I like South Korea war dramas, and the premises of Silmido (in Korean - 실미도) seemed to be an absolute winning formulas. Sadly, the film is a major disappointment and failed on many angles. It is far too long, far too slow, far too predictable, far too pathetic, and it lacks any redeeming feature. Yeah, the real events of 6834 Silmido groups were tragic but one could depict them better and less that pathetic. Training scenes are far too prolonged and quickly become a real bore. Dialogs are often empty and also lack depth or any credit to them. The uprising sequence is also far too predictable and suffers a lot from high-blown phrases and long, very long final scene. The good things are again the exquisite depiction of Korean nature, the great camera work and an excellent sound production. Sadly, again, but hey do not deliver the film to a better level and only underline how generally poor the execution is. Can be watched and then discarded

Silmido is a South Korean film that stars Ahn Seong-Gi, Seol Gyeong-Gu, Heo Jun-Ho, Jung Jae-Young, Lim Won-Hee, Kang Sung-Jin, Kang Shin-Il and Lee Jung-Hun. It is based on the true story of Unit 684.The movie was directed by Kang Woo-suk.A rag tag bunch of misfits and death row criminals are transported to Silmi Island as part of a secret plan to assassinate North Korea's leader. After months of grueling training including physical and mental abuse and even death, the would-be assassins are ready to undertake their perilous mission. However, as politics change, so too does the mission of the SILMIDO team.The movie is based on a true story and present an accurate portrayal of history.Also,it has many elements of psychological realism. During the training, for example, the military officers look for leadership qualities in their trainees and creates 3 teams under the 3 best leaders. This is how the military still finds leaders and forms teams today. In fact, you will find many examples of great leadership in this movie.Finally,it has a great action sequences.These are reason why the viewer will truly enjoy this film.

Apparently based on actual incidents, this epic film ought to have been just a straightforward "Dirty Dozen" action film with a sketchy plot, loads of violence and boot-camp brutality, displays of macho camaraderie and a schmaltzy message about dying for your mates and country; "Silmido" is all of that on one level yet turns out to be more. Perhaps its Korean setting and the very contemporary nature of the politics invoked – the Korean War technically hasn't finished – help shove the film into a realm audiences inside and outside the country can relate to but I'm not sure that explains the feeling I have that "Silmido" would affect a lot of people who have no knowledge of the country's history in a very personal way.The plot is easy to follow: in the late 1960s, after some North Korean agents have been captured and executed by South Korean military forces after confessing that they were on a mission to kill President Park Chunghee, the South Koreans themselves toy with the idea of sending men on a similar mission to kill North Korean leader Kim Ilsung. Under orders from the government, the army sends over 30 hardened criminals on death row and other outcasts to Silmido island to undergo a brutal training regime that will transform them into elite assassin force Unit 684. For much of the film, viewers are treated to harrowing if well-staged scenes of unrelenting Spartan training and often sadistic torture; the proceedings can be hard to watch sometimes and the film's pace never lets up. When the men have been disciplined and honed into an efficient fighting force, the government orders change and the army is now faced with a fanatical killing machine it does not know what to do with.The plot is mostly predictable: men who can't handle the training drop out and there's a token death; the army leaders and soldiers who train the would-be assassins are suitably granite-faced and apply the requisite beatings and excessive machine-gun fire punishments. There's room for slapstick humour in one scene where a man runs into a river before his minder even has a chance to brand him with a hot poker! The music soundtrack is stirring and heroic to excess and there is plenty of Korean-style OTT melodrama; compared to other east Asians, Koreans have a reputation for being highly emotional and intense people and "Silmido" milks the emotional potential inherent in scenes between individual characters who have personal crosses to bear and old scores to settle.Where the film really lifts its game is in what goes on between the army and the government represented by stock character stereotypes outside Silmido island: the general political situation changes, South Korea decides it's better to co-exist with and even do deals with Kim Ilsung, and senior bureaucrats and politicians waive away the creation of Unit 684 as though the 31 remaining men in the unit are just so many flies to be swatted away. The hoplites' loyalty to their country and fighting zeal count for nothing but their very testoterone-charged fanaticism, the bonds of loyalty among themselves and to their superiors, and their readiness to face death so that they can truly feel alive now make them a serious threat to South Korea's security. At this point in the film, non-Korean viewers realise there are two ways to go: the plot could just let the men go off to North Korea with the army and government cynically figuring that the North Koreans can handle them their own way; or the men could self-destruct. As Koreans know already, the men do self-destruct but the ways in which they do it turn out quite unpredictably. Their demise is at once heroic and pathetic and the film's coda is quietly powerful and depressing in a way that only skillful and clever Korean film-making can make it.The incidents of "Silmido" are particular to Korean history, so much so that I don't expect Koreans born after the period of military rule (which ended more or less about the late 1980s or early 1990s) to know those events, but the film's themes of political expediency, bureaucratic indifference, the cynical exploitation of loyalty, camaraderie and patriotism, a government's inability to consider the consequences of creating a killing machine with only one short-term purpose in mind and the psychological effects that intense military training might have on people are surely issues that will resonate with viewers beyond Korea. Above all there is something exhilarating about men who, in training to face certain death, discover purpose and new life, and you can't help but feel that in spite of their brutal training and psychological transformation, they experience a kind of freedom and become supermen, far beyond the confines of the society that originally produced them.

