For Tobe, a nerdy, horny, frizzy-haired cineaste who doesn't quite fit in with the average contemporary teen, the pinnacle of womanhood is Monica Velour, a soft-core actress who reached the zenith of her career in the 1980s. When Tobe learns that his love idol is headlining hundreds of miles away at the Gentlemen's Petting Zoo in Indiana, he drives off with carefree glory, filled with the hope of meeting her.
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Wow, I was surprised to see such a strong performance by Kim Cattrall. She has proved herself to be a talented and versatile actress; not a shadow of Sex and the City's Samantha Jones here - she totally owned the role of Monica. I'm surprised she isn't getting more work; I'd love to see more of her in serious roles.This is much better than I can say for her Sex and the City co-star Sarah Jessica Parker, who isn't capable of portraying anyone other than Carrie Bradshaw, and all the movies she has done were rubbish, yet somehow she gets more recognition. That's so lame.Spoilers: I was hoping for a happy ending... INVOLVING Monica, but all we get to see is Tobe getting together with the chubby girl. I guess there was no other way to end the movie that would be reasonable, but I was still a little disappointed. It is implied that Monica does well with the 5 grand Tobe gives her and with getting her kid back, but still, it would have been better to actually SEE it.End of spoilers.Despite the slightly disappointing ending, the movie was great altogether. A serious and thoughtful movie that's funny in all the right places. Massively underrated. A must-see for drama-lovers.
This film is disappointingly good. Not because I would hoping it would suck and it didn't, but because it is fundamentally flawed in a way that all the positive things movie cannot overcome. This is a funny, sensitive story with fine performances and careful direction. It's also a tale that is structurally centered on one character while its emotional focus is almost entirely on another. The plot is all about a 17 year old kid who seeks out the 1980s porn star he's fantasized about for years. However, that harshly aged porn star is the only one writer/director Keith Bearden really cares about. It is her life and her struggle that are at the heart of this film, even though she's only a supporting character and the movie revolves around the mostly hapless teen. At the end of Meet Monica Velour, the viewer knows far more about the ex-porn star than the teen and understands her better than him. That's like knowing more about Fredo than Michael at the end of The Godfather II or more about Han than Luke at the end of Star Wars.Let me try and put it this way. The teenager's obsession with the porn star is the most important thing in his life. Yet, the audience is provided with not one scintilla of explanation for why he's obsessed with this particular figure from X rated history or how he even discovered her. This motion picture is set in 2010, which means the kid was born in 1993. The porn star ended her career the better part of a decade before the kid was born and the better part of two decades before he entered puberty. How did he find out she ever existed? And what is it about her that commands his pre-adolescent brand of adoration? I'll admit the former is primarily a pesky little plot detail that others might not care about. The latter is at the core of who this kid is, how he got to be that way and why he does the things he does. No matter how otherwise well written or performed the role, and both are nicely accomplished here, this is a character with a gaping void where his humanity should be. He's a puppet through which Bearden and actor Dustin Ingram show off their considerable talents, but that's all.In addition to Ingram, Kim Cattrall as the ex-porn star and Brian Dennehy as the teenager's grandpa are quite enjoyable to watch and their characters do have a bit of historical and personal depth to them. Even the smaller parts like Daniel Yelsky as a neighbor boy, Jee Young Han as the girl the main character should be lusting over, Keith David as the wise man who enters the teen's life and Sam McMurray as the ex-porn star's ex-husband feel like living human beings. There's not a question is my mind that you could leave almost everything else the same and if you concentrated the story on Cattrall's character and cast Ingram in a supporting role, this would have been a vastly better and more entertaining film.If Keith Bearden had only directed someone else's script, I'd be very interested in seeing more work from him. He does that good a job telling this story. That's he's the one who came up with this out-of-whack screenplay, however, gives me pause. I'd still be interested but I'd want to know what other people thought of it before investing my time and money. If you're a fan of any of the actors here, you might like Meet Monica Velour. Even though there's a lot of skill and talent evident in this production, I can't say anything better about it than that.
At sometime in your life you've either met, wished to have met, been or wish to have been Monica Velour, a film which captures life's beautiful tragedy, beautifully.Perhaps you know a Monica and maybe you're a Tobe but have heart, it'll all work out fine in the end.If you don't recognise any part of yourself in this excellent film then chances are, eventually, you will. Either that or you're incapable of recognising Bathos, Pathos or any other of "life's Musketeers"Kim Cattrall is still hot, more so without all the SITC polish but special thanks must go to Brian Dennehy for certain .. aspects ..of his performance. In between poking out my mind's eye with an imaginary fork, I'm reaching for the eye bleach. Thanks, Brian....9/10 Monica Velour is an instant classic.
I really enjoyed this movie. It's got lots of heart, a rare thing today without getting schmalzy, good laughs and smart and to the point writing. Without doubt the best part is Kim Cattrall's performance. She's never been this good, or even close. She totally looses herself in Monica Velour. It's a Streep quality job. There's an Oscar buzz already on some blogs and shockingly, I think they're right. But apart from that, I'd say this movie is one of the most real movies I've seen. The characters are taken off the street, their dreams and realities are like the ones we all share. It makes me think - why aren't there more movies like this out there, movies that make us sit back and look at our own lives and say hey, I don't need to lose twenty pounds or be a superstar, I can just be me.