After catching landmark A Trip To The Moon,I found myself struggling to decide on what other work from Georges Méliès I should take a look at.Reading reviews from a fellow IMDber,I stumbled upon an excellent one for a Méliès movie I've not heard of before,which led to me getting ready to find out how devilish the tenant could be.The plot:Moving in to a new apartment with his bags,a man agrees on when to make the rent payment.Left on his own,the man pulls out furniture and his own family from the bag! Settling down in the apartment,the man suddenly remembers that the rent is overdue.View on the film:Displaying less of the literary ambitions of Moon,the screenplay by Méliès takes a minimalist approach in order to give the movie a clean setup which does not overshadow any of the visuals on offer.Mostly staying in one room, Méliès takes advantage of the minimal set-up to deliver constantly striking in-camera special effects,which still pack a punch of awe and wonder.Keeping events rolling in long takes, Méliès cleverly uses the dashes of smoke and ruby colours offered in colour tinting to cast a magic circle atmosphere over the tenant's devilish stay

If you compare this 1909 6-minute movie to Georges Méliès, you will see that they have basically nothing in common anymore. the reason was probably that film was developing so quickly into new directions that the old legends had trouble to keep up with the medium. First of all, this is not a one man show anymore like almost everything else he did. Actually Méliès own son plays a character here. And then there are the colors of course, probably the most innovative factor. Still, all of this did not really save this film. I was not too impressed watching this and certainly do not consider it among Méliès finest works. This was already almost at the end of Méliès career and when a couple years later sound became a factor, he did not go along with the new changes, but simply stopped making movies. But it's fine that way. he still left us an admirable body of work. Nonetheless, I do not consider "The Diabolic Tenant" among his most outstanding achievements.

Only recently have I discovered the marvelous and very early films of the French genius Méliès. I call him a genius because his films are so inventive, so different and unique that he clearly transcended his contemporaries. Whereas the average films of his day were almost plot less and dull by today's standards, many of his films are still terrific in the 21st century.This movie, named THE DEVILISH TENNENT in Enlish, is packed full of the most amazing trick camera-work and even features hand colored cels--giving it a color look well before the days of Technicolor. Sure the color isn't perfect, but for its day it was amazing--especially since all six minutes of the film is in color--not just a tiny portion. And when it comes to camera tricks, the entire movie is one trick after another! A man moves into an apartment with just a suitcase. But, it's magical and he is able to pull out paintings, furniture, a piano, a fireplace and eventually even his entire family out of the suitcase--in a most convincing fashion for 1909. Then, later when he doesn't have the money for the rent, he packs everything up and disappears--leaving a BIG surprise for his landlord! This is just one of those "you gotta see it to believe it films"--as no review can do this amazing work justice.If you want to see this film online, go to Google and type in "Méliès" and then click the video button for a long list of his films that are viewable without special software.

This colorful and creative Georges Méliès feature takes a basic gag idea and uses it as the basis for several minutes of interesting and entertaining camera tricks. It is also one of the few surviving Méliès movies that have hand-tinted color, and while the color of the print has now somewhat faded, it still looks good enough to enhance the overall effect.The story starts with a man renting an unfurnished room, and then most of it is simply a wide variety of visual effects as the tenant furnishes his new apartment with things that he amazingly pulls out of a carpetbag. It's interesting and very detailed, and if you've ever seen "Mary Poppins", the basic effect is remarkably similar to the scene in which Mary moves into the Banks home and furnishes her room. The special effects in Méliès's movie are not as polished, but on the other hand it gets even more mileage out of the idea.This feature was made somewhat later than were most of Méliès's best-known movies, but it's easily one of the finest efforts of his later years as a film-maker. It takes one basic idea and makes it into an interesting and imaginative film.