Berlin Express is a mystery set shortly after WWII on an Army transport train headed from Paris to Berlin. The train carries an assortment of characters, all with different backgrounds and allegiances. The trip is sidetracked in Frankfurt after the attempted assassination and later kidnapping of a German named Paul Lukas. Lukas has the ideas and wherewithal to deliver a unified post-WWII Germany. Others, however, do not want to see this happen and would rather Germany remain divided. I know a lot of this may sound vague and incomplete, but I've probably already given away too much of the mystery as it is.Overall, I would describe Berlin Express as a nice, but never great, film. The movie opens with a voice-over narration that is absolutely necessary to set-up what's to come. These monologues can sometimes annoy me, but without it here, the film would have taken at least an additional hour to explain what was happening. The acting here is solid, but not necessarily spectacular. Robert Ryan and Merle Oberon head the talented United Nations-style cast. The mystery elements work in Berlin Express. Curt Siodmak is responsible for the twisted, sometimes confusing, but always engaging, screenplay. The big twist to the plot that comes near the 30 minute mark worked almost perfectly on me. It really caught me off guard. Most of the story is told in a documentary, matter-of-fact style that suits the somber surroundings. Speaking of the surroundings, the real star here are the locations. The movie was shot in the actual post-war ruins of Frankfurt. The bombed out building, the crumbling infrastructure, and the gut-wrenching homelessness are filmed magnificently. It's sad and horrific, but absolutely beautiful.

A young Robert Ryan is one of a multi-national collection of characters on a train bound for Berlin where they are due to hear an address by a Konrad Adanauer style politician who is endeavouring to oversee the peaceful unification of a defeated Germany in the wake of WWII. On board the train, this disparate group of strangers, which includes the politician's secretary, a British diplomat, a Frenchman and a Russian soldier, witness what they believe to be the assassination of the politician, although they later discover that he was actually a double used to divert attention away from the real peacemaker. However, the real politician is then kidnapped by a group of Nazis intent on resurrecting the Third Reich.Berlin Express is a solid enough thriller which clearly had loftier aspirations than most mainstream thrillers, and is considerably enhanced by some location footage of war-blasted Frankfurt that adds real atmosphere to the tale. The film attempts to underline the differences between the various nationalities while simultaneously trying to emphasise the importance of the nations they represent working together to find an acceptable solution to what was clearly a delicate situation at the time. This was before the Russians zoned off their tranche of the country to claim it for Communism, and it's clear that there's a little uncertainty about how to treat their representative – a somewhat stereotypically humourless young soldier – at a time when Russia was just beginning to be perceived as the next potential threat by US politicians. 'Perhaps you should try to understand us,' Ryan's character gently admonishes the young Russian at the end of the film – words that ring particularly hollowly in the light of the hysteria which would soon grip Hollywood.Politics aside, the film provides decent entertainment. Merle Oberon fails to disguise her heady exoticism in her role as a German, but we'll forgive her that simply because she has such beguiling cheek bones. Ryan is handsome and tall – and effortlessly superior to all those around him as his unlikely comrades pretty much stand back and allow him to sort things out. There's one effective sequence in which a fatally wounded spy dressed as a clown (long story) scrambles across the dusty rubble of Frankfurt's ruins, hotly pursued by a couple of Nazi thugs. He eludes them, only to fall, dying, at our hero's feet, just enough breath left in him to whisper a key piece of information. Good stuff.

Post war Europe felt the hunger caused by the conflict in different ways. When a pigeon is shot near the Eiffel Tower, some children decide to give it a fitting burial by taking it home. One of the boys' mother, has a different idea figuring it would make do for her husband's dinner. Little did she realize the pigeon was carrying a coded message that will set things in motion in this account of life in that era.The Americans in France were sending a group of people to Berlin by train. It was a mixed crowd that included Dr. Bernhardt, an important man that was returning to Germany to present ideas for the new government there. Some of his fellow citizens did not want him to get to his destination as it is made clear with a murder attempt in the train, only the real man man was not killed. What follows is an adventure into uncharted territory that takes place among the ruins of Frankfurt and Berlin.Jacques Tourneur, a director with a talent for giving his films a view from another angle, worked successfully in Hollywood. "Berlin Express" came after his wonderful "Out of the Past". The story was based on a story by Curt Siodmak, the brother of Robert Siodmak, the film director, and a writer in his own right. The screenplay is credited to Harold Medford. Mr. Tourneur directed the thriller documentary style, as though to clarify things and put them in perspective for the audience. The narration tries to give the viewer a link to the turmoil of life after the war, especially a Germany in ruins. Lucien Ballard, a distinguished cinematographer was at hand to capture images that illustrates the horrors lived during the war.The cast includes Robert Ryan, Merle Oberon, Paul Lukas, Charles Korvin and Robert Coote. The film is worth a look by fans of Jacques Tourneur

