The description of the three hour, two episode drama is misleading. The daughter doesn't find out her mother is not who she thought she was. Instead she is given a manuscript containing the complete story of her mother's life. Most of the film is what Hayley Atwell's character did in the 40's, with little that makes any sense in the 1970's "present".Now, the story is interesting, a sort of cloak and dagger British Intelligence outfit that is tasked with convincing the Americans to join the war effort in favour of Europe. Sexy Eva is recruited, trained and unleashed upon unsuspecting foreign agents. However, as many have noticed, the execution of the plot survives only to the most superficial scrutiny. But it is damn ridiculous to complain about the inconsistencies, though, if we liked the movie. It's not like we don't know it's a film.What does strike as slightly annoying is the length of the feature. Certainly this could have been more concise in the length of a normal film or more detailed and watchable in a three or four episode miniseries. As such, you can't wait for it to be over, waiting for the climactic ending that, alas, doesn't really come. Everything is explained in the end, but with a fizzling finale that holds no power and creates no emotion.Beautiful Hayley Atwell and Rufus Seawell both made the film bearable due to their performance. Perhaps it would have been better to just discard the 1970's story and just tell the 1940 one from beginning to end. The Americans would have done so, ended the story with her escaping and quickly preparing a sequel. :)

This was poor and left me grieving for BBC Drama - who is going to make quality television if the BBC can't? It had a lot of the right ingredients - if they were re-making The Singing Detective, then Rufus Sewell would be a perfect choice, so it was only right that Michael Gambon played Sewell's older self. But the pace was slow, the plot became nonsense (was it perhaps originally a six part that was then cut down?), and the dialogue was awful. They left the worst til last though, the ending was truly dire leaving me regretting that I had spent 3 hours getting there - God knows how the actors and crew felt when they saw it, after all it took them a lot longer.Why is this 4 and not 1, because I like the genre.

Was "Restless" worth using up 3 hours of my life on? The answer is (probably) 'Yes', but only just... The plot was interesting, the performances adequate, and I had to think a number of times as to who, when, and where the characters were when settings changed. The casting was a bit iffy for me. I found it hard to accept the actors as the same people at varying stages of their lives. (I accept there must be difficulties involved in productions that need to show characters at different points in their lives, but the casting here wasn't the best. I suppose it's a toss-up between using different actors, or ageing characters by make-up. Both must have their problems.) On top of that, and without even trying, I noticed some anomalies. Among others, the wrong version of the Stars and Stripes was used, and wrong telephone ring tones too. The mother and daughter left the shop without taking all of their purchases with them. The college tutor finished his drink twice. All in all, it passed the time, but my 'suspension-of-disbelief' was suspended. I'm only a customer - what do I know..?

Hayley Atwell made this for me - she was excellent throughout. The story was exciting, although I still don't know who was watching from the forest and why they would suddenly start to do so, long after the original events. Charlotte Rampling is also very good indeed in her part. The credits show that quite a lot of it was filmed in South Africa, which seems to have done duty for the USA. This sometimes looked cheap (the little street corner that stands in again and again for New York City) and some of the local actors had dodgy American accents. "Turn left hyah" doesn't strike me as authentic for New Mexico. It was enjoyable and I recommend it.