Abel returns to the family home after two years in hospital for an undisclosed mental health problem which has rendered him silent. He is nine years old, and doesn't know what his role is in the family, until he finds an old family photograph and realises what the family in the photo had that the family he has encountered upon his homecoming does not have. It does not have a father. Christopher Ruiz-Esparza, as Abel, delivers a subtle but powerful portrayal of a boy locked in to himself who is desperately trying to find a role that will help him make sense of his life. Diego Luna gets as captivating and mature a performance out of him and his real life younger brother Gerardo as Michael Winterbottom did from his sibling child actors in the film 'Everyday'. A remarkable and disturbing film all round.

I must confess that during the first few minutes of "Abel," I became confused. In fact, I almost gave up watching it via Netflix Instant.But I'm so pleased I didn't.Truth be told, what prompted me to log on to "Abel" was that it was directed by Diego Luna, an actor whose work I deeply admired when I first met him in his brilliant and sensitive performance in "Y Tu, Mama, Tambien." But I'm happy that I hung on, because I discovered Luna's gentle sensitivity to the struggles of Mexico's lower-middle-class in this, his first film as a director.Which made me remember my own childhood when I also was a poor kid growing up in western Pennsylvania.Sr. Luna clearly has a great future as a director.Because the "truths" his work reveals are "universal."

"Think, therefore I am" is the best way I could describe this movie. The Director shows how a child with a mental illness found its place in this world by assuming the role of the family's head in the absent of it. Something to think about is how this child built its role in his head by models found in old fashion movies, and then the film shows what happens when he found a free way to expressed himself without finding any obstacle playing the father and husband's role, accepted by a mother who found in this odd behavior, a hope to rescue him from an mental isolation life.Life is the addition of little moments with a meaning and this film shows a drama with those funny and tragic moments of the family.The director let us see urban art invoking nostalgic moments from past decades in its scenes and little details. He did a great work to catch the natural and graceful performance of the children.

I was looking forward to watch this film since the first time I saw the trailer. It seemed like an interesting idea and it didn't look like the kind of story Mexican cinema is used to show.And it, indeed, is a peculiar story. There are some awkward and funny situations as a result of a boy acting like his own father, but on the other hand, the drama of a delusional kid who doesn't really know who he is and feels the need to fill the father role in his family. The real conflict begins when the real dad decides to finally show up after a two year absence.I liked how the characters are portrayed and also the acting, especially from Christopher Ruíz-Esparza (the boy who plays Abel). The story is told with a good balance between comedy and drama and is really enjoyable.