Lot leads his people to a fertile valley adjacent to the cities of Sodom and Gomorrah, hotbeds of vice and corruption ruled by the merciless Queen Bera. When Lot orders a dam to be busted in order to prevent the destruction of the cities by the attacking Helamites, the queen, in gratitude, allows Lot's people to settle in Sodom. Soon, however, the veneer of civilization begins crumbling as Lot and the Hebrews become corrupted by the Sodomites.
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Actually Ain't so religious,but l like too much biblical epics that re-telling some famous happenings from holly book,this one is too fictional keeping the main fact and making dramatic statements that never occurred according the bible,apart this matter which had so many damages on movie itself,further bad things come together,like a low profile special effects which works sometimes and are so primitive in mainly time,Stewart Granger who are one of my fave actor ever this time disappointed me...anyway the movie sunk in the desert of Marrocos,at least Pier Angeli gave a decent acting noticed for many....pure Italian beauty!!Resume: First watch: 2006 / How many: 2 / Source: DVD / Rating: 6
I can imagine why this film flopped when it came out in 1962 (1963 in the States). My take on watching "Sodom and Gomorrah" was no doubt like that of most or many other moviegoers. There was almost nothing in here that resembled any of the story that had come down to us in common lore from its Bible origins. When a movie purports to be about a real event, or recorded event, or well-known and oft-told story, it should resemble that story as much as possible. Of course Hollywood has license to embellish and write fictitious details to fill out a story. But when it totally reinvents the story, it disqualifies the film as a plausible source of some or part of the story.If this film was not a supposed Bible story, it would get a higher rating from me. I agree with a number of other reviewers that it still lacked in some production qualities. But, it would have been an interesting story about a migrating tribe in the ancient Middle East and some of its accomplishments. But one can't watch this film and separate it from the supposed Bible account. Ergo, it fails for its highly fictitious, revisionism in places, and outright erroneous attributions. The only things with any Biblical basis in this film are the names of the cities, Lot and his two daughters, a weak and general portrayal of the wickedness of the cities, and their final destruction. The Biblical accounts of Lot and the cities of Sodom and Gomorrah are n pieces of Genesis chapters 14, 18 and 19. One big thing missing from the film would have given it some real action. That was Lot's capture by northern kings who waged war on Sodom, Gomorrah and the other south Jordan valley cities; and his rescue by Abram. A real erroneous attribution in the film is Lot trying to allay Sodom's destruction by appealing to God to save the city if just a number of good people are found there. Abram – not Lot, does this in Gen. 18: 22- 33. There were no queen and prince of Sodom as in this film. The king of Sodom at the time was Bera (Gen. 14:2). The Bible does not list names for Lot's daughters, and his wife was not a former slave of Sodom (Ildith in this film, played by Pier Angeli). The Bible has no account of Lot making a contract with the ruler of Sodom; nor does it have the Hebrews building a dam or fighting the battle in the film. The Bible does say that Lot's people were taken captive after they fought with the southern valley kings against the invading kings of the North. And, at the end, Lot and his two daughters and wife had to be taken by the arm by the Lord's angels (as men) to flee the city. He had hesitated and his two sons-in-laws didn't take him seriously. So, only Lot's immediate family fled – to a nearby small town of Zoar. He did not lead a retinue of fellow Hebrews out of the city. The film implies that Sodom was guilty of all types of sins, with an emphasis of hedonistic killing. The Bible clearly refers to the city's degradation to sexual sins of all types – adultery, homosexuality, incest, fornication and anything imaginable – "grave." So, I could not enjoy the film as it unfolded because none of it seemed to ring true to the story as I could remember it. And, that type of distraction is a very real harbinger of an audience's like or dislike for a film of this nature. As I said, had this not been based on a well- known Bible story, more people might have enjoyed it. I would have given it a higher rating by a couple notches. A follow-up Bible story that's not as well remembered is what happens next with Lot and his daughters. Gen. 19: 30-38 relates that his daughters didn't want to see his line die out, so they got their father drunk on successive nights. They took turns sleeping with Lot who wasn't aware of what they were doing. They conceived from their incest and the offspring became the Moabites and Ammonites who were enemies of the Israelites in much of the rest of the Old Testament. The word sodomy, referring to deviant sexual acts, comes from the Latin, meaning "sin of Sodom." Pier Angeli was an Italian actress making movies in Hollywood and Europe when she died in 1972. She was 39 and took a barbiturate overdoes while living in Los Angeles.
I'm a very critical viewer, and have left scathing reviews of several films here on IMDb. I am also no fan of biblical or sword and sandal epics - I've never gotten more than 30 minutes though The Robe, Spartacus or Ben Hur. I came across Sodom and Gomorrah half-way through on TV recently, and quickly became hooked ... so much so that I shelled out £17 to buy a full, uncut 154 DVD from Portugal! Take my word for it - Sodom and Gomarrah is really very, very enjoyable in many ways. It is NOT the camp, so-bad-it's good piece of junk some reviews would lead you to expect. The action sequences are really outstanding, and the performances of Stanley Baker and the fabulous Anouk Aimee as the twisted, wicked brother and sister are mesmerising. It is also very racy (for 1962) - indeed it was an X certificate upon release in the UK. In the biography of Pier Angeli, it is revealed that she and Stewart Granger were not on speaking terms, and during filming they spoke to each other only when they were working together. Pier also make a point of making Granger aware he was the only one of the film's leading actors that she had not slept with while on location! If you get the chance, do watch this film. It's nowhere near the disaster you might be expecting ... and by the way, none of those campy lines people have quoted ("Do not bend to the Sodomites", etc) are actually contained in the film!
Robert Aldrich directed some classic films, like WHATEVER HAPPENED TO BABY JANE, but he also directed not so great classics, like the stunningly bad but entertaining LEGEND OF LYLAH CLARE. SODOM AND GOMORRAH is neither a good nor entertainingly bad film. It's just plain bad. The production values, though sorta grand, are awful. Everything looks grubby. The actors are totally miscast. The characters are not memorable or even interesting at any level whatsoever. The acting is awful. The action scenes are overdone and do not seem to gel with the rest of the leaden drama. The movie is all around sloppy and it's filled with many technical goofs, like visible tire tracks in the desert. No one, and I mean no one's heart was into this project. And it shows on screen.The mesmerizing Anouk Aimée is totally miscast as the evil Queen. Playing a lesbian, she wasn't believable on any level, as a Queen or someone evil or as a lesbian. Stewart Granger was blah (certainly compared to his excellent turn as Apollodorus in CAESAR & CLEOPATRA). I suspect Aldrich hated either the character or Granger the actor because Lot came across as someone virtuous and yet totally stupid. Like some sort of Dudley Do Wrong.Aldrich's penchant for things crude and quasi-trashy are in evidence throughout the movie. He certainly loves showcasing evil lesbians in his films (LYLAH CLARE, KILLING OF SISTER GEORGE, etc) and changing the actual ruler of Sodom from a King to a Queen, in order to indulge in his fetish, pointed to me that the director wasn't interested in anything to do with facts or creating a compelling dramatic story. Because of this, this grand epic looks no grander than your average Sword & Sandal film. In fact, Peplums are more fun than this because they rarely take themselves as seriously as this misguided project. There are some moment of great unintentional cheese/camp here but the film is way too long and tedious to make it worthwhile. Skip it.