Due to a near-fatal accident that has left her incapacitated and depleted of her long-term memory, a temporarily wheelchair-bound woman returns home after being abroad for six years accompanied by her bohemian boyfriend, the apparent cause of the accident. Unable to remember her family or her own childhood, she sets out, with the help of her boyfriend, to find the reason for her leaving all those years ago and quickly discovers her relatives may not be as loving as she’d thought
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It isn't often at all that a director will treat his audience to the actual making of a haunted house. I should say that this film is not for the faint of heart, and it is not for any viewer who has any problem at all with perversity of any kind. Perverse a'plenty, folks! So, we have a decrepit stone Georgian mansion, a family of weirdos, and a girl who doesn't know head from tails. This is a classic Gothic film, Mystery, and, yes, Slasher all rolled into one. No jump scares, though, which usually makes or breaks a film for me, though I will still watch The Innkeepers and a few others, jump scares and all. Ever really wonder what the "prequel" of a haunted house is? This film will give you some idea.
The premise of this sounded very interesting and I watched it back to back with Sand Castles which has a similar premise - and this one falls short of the other in my opinion. It was surprisingly darker than anticipated and went in a direction I did not expect. Definitely not for the faint hearted, I feel as if it missed a trick by sacrificing on dramatic realism in exchange for shock factor, and the result is you feel very uneasy watching it rather than suspenseful of the unknown.It's visually interesting, with great set design that immediately makes you feel uneasy. It is further enriched with excellent performances from its cast, most notably Amy Mason in the lead, who is sublime.Definitely worth watching, it portrays a very dark, suspenseful tale, even if it does feel very disjointed and forced in places. Not the film I expected, which left me more deflated than surprised come the end. Can't help but feel they missed a trick, creating a psychological horror rather than a thriller.
If art imitates life, then there are some really sick people in the world. This film was about a young woman who suffers a accident, winds up back at her childhood home where some real dark colorful characters pretending to be her family all reside. Although the story unravels from inside the home, at no time did I feel like you needed more locations to make the story work. In fact, the happenings unfolding to this young woman couldn't happen anywhere else, because of the graphic nature in which things are done to her. Overall, I've seen this story before in other films that deal with family issues. I think on a whole, all families have dark secrets And if ever found out, lives would be completely destroyed, and the jails would full of family members. A lot this film was cliché and predictable. I endured it to the end, and for me, the ending was the best part. It just took a little to long to get to it.
I only started to watch this for Amy Manson (Being Human),and was not expecting much. This is a cerebral thriller, although some scenes were too sadistic for my taste. The characters are well cast and take "dysfunctional family" to a whole new level. I found it a bit confusing once secrets were revealed and may watch it again (granted, I was tired). This is worth your time- don't watch if depressed- it is very dark. Manson exhibits incredible on-screen,smoldering intensity which makes her characters strong and intense. This one is not exception. I love movies with dark secrets and strong female protagonists (despite all she endures, her strength comes through).