bear him a son and heir. The mill is also home to Yang Tianqing, Jinshan's adopted nephew. Ju Dou and Tianqing fall in love with each other, and have a child, who is assumed to be Jinshan's. The result is tragedy all around eventually.The story is both unpleasant and yet interesting. Few of the characters (with the exception of Ju Dou) really connected with me. Ju Dou, on the other hand, becomes the object of sympathy right from the start. Her life is horrible, and even the relationship with Tianqing (a gentle and loving one for the most part) ultimately strikes me as unsatisfying, because frankly Tianqing is a wimp. The character (well portrayed by Li Baotian) comes across as childish and immature and afraid the whole way through. In a way, the most powerful (and frightening in many ways) character was the adolescent Tianbai, Ju Dou's son. He only appears in the last third of the movie or so, but he comes across as completely hateful toward both his mother and Tianqing and totally unemotional. It all leads up to a tragic (and yet appropriate) ending.One thing I really enjoyed in this movie was the depiction of the rituals around Jinshan's funeral procession. That was quite fascinating. Overall, this was an unpleasant movie with many unpleasant or at least unlikable characters, but still quite interesting. 7/10
Gong Li is just about one of the most beautiful actresses in the world today. It is hard to believe that she has been acting for 20 years.This is one of her earlier works, and it is an excellent example of her talent. It is also one of the early films for Yimou Zhang, who also directed Gong Li in Curse of the Golden Flower. He shows the promise of a great director in this film.There is not much that is pleasant her. Ju Dou (Gong Li) is bought by an evil man who has beaten two wives to death for not bearing him a son. She is beaten mercilessly and he has constant sex with her to have a son.The problem is not his wives, but him, and she has a son secretly with his nephew (Baotian Li). It saves her life, but matters continue to get more and more complicated until the final tragedy.One of the really interesting features of the film is the Chinese funeral ritual.The film is a great example of the early work of two great talents, but do not think that early means weak, as they were bother strong from the beginning.
While Ju Dou has a very nice photography, it fails in nearly all other aspects. The performances feel a bit over the top, and the characters lack proper motivation for their actions. Like Being John Malkovich, you tend to dislike the main trio of characters. As the movie progresses and gets more twisted, the harsh tone gets harsher and harsher. Some scenes are beautifully done while others don't fit. The script isn't exactly ground breaking and hurts with it's lack of focused story line. The directors gave a good attempt to bring the words into screen with beauty and power, but they didn't have enough. This film begins to lag and the ending just makes the film crumple. Another thing is that everything is so easy to figure out, you never wander about anything. There are hints at symbolism but they don't help movie the film along. The rest is okay, but nothing really marvelous. 6/10
This work by Zhang Yimou (for those of you who don't know, Chinese surnames are written and spoken before first names) is an excellent step towards the masterpiece that came next in his line of films. He begins to further establish his signature as a director through heavy use of symbolic color and specific camera techniques that convey meaning beautifully. Please see this film if you get a chance--it's well worth it, especially if you like Zhang and/or Chinese cinema in particular.
