This is a troubling movie to review. It's neither not good. More good pass the time movie fare in the world of ordinary, although you do get caught up in the characters and their hardships, problems, aspirations, mistakes, etc. It's well acted by all, and if you're a C Thomas Howell fan, like me, it's a plus, although like Soul Man, here, I didn't buy that Oceanography was his passion, a similar study to what the late Paul Walker did, him choosing marine biology. Anyhow, he gets caught up in an affair with an older woman, the always capable and talented Jamie Lee Curtis. Her best friend and ex lover (the late Swayze) a car derby driver who revels in his profession, is now going out with a trashy, but delicious looking sort (Jennifer Jason Leigh, in one of the film's standout and memorable performances) who's doing others, besides him. It is fun watching Swayze, get angry and go ballistic, and just watch what happens, when provoked. The film has an average script, and less so plot, but one feels the movie is not built around that. It only has video appeal. It'd bomb at the cinema. If you disregard that, and just live through the characters here, you'll come off okay, while a plus, is being a Christopher Howell fan. Another asset is two dream sequences, one featuring Howell in a choreographed dancing number in front of a locomotive, surrounding by an entourage of beauties and studs, where the prize inside the carriage is Jamie Lee Curtis who I myself, has never found this horror icon, attractive. Also an intimate lovemaking scene, on the derby ground, between the more mature Curtis and younger gent, Howell, in a brake locked car, which executes a perfect donut. An enjoyable time passer with memorable moments, and characters, but don't look higher than that. Here too, before Soul Man, Howell takes one in the gulliver.

Tender-but-tough divorcée, the struggling owner of an outdoor demolition derby arena in small town Illinois, is faced with a $10,000 upgrade from the county; one of the commissioners is trying to get her property cheap so he can build a country club on the spot, but is unaware his teenage son has a crush on the older woman, who is also being courted by her star-driver. Surprisingly complicated character-driven film from director Randal Kleiser, he of the hits "Grease" and "The Blue Lagoon". Working from Ken Hixon's mercurial script, Kleiser hands a wonderful role to top-billed Jamie Lee Curtis, who finally gets to show off an appealing range (it's one of her tightest performances). As her underage paramour, C. Thomas Howell is still doing his puppy dog bit (soulful eyes and trembling bottom lip), however Patrick Swayze is terrific as the macho star involved in an all-out war with his cheating wife (Jennifer Jason Leigh, convincing as an unrepentant tramp). Just as good as the younger players is Ramon Bieri as Howell's father; the under-appreciated actor stews in realistic exasperation with his kids, and Kleiser is careful not to mock him (the father's actions aren't fully considered, but we are able to perceive the man's character in Bieri's weary eyes and seasoned face). What doesn't work are the dream sequences/music videos which appear to be included to appeal to the teen market. This isn't another horny boy-meets-older woman hick-comedy, though it was advertised as such. The film has more on its mind than cheap thrills, and the actors seem to relish in their opportunities. **1/2 from ****

During field tests with a local corn seed supplier I had to work on site and the work was based out of Pontiac, IL. People didn't revel in their small town status. They hated it and left as soon as they could, if they could. It was horrible. Everything. Try getting a decent meal out when the locals are actually afraid of spices. Not, "I prefer blander food" or such, but true horror at the thought that they might accidentally get slipped something cooked with the appropriate spices. I don't mean hot, I mean anything other than salt and pepper. And pepper's considered pretty darn exotic.Jamie Lee used to show up at the bar I used to frequent after work, during the shoot. That didn't even make it interesting. In fact, she was a bloody nuisance. Real attention seeker. First time I saw her I'd been in there about 10 minutes and a roadie walked in and she flashed her breasts at him and said, "How do you like these sets?"I suppose the movie does capture the grinding nothingness of it all. I found the plot insipid and the acting pretty bad. Patrick Swayze was just irritating. Surely you have something better to do than to watch this movie. I guess those that rated it highly are engaging in a kind of rationalization. Trapped in someplace like Fairbury, IL they convince themselves that they love small town Americana. Maybe they're afraid to leave. I mean, if spices scare you, the world might seem pretty terrifying. I guarantee it won't intrude on you in central Illinois!

In first watching Grandview, USA, you might be puzzled by the scattered storytelling. Simply put, the movie concerns a few small town Illinois residents, but each with their own assorted, and somewhat separate, small town struggles. C Thomas Howell, at least in the trailers, is made to look like the main character of the story, the teenager just aching to break free of the provincial setting. But in fact, his story is neither anything important, nor anything dominant. Jamie Lee Curtis is Mike Cody, a speedway owner who is fighting to hold on to her property. Since her father, the man who built the speedway died, the city commissioner had been dying to get their hands on it. And, Patrick Swayze plays "Slam the Ram," a rather cumbersome character who plays a speedway driver on Cody's lot who is dealing with his sleazy wife (Jennifer Jason Leigh) cheating on him. No story is really fully developed. No situation really seeks to grab the audiences' attention. Everything just seems to be a subplot. The entire story is, as said before, simply scattered and without focus.Jamie Lee Curis and Patrick Swayze, however, are no less entertaining despite this. If only they had developed their characters and story enough, you might have had quite an enjoyable little film. For me, it was still an entertaining film, so long as you don't mind obscure movies and you're in the mood for something different. C Thomas Howell's teenage angst can be kind of annoying at points, especially the music video daydream sequence with the 'Steele Man of Action' bit. But, 80s fans might be lured by the cast. Look for John Philbin (as one of the speedway employees), John Cusack and Joan Cusack (as C Thomas Howell's friends) in minor parts. It wasn't great, but still worth a viewing if you can find it.