After ending the Godzilla series with the Heisei series, Toho wanted to maintain a higher grossing monster movie. The one that drew in females in what's admittedly a pretty male-centric genre was Mothra. Mothra is definitely known for her numerous roles as a hero of sorts in Godzilla films ever since her first role in a Godzilla movie (Godzilla vs Mothra, 1964). But actually, Mothra had her own movie before all of this, like some other monsters best known for their role in Godzilla movies (Rodan comes to mind). Her 1961 movie is something to check out, but getting that history out of the way brings us back to 1996's Rebirth of Mothra. Unlike the Heisei series of Godzilla movies, Toho decided to cater more towards kids with the Mothra series.Mothra received a huge intake of power with her Heisei Godzilla redesign, and that continued even more so with this RoM series. Boy, even the larvae can beam spam! Mothra looks okay, but a bit fuzzy in moth form. Her offspring, named Mothra Leo, looks pretty good and doesn't fall apart like the larvae of the Showa series. This is also the first time we have a distinctly male Mothra, Leo. In moth form, Leo looks notably different from the female Mothra. Mothra also has blue circular eyes, whereas Leo has more angled green eyes and other design tweaks. I like that. How about the villain monster in this movie, Desghidorah? He's an interesting take on the Ghidorah family, relying on four legs and with an almost elephant-like roar. He sure makes you hope for his death the way he heartlessly attacks Mothra and Leo in larvae stage. Kinda graphic actually if the kids are too young. Overall the monsters are a plus and the action is pretty good. The drawback is that the final battle between Leo in moth form and Desghidorah is just way too easy. Desghidorah overpowers the aging Mothra in the beginning, but then Leo just comes in and gives him a good one-two. Easy peasy. Except it was annoyingly easy. Maybe this has something to do with the kid-centric theme.Moving on, what else does the film bring? Well, the RoM series has one distinctly annoying trait for me, at least with the region one release: the women just scream and scream and SCREAM. It gets old. The pacing is a bit iffy here too and a number of scenes could've been cut entirely or trimmed.What we have here is a decent movie, and you might certainly be emotional when you see the larvae desperately trying to keep its dying/dead mother alive. It's probably worth more than a 6/10 for younger people, but if you're a much beyond perhaps a teenager you may not enjoy as much. Its sequel, Rebirth of Mothra II, is arguably even more child-themed, so it doesn't get better here on out in that sense. But for all this kid theme talk, I still like the movie and have a copy on DVD.

When a logging company uncovers an ancient artifact in the mountains of Hokkaido, the Company's boss Mr. Goto finds a mysterious talisman. He prises it free from its resting place, thinking it would be a nice present for his daughter. Unfortunately he's unsealed the resting place of Desghidorah, a three headed, fire breathing beastie that's soon freed to run wild and destroy the local scenery, sucking Earth's precious energy.Only a giant plush moth can save the day! A tired old Mothra - tending a lovely big egg - is reluctantly summoned (in a slightly more J-pop than usual fashion) by her tiny priestesses Moll and Lora. These cuties are from a race called the Elias, and they spend much of the movie astride a mini-Mothra called Fairy, battling their nemesis Belvera, who gets to fly a mini dragon thing and cackle a lot.First in a trilogy of Mothra films for the nineties, while Godzilla was taking a well earned break. Clearly aimed at kids more than the average kaiju fan, this is still great fun, and while no cities get totalled in this offering, the countryside looks nice and there are some cool fight scenes between Death Ghidorah and Mothra.There's a 'save the planet' theme going on that gets rammed down your throat a bit before the movie ends, but the more obvious beef many western fans are going to have with this flick is the lack of a Japanese language option on seemingly the only version available. Why do they do this? Yes, the film's been tarted up nicely, and the dubbing is lip-synched and not overly annoying, but some people will always prefer the original language and there seems to be little reason why it shouldn't be included.

This is the kick off of Mothra's very own series and I must say it wasn't a bad move by Toho. You see, Mothra, like Rodan, was originally a solo character who was introduced to the Godzilla franchise in the cross-over "Mothra vs. Godzilla"in 1964. Her first film had been back in 1961 and for whatever reason, audiences like Mothra a lot. Want to guess which monster co-star has been in the most Godzilla films? No, it's not King Ghidorah, no not MechaGodzilla and Christ no it is not Minilla. That's right, it's Mothra. She's starred in a total of nine Godzilla films. MehaGodzilla's been in five and Ghidorah has been in eight. Therefore the idea of her own series wasn't too shabby at all. However, I must say I was expecting more.To begin this review I'll say the good points to this film. Oddly, this film's universe is that of the Heisei Godzilla series. It's the same Mothra from "Godzilla vs. Mothra" back in 1992 to be exact. The monsters are grade A in my book, Mothra and Mothra Leo both look awesome, as well as the larva form. Death Ghidorah looked incredible and his attacks were great. I didn't like his roar and the original shrieks would've been better though. While in flight, the quadruped dragon looked awesome as well. The real downside is that to save money Toho had Death Ghidorah rampage through a forest the entire movie without even touching a single building! Wack status! Isn't Tokyo supposed to get crushed in these films? The thing that truly ruins this flick are the annoying and overly childish characters. The dialogue and every scene involving any of them, especially the fairies, just leaves older viewers like me frustrated. The human characters are just plain crappy. On the opposite side we have good monster moments, as when the larva watches its mother drown right before its eyes, a somber moment where the tragic music really sets the mood. Toshiyuki Watanabe is a great composer, giving Mothra a heroic theme and everything.Unfortunately, most will find the bad outweighs the good and find watching the film unbearable. All in all, I still find it a fun film to watch.

This film has many colorful and beautiful sceneries, especially the forest scenes. Mothra begins a new solo adventure, battling Desghidorah to save Earth's green landscape. She hatches an egg and out comes her son MothraLeo. To pick up where his mother left off, MothraLeo battles Desghidorah to the finish.There are amusing battle scenes and great special effects by Koichi Kawakita. And, there is a fine score by Toshiyuki Watanabe. This movie is a big change from the concepts of the original Mothra of the 1960s. The two tiny priestesses are not twins like the original one who were portrayed by The Peanuts, and each one in this movie is actually given a name: Mona and Lora (the "Elias"). They have an evil sister named Belvera who favors Desghidorah's mission to turn Earth into a barren landscape. The central character in this movie is a kid who helps Mona and Lora battle their evil sister. The scene where the Elias and Belvera riding on their "Mothra" pets and shooting rays at each other at the kid's home is too childish and took away to much time in the movie. The scene is more associated with kids' shows or cartoons. And, MothraLeo's powers are very excessive. Its releasing of rays and beams make MothraLeo act more like a robotic creature. Though all the creatures in this movie are worked out well, there are limited emphasis to the human characters and overall, the movie is more kid-oriented. The Mothras in this movie are not treated like the Sacred Goddess in the Mothra films from the 1960s, but more like superheros ready to defend Earth. And, there are no natives worshiping Mothra in this film as in the 1960s Mothra films, making Mothra seem less sacred, as it was suppose to be according to the original concept. But, the ever-so-popular "Mothra's Song" (sung in Malaysian as always) returns and is performed by the Elias. Some new songs are introduced also. A serviceable movie, otherwise, to spend 106 minutes on a boring day.Grade C