Originally posed Aug. 1999Great music, great cast, great acting but the story could use some work. Like a lot of people, I thought the black family was seriously overlooked. If the movie was really about two families, why weren't the Taylors given equal screen time with the Herlihys? The tagline should have read: How the '60s affected one family and their acquaintances, since the Taylors did have a brief encounter with middle Herlihy son Michael (Josh Hamilton). While the story touches on issues that concerned blacks, such as the right to vote, police brutality, segregation and the Black Panther Party, the Rev. Taylor (Charles Dutton, in a fine performance) and his son Emmett (Leonard Roberts) are still given very small screen time in comparison with the white characters. After Dutton's character is killed during the Watts riot, Roberts shoulders the black side of this portrait practically on his own (except for David Allan Grier, in an even tinier role), and does so with incredible skill and stealth. Kimberly Scott, who portray's Roberts' mother and Dutton's wife, gives a lovely performance, but it's all too brief. Short shrifts aside, I was very pleased with most of the Herlihy's part of the story, though I thought most of the clichéd, boring story concerning the sister who got pregnant and ran away could have been done away with, and that time given to the Taylors. I was impressed with Jerry O'Connell's performance as the oldest Herlihy son, Brian, who goes to the Vietnam war as an innocent trying to make dad proud of him, and who comes home stripped of that innocence. The movie also focuses on middle son Michael's involvement with the anti-war movement, and his relationships with two activists he meets at a New York student teach in, passionate Sarah Weinstock (Jordana Brewster) and vehement Kenny Klein (Jeremy Sisto). Although the love-triangle part could have been excluded, the three characters bring to life the wonder-bread freedom fighters that existed and actually suffered, and the distrust of (anyone over 30) that generation possessed quite effectively. The Herlihys also get a taste of Woodstock, and if the rest of the movie fails to impress, the Woodstock scenes will at least give you a taste of what it was like to be there. I wasn't too happy with the ending. They should have included notes on what happened to these people after the decade ended. But aside from my disappointment about the ending and the black family's screen time, it was an above average miniseries, which I will give a B+.

oh ya, I was there and can vouch for the veracity of many of the scenes in this series. My background was that of a naive shy geeky type and it took me a long time to come to terms with what happened during the 60s. A time of very rapid and huge social change. The course of the decade is mirrored in the story presented in this excellent representation. The remnants of the bobbysoxer era gave way to some pretty horrid psychedelic tunes but then Jimi Hendrix hit the air waves. His legacy will in 200 years be similar to Amadeus Mozart: they both revolutionized music, lived on the edge, died young and broke. The difference is we have Jimi's live recordings and know his resting place. The characters then undergo some defining moments, and the war in southeast Asia spills over. The end of the film was rather abrupt and bewildering, same goes for that decade. I was there when the hippie era ended in a similar fashion.Plausibility of this story ranges from dead on to highly unlikely. But you have to remember the hippie era was partly based on a lot of media hype and voyeurism. This range of views is correctly portrayed.Julia Stiles was uniquely outstanding in her role as the wayward daughter who struggles against the downside of a society that in some cases was determined to devour its young. I too was kicked out of the house at a young age but I deserved it having chosen to sport long hair and argue with my parents at every opportunity. Fortunately I had a job at the time and all was forgiven eventually. Gee, thats exactly what happens in this movie. Its no wonder Ms Stiles has gone on to many more film projects and I hope to see her in roles that extend her talent.Out of all the portrayals I have seen of that period, 'The 60s' is the most accurate. I was there, I should know. I even lived in a hippie house the summer of 1970. It was a farm house converted to a non-denominational church and some teens from around Canada and one chap from Jamaica were there on an exchange program. Music, motorcycles, pot, hitch-hikers, stern faced members of the establishment, oh ya, I had some flashbacks watching this one.You can look back but you can never go back.

I watched it when NBC showed it, then when it came onto video I bought it. I think it shows the 60s pretty accurately. The other reviewer must have been a child during the 60s. A lot of young people during this time went threw the same things the charters did. I now show it to all my history classes when we study the 60s!

This was a great, but not very in-depth, overlook of the sixties with examples in the hippie movement, Vietnam veterans, African-American freedom fighters, the intellectual radical left and traditionalists. Most of the actors gave solid performances, especially Jeremy Sisto. Very nice full-circle story. My only beef with the film was that, as usual in Hollywood films, the end trivializes the rest of the content.