STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Unorthodox journalist Mike Sullivan (Vinnie Jones) flits away his time winding up the local constabulary and trying to romance a member of police personnel. But everything changes when the landlady of the Thames side pub he frequents is found murdered and a transcript of an unpublished novel cum confession by legendary writer Charles Dickens is found. As he digs deeper into both mysteries, he is plunged further into mystery and danger than he bargained for.In 1998, former footballer Vinnie Jones shot out of nowhere and took everyone by surprise with his gangster cult classic Lock, Stock and Two Smoking Barrels. Okay, no one was blown away by his acting ability, but his presence as a hard man looked set to ensure a decent career as a movie tough guy. But it all proved to be a one hit wonder, and all he really achieved after this was supporting role status amongst far more acclaimed actors in films like Gone in Sixty Seconds and Swordfish, before descending into the realm of straight to DVD hell, the latest being this muddled and labourous thriller, which might have been okay had he not taken other acclaimed and promising new talent stars like Derek Jacobi, Julie Cox, Vanessa Redgrave, Jason Flemyng and Mel Smith along with him. What caused him to fall from the dizzying heights of success so quickly (apart from maybe being a one trick pony) is anyone's guess (a dodgy personal life being a possible guess) but here he is.A script as far fetched and incomprehensible as this would have been a task in anyone's hand, but with a miscast looking Jones in the lead, it's even more of a task to fathom. Jacobi's juxtaposing roles as a former thesp tramp and Dickens himself talking directly to the camera through-out are obviously hints building up to something and the script is predictable in other areas too. Add to this cheap looking production values through out and debut director (also writer) Brendan Foley has made a bad first impression.What exactly did I expect with something that came free with The Daily Mail? *

Somewhat confusing story about a Londoner (Vinnie Jones) who gets involved in a web of intrigue centering on newly discovered Charles Dickens manuals. I spent much of the movie wondering how much of the stuff about Dickens himself was true; I would like to know more about Charles Dickens as a person.Other than that, the acting kept the movie afloat. Aside from Jones, Derek Jacobi, Julie Cox, Vanessa Redgrave and Jason Flemyng turn in very good performances. It's just that I felt that the movie didn't tell as much about Charles Dickens as I would have wanted to hear. Pretty good otherwise.

I didn't know anything about this DVD when I hired it. Had a quick look here at the comments but decided to keep an open mind. Obviously an independent film and low budget but that didn't worry me. I will watch anything with Derick Jacobi and as always he played his part well. What a pity no one else did. I had watched 'Atonement' a few weeks ago with Vanessa Redgrave and she was sublime. In this she seemed to just turn up to read the lines. In my opinion the main mistake was in casting Vinnie Jones. To be honest I saw his picture on the DVD cover but didn't notice that he got top billing. A sticker was strategically placed over his name! It was watchable and I quite liked the Dickens story alongside present day. Maybe with a more capable actor playing the lead this might have worked better. Still it was weak.

This is a small London thriller with a good cast including Vinnie Jones and Julie Cox about a journalist turning detective and a missing Charles Dickens novel.While I agree with the comments that say some of the plot is confusing, I actually really liked seeing Vinnie Jones in something different. Julie Cox is very good opposite him in quite an understated role, usually getting to the clues one step ahead of Jones.I wasn't wild on the Victorian scenes, which were a bit stagey, but they might appeal to a Masterpiece Theater crowd more than me.But Vinnie plays just enough of his usual self to keep it real while moving away from his usual hardman role though I loved him in Lock Stock. I liked that he did not change back to his hardman role at the end, but tries to talk his way out of a tough spot. I would like to see Vinnie Jones given a chance in a really good romantic comedy.