This movie wasn't very good. I think the director is the son of Edward James Olmos and that he helped his son out by playing a cameo in the beginning, maybe helping him get the job or with financing. Someone else commented how "wooden" the female Detective's acting was and I have to agree. Maybe the director was dating her and let her have the part, because she certainly had no ability, showed no emotion, zero projection, no command as a cop, etc. Just stiff, sullen, quiet, low-energy 'acting'.And then I see Tom Sizemore and he's slamming shots of tequila and acting out of control, which I like to see. But in general, it was a pretty weak performance, even by his standards. Here's a guy who has acted with the likes of Robert Deniro, Val Kilmer, Tom Hanks, etc. and was so down on his luck that he took this role as an out-of-control suicidal alcoholic cop, for probably pennies. I have always liked his work, but not so much in this one. Truly, he was the only reason I bought the DVD (he was on the cover), otherwise I never would have bought it. (Possible Spoiler)I like gritty L.A. gang/cop thrillers, but this one was far-fetched and hard to follow. The flashbacks that try to explain what happen to the victims, show the female detective, as if she was the one killing people? Then you're never really sure. About the only interesting part that held my attention was in the special features, where they interview Tom Sizemore about his career and what happened to it. He said he was doing great, had a $5 million home, and then some woman said that he hit her and then it all went away; he spent all his money defending himself in court, trying to avoid a prison sentence, and then was kind of 'blacklisted' by other actors & directors who didn't want to work with him. It's really quite a shame to see how easily people can be destroyed by allegations. Years back, I used to get Tom Sizemore and Michael Madsen mixed up. They have both worked in gritty film roles and have larger-than-life personalities and played bad guys very well. It seems that both of these great actors have hit hard times and I hope they both get their chance for a comeback. No one deserves to be broke & homeless, not even movie stars.

An hour into this movie, and I thought "okay, enough now; this is as much as I can take of this crap." I haven't seen the ending, and I really don't care.This inept piece of garbage would have even Ed Wood splitting heirs over its numerous flaws. Olmos, who is I assume either the son or nephew of that other Olmos - the one that played in "Blade Runner" - made this amateurish junk, proving for the umpteenth time that nepotism doesn't work. Not in movies, not anywhere. Movie-making is not DNA-based.Awful acting, phony-sounding "ghetto dialogue", muddled editing, an ugly look, and a dull plot. What more can one want?

Though not completely awful, this film disappoints. Though independent directors bemoan the studio system and how it stifles creativity, there is at least one thing that the studios have done fairly consistently: they've been able to remind directors that good acting is highly desirable. Too many indie directors take a concept and some creative ideas and then simply relegate the acting to the lowest priority possible. That's one of the problems with "Splinter"...budget-level acting. I don't consider Sizemore to be an outstanding actor, but he truly embarrasses virtually every other actor in this film, especially Atis, who simply appears amateurish and uncertain in every scene.So, sorry...can't recommend this one at all. Crummy acting condemns a movie, regardless of the concept, story, and other production values.

Lost among millions of Hollywood flicks and translations of life in the barrio, urban thriller fiction and urban friction have never been translated and amalgamated into a digestible and acceptable product until the conception of Splinter. In the footsteps of its successful filmic predecessors "Ghost World," "History of Violence," or possibly "The Walking Dead," one might consider this to be another wonderful comic book/graphic novel come to life. However, not quite manufactured into an actual tangible book like its famed literal leaders, Dark Horse Films (Sin City, HellBoy) along with director Michael Olmos give life to an inner-city story that follows the conventions of traditional story telling in movies, but flesh out the skeletal in such a purposeful and personal way as to entrap us in the confusion that binds all of its characters. Entwined in a lysergic and cathartic weave, everyone, actors and audience members alike, will find themselves trying to escape from the volatile streets of Paradise Gardens and Greenville Heights acid-mimetic tirade. Supported by such talents as Sizemore, Olmos, Almeida, Gugliemi, Atis, Rivera, and Cypress Hill, you'll want to bring the homies Dusty, Trigger, and Happy along for the "trip." You betta axe somebody!...