An extraordinarily talented cast gathered for director Phylis Nagy's made for TV crime and punishment opus. The results aren't astounding (like, for example, "Reversal of Fortune"), but it's certainly interesting as a character study.The story begins abruptly; rather than introduce the characters and setting, we are thrust into the primary "crime scene". Jean Harris (Annette Bening) confronts Dr. Herman Tarnower in his home and he urges her to sleep it off. Telling him that she drove 4 hours just to spend a few minutes with him, she produces a revolver and attempts to kill herself. In the process of attempting to stop her, the doctor is severely injured by 3 gunshot wounds. Once the "crime" is out of the way, the film goes back in time to fill us in on the background events that led to these events.My feelings about the film are mixed. The performances are solid, and Kingsley is worth watching in just about anything. He's got a very interesting character here – a total narcissist whose main virtue seems to be the fact that he's so open and honest about it. His crowded room of hunting trophies symbolizes rather blatantly his attitudes about life in general, and women in particular.He's not a very sympathetic character, but no matter how hard the film seems to try I just can't find Jean to be in the "right" here. First of all, I find the depiction of the crime which is shown later in the film based on the prosecution's evidence to be far more likely than the first version we're shown. Even allowing some room for the film to be ambiguous about its goals and giving them credit for showing the prosecution version, I think a number of factors tilt this film strongly in Jean's favor. Basically the film shows Jean as a victim of the doctor, particularly in that it asks us to accept that her depression and violent outburst are the result of her addiction to medication that Dr. Tarnower prescribed for her, and repeatedly reminds us that she took anything and everything he gave her based on faith. The film seems to ask us to hold the doctor responsible for her drug habit, which I find just as unpalatable as her story about the doctor being "accidentally" shot 3 times is untenable. Bening is a fine actress but she can't create pathos where none really belongs. The film is too heavy-handed in asking us to see things from her perspective, even going so far as to basically lampoon the doctor's living relatives and friends who doubt Jean's story and blame her for his death by directing these actors (including Cloris Leachman) in a ridiculous over-the-top manner.This film will hold your attention to the end of its running time, after which point you may feel as I did that you actually wasted your time. That's not to say it's a horrible film, it's just that the story is finally not convincing on a human level because Bening's character is too improbable to generate anything beyond curiosity.

I always wanted to know the details of the Jean Harris murder story. However, because I kept to scholarly reading, I didn't want to take the time or money to buy the books & magazines about her circumstances.Now that I've seen the show, I have a greater understanding of the background history & consequential events that led to Harris's trial & conviction. My knowledge grew because I witnessed riveting performances by a host of veteran actors: ones that I have grown to trust NOT to be involved in shameless mockeries of the truth, like the "Path to 9/11" is. I'm more curious to go back & read the books, newspapers & magazines about "Mrs. Harris."

Spoilered just in case you are not familiar with the story. . . . . . . . . . . . . . . . . . . . Utterly fabulous film with a strong cast. Cameos done by Ellen Burnstyn and Brett Butler capture Tarnower's eclectic selection of women. Annette Bening does an amazing job of capturing the complexity of real-life woman Jean Harris, yet she does so with an seeming effortlessness that makes her performance eloquent. She IS Jean Harris -- petite, brilliant, vulnerable and dangerous. What a gifted and powerful actress! Ben Kingsley also does wonderful homage to cad/victim Dr. Tarnower. This movie is well cast, well scripted, and well done. For instance, I thought the thunderbolts edge the soft character of Jean Harris quite nicely. Dishes, diamonds and dark glasses. Also accompanied by poignant selections of music from the late sixties and seventies (for instance, Chicago's 'Color My World' as they struggle to get the doctor's stretcher down the spiral staircase as Jean sits by herself in a comatose haze -- very well done indeed. I'm not sure I totally believe her, but I sure do like her. This movie is wonderful!

If you look at this movie as humorous you'll soon see that it is a very dark comedy. It is sometimes sly and subtle, sometimes almost burlesque(the locker room scene) but always not taking itself too seriously. "We never fought except about the use of the subjunctive!" C'mon. I think Ben Kingsly always kept the comedy aspects of his character in mind and played it very broadly. This movie has what must be by far the most oddly matter-of-fact murder scene ever filmed. I think if you are old enough to remember when this was on the news it will enhance your appreciation of it. Watching people thought to be upper class brought low has been fodder for comedy since theater began.