This one shouldn't be seen while feeling vulnerable.In 1968, a group of 31 death-row prisoners were selected by the South Korean military with the intention of crafting them into a super-tough unit to slash the throat of the North's President, in retaliation for a similar attempt by the Communist government.The endured an unspeakably gruelling training, but became the ultimate fighting unit: no past and no worries about the fate (just as long as they don't get captured). However, at the 11th Hour, the South Korean government altered policy and retracted the standing orders: no go on the mission. So the condemned men, 'Unit 684', who lived, trained and survived together were left with no purpose, and were a potential powder keg on the diplomatic level… I expect you can guess what happened next.This movie went stellar in Korea, and given the success of films like Shiri, JSA, Taegukgi and Champion I can appreciate why. This is concerned heavily with national identity, loyalty, responsibility, duty, faith and friendship. It's also gutsy, violent and tough – so much so you might end up feeling you've trained with the men themselves. One of the strengths of Woo-Suk Kang's film is that it's engaging: you feel like you evolve with the men, that you live with them. Is this isn't brought about by any particularly subtle techniques, but by cinematic brute force. The film pummels you over the head with images of torment, crushing, bombastic Hans Zimmer-esquire music, gunfire, widescreen effects, explosions, and close-ups of bodies smashing rocks.It's melodramatic to the bone. OTT, posturing and hard to take seriously.But for some reason, I was moved, and impressed. Despite it's excesses and bombast, the film gets under your skin. The issues surrounding the country's responsibility to the men it sentences, then entrusts with its dirty work are raised, but not properly examined, ditched in favour of loud speeches and actors being manly. But the film's resolve to take itself absolutely seriously pays off. Despite the length and tracks of boredom that set in, director Kang's decision to milk scenes for all their worth makes you care. And you will be moved for the men.There is also some genuine food for thought. The film lacks the scale to examine some of its more controversial issues properly, and the villains it creates are your basic dispassionate men-in-high-places-in-suits, but the betrayal wrought on the prisoners is made more complex by the changes in some superiors' characters, and by the ideas of bravery and cowardice that are briefly raised.I find it slightly dispiriting that a Hollywood-like lack if complexity has seeped into some of South Korea's film (e.g. Shiri, Tube, Taegukgi), this is an angry dog of a film, committed to the men it depicts. I'm sure major historical liberties were taken, and for Korean cinema, sample Save The Green Planet above this, but this still an accomplishment, and a tough experience.