Like the curate's egg, parts of Berlin Express are excellent. But the other parts? Be prepared for conscientious lectures, conventional and dull, about how life might be for us all if the U.S., Britain, France and the Soviets could work together and be jolly doing it. Divided Germany right after WWII is the subject, but we get the idea: We all just need to be friends. An anonymous narrator keeps telling us this, as well as pointing out what we're already seeing. It's no accident, I think, that Dore Schary supervised the making of this movie. If there was any possibility of pounding inspiring messages into an otherwise good movie, Schary was the producer with the mallet. Imbedded like those old-time prizes in clumps of stale, sticky Cracker Jack are the good parts. These are worth digging for. We're in the middle of a Nazi plot to keep the victors from working together, all to better the chances of these grubby but dangerous survivors of the Third Reich to divide and conquer. The humane Dr. Bernhardt, a German who opposed Hitler and survived, is on a mission from Paris to Berlin by train to address an international conference on his plans for a unified and democratic Germany. There's a plot to kill him. When a grenade on a snack tray goes off in Dr. Bernhardt's compartment...is it good-bye, Dr. Bernhardt? Four travelers on the train, strangers to each other, find themselves thrown together with Lucienne (Merle Oberon), the doctor's secretary, to find out what really happened. There's Robert Lindley (Robert Ryan), an agricultural expert from the U. S.; Sterling (Robert Coote), a teacher from Britain who will work to develop Germany's education institutions; Perrot (Charles Korvin), a Frenchman who was with the maquis and is now a businessman; and Soviet Army lieutenant Maxim Kiroshilov (Roman Toperow), returning to the Soviet Union. Can they overcome differences to work together successfully in Berlin to learn the truth? Well, sure. That's the whole point of the movie, isn't it? Why is Berlin Express so good in parts? Most of the movie is set in the bombed out desolation of Berlin. It's a grim, desperate place. The reality of Germany under the control of the occupying armies is clear. Cigarettes are the common currency, useful for buying potatoes or bits of coal, or, if you're a G.I., women and liquor. Director Jacques Tournier gives us some first-rate, tense scenes of interrogation, hunts down rubble-filled streets at night, a tawdry German nightclub in a ruined building, a tacky mind-reading act and impending violence in a cavernous, bombed-out brewery. You can't beat a dying clown for morbid interest, and Tournier gives us a doozy, with the clown in full costume, a big smile painted on his face, running and staggering down brick-filled streets, bleeding from a bullet wound in his back and pursued by those intent on finishing him off. He has an effective death scene, too, in that nightclub. There's no sign of romance or even a spark or two between Merle Oberon and Robert Ryan, just a bit of uneasy flirting. They raise the question, what's the point of the two of them? Charles Korvin, Coote and Toperow all do fine jobs. Reinhold Schunzel dominates his scenes as an aged friend of Dr. Bernhardt who learns too late that he made a terrible bargain. I suppose he's forgotten now, at least in America, but Schunzel was a fine actor. For raucous and corrupt good spirits, put on Criterion's The Three Penny Opera (1931) and watch Schunzel as Tiger Brown pair off with Mack the Knife to sing Kanonen-Song The international intrigue parts of Berlin Express are just fine, especially when we realize we'd better not trust just anyone. The laid-on messages of international cooperation are, unfortunately, dull and heavy-handed. They slow down the plot appreciably whenever Dr. Bernhardt, Lucienne or the narrator decide we need to be reminded of what the real purpose of the movie is. Still, like the curate's egg, parts of Berlin Express are tasty.